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Present Status: Book 06: Oblivion Precipice — Available now!

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Image: “Concrete Jungle” by BoldCat

I cleared my throat and tilted my head to the right, slightly lifting my chin and projecting my voice to the ceiling. It was unnecessary, I knew: the room’s microphones would pick up near sub-vocalisation levels of speech, but it was a nervous habit I couldn’t seem to break. Despite years doing it, I’d never quite shaken off the unsettling feelings that came from talking with the dead.

“Inspector Smith, beginning Memory Autopsy for deceased #323477 — identified as Mr. Daryn Bright, twenty-six years old at the time of his death approximately fifteen hours ago. Preliminary cause,” I said, glancing briefly at the angry, blotchy bruising around his throat, “believed to be strangulation, likely by hand. No other signs of injury present; no DNA evidence under victim’s fingernails, no overt signs of struggle. Toxicology came back negative for alcohol, tranquillisers, or other substances. Given the anomalous nature of the murder, victim was referred to Memory for further investigation.”

I looked at the four diaphanous apparitions hovering in a semi-circle about ten metres away from me. “Joining me remotely are Constables Hohnke, Sandes, and Johansson, as well as Inspector General Lammerts. Please provide verbal acknowledgement.”

“Acknowledged,” the four said in unison, communicating from whatever offices they worked out of across the globe. Given the slim window of time in which a Memory Autopsy could be performed, it behooved having facilities set up as local to population centres as was possible. I’ve never met any of them in person — and realistically, it was likely that I never would.

“Acknowledgement received and logged,” I responded. “DELTA, commence cognition revival.”

“Initiating revival,” replied a tinny, inhuman voice seemingly coming from everywhere all around me. The facility’s synthetic intelligence handled almost all aspects of this process, but communing with the dead did require a human touch. A somewhat unique touch, at that: these days we understood the electromagnetic fields radiating around one another and knew more about the invisible communications we’d unknowingly been broadcasting since before humans first figured out how to harness flame. In a less-enlightened era, these were talked about as auras or other pseudo-scientific terms, but now we had actual understanding about the subconscious network humanity had been perpetually jacked into under our noses all along.

But for all our species-level connectedness, people like me were fairly rare; people like me who had varying degrees of control over the nature of what we broadcast — and what signals we received from others. The sort of folks who always know when someone is lying to them, or if something is wrong emotionally when all outward signs seem fine, or cruised by as the life of the party but felt emotionally drained and needed a quiet, dark room away from the silent noise of other minds as soon as they get home.

I closed my eyes as DELTA began the procedure. The already-dim lighting in the refrigerated, sterile room flickered almost imperceptibly, and the walls began to vibrate from a low hum. Electrodes on my temples and wrists tingled slightly as the machinery surrounding me and the corpse were activated.

Everyone had their own process for getting into the right state of mind for an autopsy: I pictured myself falling into a dark ocean backwards and let the void swallow me until my breathing slowed to a steady, calm rhythm.

“Link confirmed,” DELTA said after a moment of meditative silence. I opened my eyes and saw the victim’s home manifested holographically around me as his last minutes alive were drawn out from the dead grey matter inside his skull.

“Constables, can you confirm that you’re seeing the live link?” I asked. Again in unison, the ghostly quartet acknowledged that they were seeing the same thing I was. I gave a short nod to myself and took a deep breath. “DELTA, bring Mr. Bright back to life.”

The machines around us shifted pitch and the walls shook with an intensity that would be concerning had I not done this process dozens of times in the past. Then, suddenly, a new ghost manifested in the room: hovering just above the corpse, a projection of Daryn’s self-image appeared in front of me.

“Daryn, can you hear me?” I asked the apparition.

“Where am I? I’m very cold,” came the response from the same speaker system that DELTA communicated to me through. Daryn wasn’t actually alive, of course, and I was merely activating dying synapses firing on borrowed time.

“Daryn, I need you to think of the last thing you can remember. What comes to mind?”

“Where am I?” the corpse repeated, ignoring my question. I frowned to myself, pursing my lips as I looked at the tablet in my lap. DELTA was reading little subconscious activity in the victim’s mind: whilst everyone handled their death in their own unique way, with some victims rejecting their final reality quite violently, me asking him to recall his last moments should have surfaced something even if he didn’t want to remember anything at all.

