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All author names are in order of contribution, unless otherwise noted.
Satoshi Nishimura and Atsushi Marui. “Pytakt: a Python Library for Symbolic Music Description, Generation, and Real-time Processing.” Journal of New Music Research, pp.1–17. 2025. (DOI: 10.1080/09298215.2025.2540434)
Will Howie, Denis Martin, Atsushi Marui, Toru Kamekawa, Sungyoung Kim, Aybar Aydin, and Richard King. “Perceptual Comparison of 3D Audio Reproduction With and Without Bottom Channels,” Journal of the Audio Engineering Society, v.72, n.4, pp.221–234. April 2024. (DOI: 10.17743/jaes.2022.0136)
Liu JieYing, Toru Kamekawa, and Atsushi Marui. “Acoustic Expression of Emotions in Vocal Performance: Vibrato Variability in Emotional Singing Styles.” Acoustical Science and Technology, vol.43, no.3, pp.201–204. May 2022. (DOI: 10.1250/ast.43.201)
Rai Sato, Atsushi Marui, Toru Kamekawa, and Sungyoung Kim. “Variation in the Temporal Window of Integration with Changing the Sound Pressure Level of a Sound Stimulus.” Acoustical Science and Technology, vol.43, no.2, pp.162–165. March 2022. (DOI: 10.1250/ast.43.162)
Toru Kamekawa and Atsushi Marui. “Evaluation of recording techniques for three-dimensional audio recordings: Comparison of listening impressions based on difference between listening positions and three recording techniques.” Acoustical Science and Technology, vol.41, no.1, pp.260–268. January 2020. (DOI: 10.1250/ast.41.260)
Hengwei Su, Atsushi Marui, and Toru Kamekawa. “The Auditory Source Widening Effect in Binaural Synthesis with Spatial Distribution of Frequency Bands,” Journal of the Audio Engineering Society, v.67, n.9, pp.691–704. September 2019. (DOI: 10.17743/jaes.2019.0020)
Takahide Etani, Atsushi Marui, Satoshi Kawase, and Peter Keller. Optimal Tempo For Groove: Its Relation to Directions of Body Movement and Japanese Nori. Frontiers in Psychology, v.9, article 462. April 2018. (DOI: 10.3389/fpsyg.2018.00462)
Ella Manor, William L. Martens, Atsushi Marui, and Densil Cabrera. “Nearfield Crosstalk Increases Listener Preferences for Headphone-Reproduced Stereophonic Imagery,” Journal of the Audio Engineering Society, v.63, n.5, pp.324–335. 2015. (DOI: 10.17743/jaes.2015.0022)
Marui, Atsushi and William L. Martens. Predicting perceived sharpness of broadband noise from multiple moments of the specific loudness distribution. Journal of Acoustical Society of America, vol.119, no.2, pp.EL7–EL13. February 2006. (DOI: 10.1121/1.2152294)
Toru Kamekawa and Atsushi Marui. “Correlation Between Middle and Top Layer Loudspeaker Signals and the Listening Area in 3D Audio Reproduction.” In Proceedings of 158th Convention, Audio Engineering Society. Warsaw, Poland. May 2025. (https://aes2.org/publications/elibrary-page/?id=22855)
Atsushi Marui. Keynote: “In Search for Within-Category Timbre Perception of Musical Instruments Using Multi-Dimensional Scaling”. 68th Korean Society for Music Perception and Cognition. Korea Advanced Institute of Science and Technology, Daejeon, Korea. February 20th, 2025.
Toru Kamekawa and Atsushi Marui. “On the Bandwidth Required for the Perception of the Top Layer in 3D Audio with Simple Sound Sources.” In Proceedings of 156th Convention, Audio Engineering Society. Madrid, Spain. June 2024. (https://aes2.org/publications/elibrary-page/?id=22516)
Ikeda, Tsubasa; Kamekawa, Toru; and Marui, Atsushi. “Distance Perception Using Open-Back Headphones and Multi-Channel Speakers.” In Proceedings of 6th International Conference on Audio for Games. Audio Engineering Society. Tokyo, Japan. April 27–29, 2014.
