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Nick Simson, Internet Nobody.
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Howdy, I’m Nick. 👋

Welcome to my little corner of the world wide web. You can read more about me, or see what I'm up to now.  

 

Latest post

Reading ‘Capital’... in this economy?

Attempting to read Volume One of Marx’s magnum opus in the calendar year.

Jan 24, 2026 07:22 PM

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Latest notes

  1. Bookmarked Wishcessibility by Nic Chan.

    Nic Chan’s coinage is useful here, giving a name to a situation I’ve encountered too often myself. She emphasizes that wishcessibility is not diabolical, but always performed by people who want to do the right thing.

    While I would normally be somewhat wary of placing too much emphasis on intent over impact, I genuinely believe it is a useful distinction here because it mirrors the career trajectory of many accessibility practitioners I know. Most of them (including me) started with a sincere desire to make things accessible, and some of us were lucky enough to be allowed to fail, over and over again, until the net good of our work became greater than our failures. Having good intent doesn’t cancel out a negative impact, but I believe cultivating that good intent will result in greater accessibility, turning wishcessibility into actual accessibility.

    Feb 17, 2026 05:56 PM
  2. Joe Crawford argues we are in a web renaissance now:

    I like getting asked questions about the web. I love trying to answer. If I can’t answer, I usually can point to a resource. Or I end up learning something new because of a question.

    When people are curious and uneasy, and conditions are dodgy, that’s when things on the web rebirth.

    If we are truly in a web renaissance right now, I wonder about the various “movements” flourishing on the web today. I can’t help but think of something like the diagram website reading these words.

    Feb 15, 2026 05:27 PM
  3. a hand holding a signed vinyl gatefold copy of Ratboys' Singin' To An Empty Chair

    I received my signed vinyl copy of Ratboys’ Singing’ To An Empty Chair today, a few days early from the album’s Feb. 6 release.

    I played it through once this afternoon, and found it to be another solid collaboration between the band and producer Chris Walla. The songwriting on here is much more vulnerable, and the album is not lacking in guitar pyrotechnics. Ratboys have longed called their sound “post country” and this one may lean a bit more to the country side of things than previous alt rock outings. I’m looking forward to spending more time with the record this winter, and seeing the group live later in March.

    A few recent reviews, interviews and features:

    1. The Line of Best Fit
    2. Pitchfork
    3. Riff Magazine
    4. Slant Magazine
    Feb 2, 2026 09:55 PM
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