Conscious of the small window of time that was available to us, I pressed on. “You’ve died, Daryn. Someone murdered you, and I need your help to find who did it.”

The walls began to shake even worse than before, and for the first time I felt a gnawing sense of unease. “What? No — I’m not dead. I’m right here. I’m right here!” He began repeatedly screaming the last phrase as the high-pitched hum from the equipment nearby threatened to rupture my eardrums.

“DELTA, put him back to sleep,” I called out over the noise and his screaming. At once, the din ceased and the projection above the body vanished. My ears rung in the silence.

“DELTA, reset his memory back to the state it was in when he was revived, then bring him back again.”

“Confirmed,” chirped the facsimile. Seconds later the projection returned.

As did the screaming.

“DELTA, that’s enough!” I shouted and once more Mr. Bright was turned off. I looked at the tablet screen and confirmed with my own eyes that even though his mental state had been reset, somehow he retained memory of what I’d told him. I’d never encountered anything like this before.

There was one other tool available to me. It wasn’t unusual for a particularly violent death to reject an autopsy — though to this degree was outside of my experience — and a mind could be overridden and directly controlled if a cooperative conversation was beyond the victim. The downside is that doing so would burn out the victim’s synapses entirely, so it was a last-ditch tool with a one-time use.

“Well, you saw what happened,” I said to my colleagues. “I don’t think we have any choice but to use an override.”

The flickering apparition of Constable Hohnke frowned. “Are you being too hasty, Smith? Why don’t you try interviewing him again.” The others nodded and murmured agreement.

I grit my teeth. Every minute this dragged on was another minute that the victim’s mind deteriorated and our already-slim chance at getting information out of him was reduced. Nevertheless, I couldn’t use the override without a majority vote of everyone present. I instructed DELTA to try to reset his memories and revive him a third time and once more the pained screams of the dead man assaulted my ears.

“Very well,” said Hohnke. “I think it’s clear that we’re not going to get through to him using gentler means.”

The Inspector General tutted and shook her head. “Such a waste.”

“All in favour?” I asked the group. The vote was unanimous.

“DELTA, initiate memory override. I will assume direct control.”

“Initiating override in ten seconds, Inspector Smith.”

I closed my eyes again and slowed my breathing to slip back into my trance state. DELTA continued to count down as I followed along in my own head and waited for the connection to begin. When it happened, I felt a surge of electricity through the contacts on my skin and my mind’s eye exploded with someone else’s memories.

“DELTA, confirm recording,” I said in real life. The AI chirped back an affirmative. With my eyes still closed and knowing that what I was seeing was simultaneously projected to the room — and, by extension, my colleagues — I “looked” around.

From the crime-scene photos I’d already viewed, I knew that I was inside Mr. Bright’s apartment. There wasn’t anything particularly unusual about it, and he lived in what was an averagely boring sort of apartment for single people his age. The dead man, now resurrected to the last minutes of his corporeal existence, sat on the couch reading a book. I squinted at the cover as the book’s title shifted into focus — “I, Robot.”

Standing in place at the centre of the living room I passed my attention over everything I could see nearby. Who knew what details would prove important, and I knew this recording would be poured over by the other investigators involved in the case. As Daryn continued reading, unaware of my silent presence inside of his mind, a chime went off from an intercom panel in his apartment. Daryn closed his book and walked over to the panel. His body language didn’t suggest that he was surprised, so this visitor was expected. I looked at the intercom and focused on the tiny LED screen above the call box, but whomever it was stood too close to the camera to make any identifiable details out. Daryn thumbed a button and a green checkmark appeared on the screen. The visitor moved out of the frame, and Daryn walked down a hallway and out of my view.

Locked in my vantage point in the centre of his living room, I couldn’t see where the victim was now. “DELTA, bring me closer to him.”

After a second, my perspective shifted and I was standing in a corridor as he walked towards the front door of his flat. Daryn unlocked the door and opened it slightly, leaving it ajar before he returned back to the living room and passed through my projection as if I was invisible. I instructed DELTA to shift my position so that I could both see Daryn and also had line of sight to the front door. Then, I waited for this unknown visitor to show themselves.