Atsushi Marui, Ayako Inaoka, Masaru Tanaka, Misato Kudo, Yusuke Honda, Ami Kato, Hideki Sakanashi, and Toru Kamekawa. “Evaluation of Different Music Styles Using the Multi Stimuli Ideal Profile Method (MS-IPM): A Feasibility Study.” In Proceedings of the 17th International Conference on Music Perception and Cognition (ICMPC 17) and 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (APSCOM7), pp.561–565. August 24–28, 2023. Tokyo, Japan.
Toru Kamekawa, Atsushi Marui, and Will Howie. “The Effect of Head Tilt on the Perception of the Top Layer of Three-Dimensional Audio.” In Proceedings of International Conference on Spatial and Immersive Audio, Audio Engineering Society. University of Huddersfield, United Kingdom. August 23–25, 2023.
Will Howie, Toru Kamekawa, Florian Grond, Atsushi Marui, and Akira Omoto. “Objective Comparison of 3D Audio Reproduction With and Without Bottom Channels.” In Proceedings of International Conference on Spatial and Immersive Audio, Audio Engineering Society. University of Huddersfield, United Kingdom. August 23–25, 2023.
Toru Kamekawa and Atsushi Marui. “How Much Can the Number of Microphones for 3D Audio Recording be Reduced While Maintaining Spatial Impression?” In Proceedings of 154th Convention, Audio Engineering Society. Helsinki, Finland. May 2023. (https://www.aes.org/e-lib/browse.cfm?elib=22088)
Toru Kamekawa and Atsushi Marui. “Comparing Spatial Impression Between Different Numbers of Microphone Signals Within the Top Layer of 3D Audio Reproduction.” In Proceedings of 24th International Congress on Acoustics (ICA2022). Paper Number ABS-0906. Gyeongju, Korea. October 2022.
Atsushi Marui, Motoki Yairi, Tsuguto Hoshino, and Toru Kamekawa. “Comparison of Stereo Microphone Configuration and Playback Modes of Optimal Source Distribution Technique” In Proceedings of 152nd Convention, Audio Engineering Society. Paper Number 10581. Hague, The Netherlands (presented online due to COVID-19). May 2022. (https://www.aes.org/e-lib/browse.cfm?elib=21694)
Yosuke Tanabe, Genta Yamauchi, Atsushi Marui, and Toru Kamekawa. Tesseral Array for Group Based Spatial Audio Capture and Synthesis. In Proceedings of 2020 AES International Conference on Audio for Virtual and Augmented Reality August 2020. (http://www.aes.org/e-lib/browse.cfm?elib=20877)
Rai Sato, Sungyoung Kim, and Atsushi Marui. “Investigating Perceptual Tolerance of Audio-Tactile Synchrony” In Proceedings of 148th Convention, Audio Engineering Society. Engineering Brief 574. Vienna, Austria (presented online due to COVID-19). May 2020. (http://www.aes.org/e-lib/browse.cfm?elib=20812)
Toru Kamekawa and Atsushi Marui. “Are Full-Range Loudspeakers Necessary for the Top Layer of Three-Dimensional Audio?” In Proceedings of 148th Convention, Audio Engineering Society. Paper 10362. Vienna, Austria (presented online due to COVID-19). May 2020. (http://www.aes.org/e-lib/browse.cfm?elib=20779)
Marui, Atsushi and Kamekawa, Toru. “Predicting Objective Difficulty in Peak Identification Task of Technical Ear Training” In Proceedings of 147th Convention, Audio Engineering Society. Engineering Brief 565. New York, United States. October 2019. (http://www.aes.org/e-lib/browse.cfm?elib=20588)
Atsushi Marui and Toru Kamekawa. “Does Spectral Flatness Affect the Difficulty of the Peak Frequency Identification Task in Technical Ear Training? (Part 2)” In Proceedings of 146th Convention, Audio Engineering Society. Engineering Brief 521. Dublin, Ireland. March 2019. (http://www.aes.org/e-lib/browse.cfm?elib=20379) (Presentation Slide)