It didn’t take long. The door creaked open and, much to my surprise, a young woman stepped through the threshold. She was average height, with brown hair pulled up into a tight bun. Attractive enough in a conventional sort of way. She had on a black t-shirt and jeans with heavy black leather boots on her feet. Her stance was confident and assertive — the first word that came to mind was “soldier.”

And I had the uneasy feeling that she was somehow staring directly at me.

The woman took several purposeful strides into the apartment, closing and locking the door behind her. Then she turned to face me and there was no doubt about it — somehow, this person knew I was there despite being a disembodied presence within the memory of a dead man.

“Olle. Lovely to meet you, finally. Well, as much of a meeting as this can be.”

“How —” I started, confused as to what was going on. The hair on my arms stood on end and my heart started racing with fear.

She held up her hand. “No, don’t speak. Our time here is short anyway, but I’ve heard so much about you. We’ll be meeting properly very soon.”

The stranger’s mouth twisted into a grin that was all teeth and held a feral sort of violence behind it. Then, without warning, she launched herself at me with her hands balled into fists. I flinched and yelled out reflexively as some sort of force slammed into my body. Back in the real world I fell back from my chair, electrodes ripping themselves from my skin painfully as I landed on my side. There was an electrical pop and I smelled the acrid smoke of burning plastic as something in the room sizzled and flared up. I didn’t need to look at the tablet or ask DELTA what I already knew to be true — Daryn Bright was truly dead now.

mixvio:
“ Alcyone: The Last City — interactive fiction video game kickstarter live now!
http://alcyonegame.com/kickstarter/
I’m super thrilled to announce the launch of the kickstarter campaign for my debut game, Alcyone: The Last City. Alcyone is a...

mixvio:

Alcyone: The Last City — interactive fiction video game kickstarter live now!

http://alcyonegame.com/kickstarter/

I’m super thrilled to announce the launch of the kickstarter campaign for my debut game, Alcyone: The Last City. Alcyone is a sci-fi interactive fiction video game set in the last city in the universe after attempts at faster than light travel destabilised existence and destroyed most of reality. It features gorgeous hand-painted digital artwork and a complete soundtrack and at release will contain around half a million words of writing.

At the moment it’s already nearly 60% funded after the campaign has been live for a week. I’m looking to raise $5000 which will cover costs in developing the game, hiring artists and musicians, and paying some additional writers who are getting involved.

If the campaign raises over $5000, I have several incredibly cool guest writers who have agreed to get involved as stretch goals — these include industry veterans David Gaider (lead writer and world designer for the Dragon Age series) and Alexis Kennedy (founder of Failbetter Games and one of the creators of Fallen London & Sunless Sea). I couldn’t be more honoured that they’ve all agreed to get on board.

Backer rewards include things like DRM-free copies of the game on your choice of desktop platforms (macOS, Windows, and Linux) as well as artbooks, soundtracks, incredibly cool canvas prints, or even helping to collaborate on writing content.

If you’re a fan of deep narrative experiences that emphasise choice and consequence, then Alcyone is for you. Please spread the word!

(via mixvio)

Gesture

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Image: “Isometric Water Lilly” by Sephiroth-Art

Eze chewed his lower lip in concentration, every atom in his body focused on the tiny disc of light at his cross-legged feet. He narrowed his eyes cautiously, lines wrinkling across his forehead as he pushed that rigid focus into a physical manifestation within the centre of the conjuration plate itself: a pinprick of light sputtered into existence for just a moment, like a magnesium flare freshly lit. The spark flung copies of itself around the disc wildly and he held his breath in his chest lest even the act of respiration disrupt the process.

He watched with growing nervousness as the iridescent glints of energy cycled up and down the rainbow before finally settling on a hundred various shades of vibrant turquoise. He risked reaching out to touch the stone rim of the disc, driving his will into its rippling nucleus as his mind told the flicks how to reorient themselves as he desired. Slowly, as if the light were shards of metal and he was scraping a magnet across the surface, he commanded the energy at his feet into a rough sketch of the flower he remembered seeing earlier that morning.

Eze hadn’t quite intended to be nosy, at least consciously, but when something seemed to catch Branden’s interest he couldn’t help but be interested in it in turn. He shyly peered over the other student’s shoulder at the book in his lap, and his attention was arrested by the alluring blossom painstakingly drawn on its vellum pages.

“That looks very beautiful,” Eze croaked, nerves making his voice sound quiet and ineffectual even in his own ears.

Branden looked up and smiled broadly, flashing white, neatly positioned teeth in greeting. If it had been an expression on anyone Eze wasn’t so infatuated with, that physical embodiment of perfection might have made him nauseated.

“It’s a caeruleum orchid,” Branden said, thumping his finger against the bestiary. “They’re all extent now, unfortunately, but they were very popular when they still existed a few centuries ago — that’s part of why you can’t find any these days; the strain was over-farmed for dye and the population could no longer support reproduction.”

Eze had little understanding of the words coming out of Branden’s mouth, but he continued staring happily anyway. That had given him the idea for his current experiment, though: Branden seemed to like the flower, so Eze purloined a book on conjuration as well as the original bestiary from the Library and had gotten it in his head that if he managed to enchant one of vanished plants into being it would summarily impress Branden and send him head over heels to the same degree that Eze already was.

That was the idea, at least.

Unfortunately, as soon as Eze began letting his mind wander, the skeleton of the conjuring began to waver and shake. “No, no!” he begged under his breath, gripping the disc harder and trying to reassert his willpower over the magic rapidly disintegrating in front of him. It was too late, however, and the coloured flint vanished in a puff of gentle brightness; the disc’s surface returned to its inert, grey state and Eze stared down at it with abject disappointment.

“That was pretty, whatever it was going to be,” said a voice behind his back. Eze whirled around with embarrassment, contorting his torso to hide the remains of the spell until he realised the speaker was his dormmate, Ceith. The older boy closed the door to their room, tossed his knapsack on his own bed and flopped gracelessly onto the furniture beside it. “What was it for?”

“A wasted gesture,” Eze replied, disconsolate.

“Ah, I see,” Ceith nodded with an air of sage understanding. “This is something involving Branden.”

Eze rolled his eyes and pushed the disc away, taking a moment to arch his back and stretch his stiff legs. “The flower doesn’t exist anymore, or something, so I was trying to make one.” He gestured to the drawing of it on the open book at his left. “He really liked it.”

“So you were going to give it to him as a gift, and he’d then see you in a brand new light and fall senselessly in love with you, yes?” Ceith gently teased.

Eze blushed hotly. “Don’t mock me, please,” he glowered, staring at his shoes.

The other boy’s expression softened and he sat up on his bed. “Why don’t you just tell him how you feel?” he asked gently.

“Some of us aren’t as confident as you are,” Eze mumbled in reply.

Both youths stared at the stone floor of their dorm room in awkward silence for several moments before Ceith cleared his throat. “Would you like some help with the spell, then? Conjurings are trickier if you’re trying to recall the base image without a physical example, and two people can hold a sketch stable for longer.”

Eze looked over at his dormmate in surprise before a small smile spread across his lips. “That would be nice, thank you.”

Ceith nodded, pushing himself off of the bed and landing opposite Eze on the ground. He arranged his lanky limbs in a more comfortable configuration before looking down at the conjuration disc sitting between them.

“Right, then — let’s get started.”

Denouement

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Image: “Oasis” by WojtekFus

Talitha gave a weary sigh of relief as her banak scrambled over the ridge and the lights of Veritas came into view. Scavenging had been particularly difficult today, she conceded, and it was only due to the increasing risk of being caught out in a bladestorm that she gave up and brought her meagre haul back to the city — indeed, in the last half hour of her trek home, the ambient temperature had dropped at least fifteen degrees and her respiration was increasingly strained. The neutron star her planet orbited would whip over the horizon behind her soon and with it would come the dead star’s unusual impact on the planetary atmosphere: localised pockets of vacuum, gravitational fluctuations, and miniature hurricanes whipping up sand at such velocities that it could strip away skin and muscle in minutes if someone was caught outside unprotected.

Of course, calling it a neutron star was more than a little disingenuous. The sphere of cold blue energy was a mostly-inert weapon left over from the Eclipse a century earlier; then, the old gods of industry had converted planets and celestial bodies alike into their engines of destruction and obliterated three-quarters of the galaxy before an armistice was declared. Nowadays, civilisation couldn’t be very picky and inhabited whatever passable worlds were left — sometimes those worlds just happened to rotate thirty kilometres a second around a barely-stable bomb.

Once she was under Veritas’ bubble shield the weather outside would be irrelevant. She cast a backwards glance at the webbing attached to the banak’s saddle; junk, all of it, but there was always a market for the rare metals that could be extracted from the derelict spacecraft and buildings abandoned in the Far Wastes. She’d gone exploring in a region much further afield than foragers like her tended to search, but she’d stumbled onto the carcass of an old passenger freightship a few days earlier and it held the promise of valuable electronics like transponders, computer gear, and maybe even an AI core. Sadly, just working out a way to get inside the derelict had taken up most of her day — leaving her with both a pathetic haul and barely any time to get safe before the storm. Still, the effort meant that the ship was unlikely to be combed-over by her rival scavengers and she could return with more time in the morning.

If Talitha managed to get inside the city, that was — already her ride was starting to tremble and complain at the rapidly deteriorating weather conditions and the creature made its unhappiness known through low warbles and huffs. “Calm, Jotna,” she soothed, using the creature’s name as she reached forward to scratch her fingers in the fur otherwise covered by the saddle. The beast shook its head back and forth gently but dutifully trotted towards the bright lights of the city. Around her, eddies of wind began kicking up diminutive tornadoes of dust and sand. She pursed her lips and furrowed her brow, quickly calculating the distance remaining on her trip.

Talitha swore aloud, realising there was nothing else to be done for it — the banak wouldn’t be able to reach Veritas in time with a net of cluttered metal trailing behind it. She twisted herself around in the seat and pulled her plasma blade from its sheath. The creature whined at the smell of ozone, but continued its pace as she wriggled around to reach the ropes that held the creature captive to the webbing. In one quick motion she severed each cable, trying to console herself with the fact that she wasn’t losing much income when compared to her safety and there was always the remote hope that she mind find her haul untouched after the storm abated.

She jabbed her heels into the beast’s side, giving its flank a confident smack as she drove it to its top speed in the direction of the city itself: neon brilliance and tall columns of concrete that stood in defiance to the gathering black clouds that shadowed her approach.

etteette:
“ artdirections:
“ 5 Ways to be a Happier Creative
We all know the tortured artist schtick. To be honest, I can be a downer sometimes myself, but I think it would be terrible for us to all perpetuate the idea that being creative and...

etteette:

artdirections:

5 Ways to be a Happier Creative

We all know the tortured artist schtick. To be honest, I can be a downer sometimes myself, but I think it would be terrible for us to all perpetuate the idea that being creative and miserable are mutually exclusive.

So here’s to being creative and actually enjoying it:

1. Refuse to See Your Entire Life Either as a Success or a Failure
The idea here is to never buy into the lie that your life is either successful or failing in terms of your creative output. Think of the most successful creative person you can, if you look closely you can see a series of successes and failures.

The best way for me to look at the creative life is as a series of projects which can be successful in some ways and fail in other ways. For instance, some projects are really successful in the development of your skill but not financially advantageous.

Also, don’t believe that there is some level of success where you have now “arrived” or attained a level of success which can never been denied to you, like being hailed a “creative genius” with endless financial gain, forever. I could tell you many examples of artists and musicians who seem like they have “arrived”  with one project and then completely fail the next.

2. Make Something Everyday
Will Bryant says something like, “I make stuff because if I don’t I get sad”. A silly and profound statement. Last year I did a daily drawing project where I created a new character every weekday. I found this statement to ring very true.

This practice gave me a sense of creative productivity every single day, which is a serious morale booster. Even if you don’t show anyone, it can help you feel prolific and unlimited in your creative abilities, which in turn increases your confidence.

3. Be Authentic
This is huge. Many people have done amazing things in creativity and have received many rewards, successes and prizes for them. So there is a lot of incentive for YOU to be THEM. But the trick is knowing the truth: you CAN’T be them. Trying to be something you are not will make you feel like an old sock. You already know this, but I thought I’d remind you.

4. Know Your Purpose
Shooting aimlessly into the dark can feel like…shooting aimlessly into the dark. Your purpose doesn’t have to be mind meltingly important. I like the humble yet ambitious purpose the great Debbie Millman has taken upon herself to “try to make the supermarket more beautiful”.

Try to clarify what you want to achieve overall so that everything you do has a sense of purpose. Purpose equals meaning, and to most creatives I know, a sense of meaning is why they want to make art and why they DO NOT want to work in a factory.

5. Address and Defeat Your Fears
That dreadful fear is a bully that is killing your soul and it should be stood up to. Listen to it, don’t ignore it. Hear what it’s actually saying and then dismantle it. Talk to someone about it openly, if the fear is tied to reality, then face it and take it down with integrity. If it’s all lies, all smoke and mirrors then let it disappear in the cloud of smoke that it is. If you are doing super boring unadventurous work, you won’t have any fears at all…but who wants to do that?

Hope this makes you a bit happier today.

- Andy J. Miller

P.S. To tackle the piling up questions here on this tumblr I have started taking on 1 hour video creative coaching, for more info click here.

Thank you Andy ! I needed these reminders today. 

(via brontozaurus)

contraband-sequin-headband:
“ super quick doodle while i waited for a video to uploaaad
”
Awesome fanart of the Matriarch. :)

contraband-sequin-headband:

super quick doodle while i waited for a video to uploaaad

Awesome fanart of the Matriarch. :)

Journey

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Image: “Journey” by ShortCircuit123

The apprentice priestess stood before the earthen doorway, weary of the travel she’d completed already. The mountain temple of her sect was a blessed sight even from this distance, and its proximity renewed her weary body despite the kilometres of sickened soil which waited between her and her destination. The Poisoned Lands cast their perpetual shadow as far as her eyes could roam and she knew that crossing the distance on foot was all but suicide — the malignancy left in the ground from the ancients’ wars would slowly leech the life from her flesh, ageing her rapidly before she could return to her people for a prayer of intervention. She’d watched others die of the same sickness — mostly hunters who had strayed too far from the village and being inadequately prepared for encounters with the tainted earth — and she had no desire to suffer that same fate.

The doorway before her could expedite her trip, and activating it was one of her last tests before she reached the temple itself. The doorway seemed simple enough — three pieces of stone almost too cold to touch with her bare fingers — but she knew that appearances were deceptive in this case. The structure was actually a Frame, one of many scattered artefacts from those old wars that survived more or less intact. Most of the Frames were inert and useless, but this one had been used for generations as part of her sect’s initiation rituals.

Dropping her staff and simple shield on the ground beside her, she unslung her worn knapsack from over her shoulder and rummaged around until her fingers brushed against the object she was looking for. The young apprentice produced the token and examined it carefully in the palm of her hand. Like the Frame, this item was another relic of lost technology: teardrop-shaped and made of a stainless silver metal, the tiny device was a sensor that could be used to activate the dormant teleporter. Eons ago, she’d been taught, humans had these embedded into their hands to function as everything from keys to methods of currency. The idea seemed strange to her comprehension now, but she hoped it would serve its purpose even generations after its original owner had passed to dust.

The sensor worked on blood, and whether or not it and the Frame accepted her was her final challenge before gaining admittance to the temple and full rights as a priestess. This would be the last impediment ahead of her before she had access to the temple’s medicines and could take them back to her older sister. Unsheathing her small hunting knife from its place beside her thigh, she whispered a silent prayer to the sixteen gods that the device would work as it needed to. She slashed quickly across her palm, creating a shallow wound that bled quickly. She squeezed the silver teardrop and stepped forward to the centre of the Frame, holding her bloodied arm up as she’d been instructed.

The apprentice squeezed her eyes closed and whispered a mantra to herself: “I am holy, I am pious, the blessings of the sixteen protect me.” If the Frame did not accept her, she’d have to return to her village in shame. There’d be no progression for her, but more importantly no hope at all for her ailing sister. She could not fail here, not after travelling so far already.

As if the mechanical intelligence within the Frame heard her need and was moved by it, she heard an almost imperceptible crack of energy and threw her eyes open in excitement. A beam of energy spread downward from the top of the structure until it hit the soil beneath her feet. This beam split outward until it had filled the confines of the Frame itself. It looked to her very much like a window of sunlight, beckoning her to come forward.

She grabbed her belongings in a rush, heart beating stronger than she could ever remember it doing before in her life, and took a deep breath before stepping into the light. There was a sensation of falling and disorientation, but before it got worrying she realised she was someplace else entirely. A hundred smiling women stood in two rows on either side of her, looking down on her with grace and comfort.

“Blessed welcome to our newest sister — Elana,” cried out one of the figures, her words wrapping themselves around the apprentice’s body like an embrace.

“You’re safe now.”

Updates & things!

I haven’t kept up with this place in a while unfortunately (I’m always terrible about this!) but I wanted to share a new little project I’m working on while writing the next part of Iyetra. This isn’t related to the series, but it’s as much a creative writing exercise as it is some fun stuff to publish for others to read in the meantime.

So! Shamelessly stealing this idea from Facebook, I’ll be posting some quick one-off vignettes inspired by artwork I’ve come across on places like DeviantArt. I’ll credit the original artist and share the image along with the piece I’ve written about it. These are going to be pretty raw pieces, with little in the way of editing and rewriting, but the eventual objective is that they kickstart my writing and provide some inspiration of their own.

If you guys enjoy reading them, definitely let me know!

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You can go pre-order Book 06 - Oblivion Precipice RIGHT NOW.

https://gumroad.com/l/plmz

It will automatically unlock at 8 AM EST on November 14th and you’ll receive an email with a download link right away.

A few quick things with this one, though, so please read for important info:

Book 06 is an exclusive to my website until the end of November. WHY? If you buy the book from me directly, I keep most of the money. Retailers like Amazon take a whopping 70% of sales, turning that $0.99 book you bought into barely more than a quarter of profit for me. By buying from me directly you help support me directly which in turn lets me spend more time and effort writing on the series.

After November it will be available for purchase from the usual places like Amazon, iBooks, Kobo and so on. But it’s highly appreciated if you don’t wait and buy from me directly instead — and you can do so RIGHT NOW.

“But I want to be able to read my books in the same library on the same device!” you say — I want you to be able to do that, too! It’s tremendously easy to copy externally-purchased ebooks to your device:

All purchases are DRM free ebooks in three formats that should cover all devices: .epub, .mobi & .pdf — you get all three for the price of one!

Furthermore, buying Book 06 from me directly also includes Books 01 - 05 for FREE. If you haven’t caught up on the series or you want to take the whole thing along to some other device or outside of one company’s walled garden, for only a dollar you get the entire series (thus far) included with the latest book. This is exclusively offered by moi and won’t be available anywhere else!

If you like this, please tell your friends. Indie authors live and die on word-of-mouth and I can’t do this without your support. Reblog this on tumblr, post it on Facebook, tweet about it, get a tattoo of the Iyetra imp on your arm and then send me a photo of it. Your support lets me keep this going and is both vital & massively appreciated.

Feel free to get in touch, let me know what you think or anything else. I love to hear from readers.

Thanks a lot and enjoy Oblivion Precipice!
It’s coming soon!
The long-awaited sixth book in the Iyetra series will be available for purchase on November 14th, 2013!
Iyetra — Book 06: Oblivion Precipice returns to the stories of Hemeth and Sabas and picks up on where Book 05: Aftermath’s Dawn...

It’s coming soon!

The long-awaited sixth book in the Iyetra series will be available for purchase on November 14th, 2013!

Iyetra — Book 06: Oblivion Precipice returns to the stories of Hemeth and Sabas and picks up on where Book 05: Aftermath’s Dawn left off.

More details will be available closer to that date but in the meantime mark your calendars and check iyetra.com in November for everything you’ll need to know!

If you’re a boy writer, it’s a simple rule: you’ve gotta get used to the fact that you suck at writing women and that the worst women writer can write a better man than the best male writer can write a good woman. And it’s just the minimum. Because the thing about the sort of heteronormative masculine privilege, whether it’s in Santo Dommingo, or the United States, is you grow up your entire life being told that women aren’t human beings, and that women have no independent subjectivity. And because you grow up with this, it’s this huge surprise when you go to college and realize that, “Oh, women aren’t people who does my shit and fucks me.”

And I think that this a huge challenge for boys, because they want to pretend they can write girls. Every time I’m teaching boys to write, I read their women to them, and I’m like, “Yo, you think this is good writing?” These motherfuckers attack each other over cliche lines but they won’t attack each other over these toxic representations of women that they have inherited… their sexist shorthand, they think that is observation. They think that their sexist distortions are insight. And if you’re in a writing program and you say to a guy that their characters are sexist, this guy, it’s like you said they fucking love Hitler. They will fight tooth and nail because they want to preserve this really vicious sexism in the art because that is what they have been taught.

And I think the first step is to admit that you, because of your privilege, have a very distorted sense of women’s subjectivity. And without an enormous amount of assistance, you’re not even going to get a D. I think with male writers the most that you can hope for is a D with an occasional C thrown in. Where the average women writer, when she writes men, she gets a B right off the bat, because they spent their whole life being taught that men have a subjectivity. In fact, part of the whole feminism revolution was saying, “Me too, motherfuckers.” So women come with it built in because of the society.

It’s the same way when people write about race. If you didn’t grow up being a subaltern person in the United States, you might need help writing about race. Motherfuckers are like ‘I got a black boy friend,’ and their shit sounds like Klan Fiction 101.

The most toxic formulas in our cultures are not pass down in political practice, they’re pass down in mundane narratives. It’s our fiction where the toxic virus of sexism, racism, homophobia, where it passes from one generation to the next, and the average artist will kill you before they remove those poisons. And if you want to be a good artist, it means writing, really, about the world. And when you write cliches, whether they are sexist, racist, homophobic, classist, that is a fucking cliche. And motherfuckers will kill you for their cliches about x, but they want their cliches about their race, class, queerness. They want it in there because they feel lost without it. So for me, this has always been the great challenge.

As a writer, if you’re really trying to write something new, you must figure out, with the help of a community, how can you shed these fucking received formulas. They are received. You didn’t come up with them. And why we need fellow artists is because they help us stay on track. They tell you, “You know what? You’re a bit of a fucking homophobe.” You can’t write about the world with these simplistic distortions. They are cliches. People know art, always, because they are uncomfortable. Art discomforts. The trangressiveness of art has to deal with confronting people with the real. And sexism is a way to avoid the real, avoiding the reality of women. Homophobia is to avoid the real, the reality of queerness. All these things are the way we hide from encountering the real. But art, art is just about that.

— Junot Diaz speaking at Word Up Bookshop, 2012 (via ofgrammatology)

(via heyitsxio)

Because — and I promise! — Book 06 is really coming soon, here’s some teaser art of the cover. It will be tweaked by my artist when I’ve made up my mind on the name of the next book, but I really really really promise that we’re getting there and I’m...

Because — and I promise! — Book 06 is really coming soon, here’s some teaser art of the cover. It will be tweaked by my artist when I’ve made up my mind on the name of the next book, but I really really really promise that we’re getting there and I’m excited about it!

Those paying attention to the word count-counter up there ^ will have noticed that the first draft has passed 20k words; for practical purposes, this means that it’s 2/3 finished. I’m a bit delayed from my objective of finishing the first draft by the end of September, but I still look to be on track for an early-November release. I’m really happy with this one so far; it’s pulling together plot strings from Book 05 as well as the first four titles. As Books 05 - 08 are technically the “middle” arc of the series, there’s going to be a lot of cliffhangery elements but I think that the suspense will be gratifying ultimately.

mintdreamribbon-deactivated2014 asked: What writing program do you use?

I do 99% of the writing within Scrivener. It was originally OS X only, though they came out with a Windows version sometime last year. It’s magnificent and really helps with my workflow as I can do stuff like write a snippet of a scene and compile that back in chronologically later on. It’s also helpful for keeping track of notes I make (I’d previously been using a regular realpaper note book and post-its) throughout the course of writing.

When it comes time to publish into ebook format (.epub, .mobi) then I compile within Adobe InDesign. Scrivener can also output to those formats directly, but InDesign gives me more control over chapter presentation and so forth.