Hengwei Su, Atsushi Marui, and Toru Kamekawa. “The effect of HRTF individualization and head-tracking on localization and width source perception in VR” In Proceedings of 146th Convention, Audio Engineering Society. Engineering Brief 520. Dublin, Ireland. March 2019. (http://www.aes.org/e-lib/browse.cfm?elib=20378)
Tao Zhang, Toru Kamekawa, and Atsushi Marui. “Vertical Localization of Noise Bands Pairs by Time-Separation and Frequency Separation” In Proceedings of 146th Convention, Audio Engineering Society. Engineering Brief 514. Dublin, Ireland. March 2019. (http://www.aes.org/e-lib/browse.cfm?elib=20372)
Soohoon Park, Toru Kamekawa, and Atsushi Marui. “Investigation into How Reference Sources and the Experience of Technical Ear Training Work in Mixing through Headphones” In Proceedings of 146th Convention, Audio Engineering Society. Paper No. 10163. Dublin, Ireland. March 2019. (http://www.aes.org/e-lib/browse.cfm?elib=20296)
Toru Kamekawa and Atsushi Marui. “Comparison of Recording Techniques for 3D Audio Due to Difference between Listening Positions and Microphone Arrays” In Proceedings of 146th Convention, Audio Engineering Society. Paper No. 10136. Dublin, Ireland. March 2019. (http://www.aes.org/e-lib/browse.cfm?elib=20269)
Atsushi Marui, Motoki Yairi, and Toru Kamekawa. “Comparison of microphone distances for real-time reverberation enhancement system using optimal source distribution technique” In Proceedings of 2018 AES International Conference on Spatial Reproduction, Audio Engineering Society. Paper No. P9-3. Tokyo, Japan. August 2018. (http://www.aes.org/e-lib/browse.cfm?elib=19629) (Presentation Slide)
Hengwei Su, Atsushi Marui, and Toru Kamekawa. “Spatial impression of source widening effect for binaural audio production” In Proceedings of 2018 AES International Conference on Spatial Reproduction, Audio Engineering Society. Paper No. EB2-10. Tokyo, Japan. August 2018. (http://www.aes.org/e-lib/browse.cfm?elib=19663)
Misaki Hasuo, Toru Kamekawa, and Atsushi Marui. “The effect of characteristics of sound source on the perceived differences in the number of playback channels of multi-channel audio reproduction system” In Proceedings of 2018 AES International Conference on Spatial Reproduction, Audio Engineering Society. Paper No. P4-2. Tokyo, Japan. August 2018. (http://www.aes.org/e-lib/browse.cfm?elib=19607)
Toru Kamekawa and Atsushi Marui. “The effect of the rise time and frequency character of the sound source signal on the sense of the early LEV.” In Proceedings of 144th Convention, Audio Engineering Society. Paper No. 9986. Milan, Italy. May 2018. (http://www.aes.org/e-lib/browse.cfm?elib=19503)
Atsushi Marui and Toru Kamekawa. “Does Spectral Flatness Affect the Difficulty of the Peak Frequency Identification Task in Technical Ear Training?” In Proceedings of 144th Convention, Audio Engineering Society. Paper No. 9945. Milan, Italy. May 2018. (http://www.aes.org/e-lib/browse.cfm?elib=19462) (Presentation Slide)
Mayu Kasahara, Atsushi Marui, and Toru Kamekawa. “Evaluation of Player-controlled Flute Timbre by Flute Players and Non-Flute Players.” In Proceedings of 144th Convention, Audio Engineering Society. Paper No. 9950. Milan, Italy. May 2018. (http://www.aes.org/e-lib/browse.cfm?elib=19467)
Koji Tsumoto, Atsushi Marui, and Toru Kamekawa. “The Standard Deviation of the Amplitude Spectrum as a Predictor of the Perception of the Power of Distorted Guitar Timbre.” In Proceedings of 144th Convention, Audio Engineering Society. Paper No. 9971. Milan, Italy. May 2018. (http://www.aes.org/e-lib/browse.cfm?elib=19488)
Hengwei Su, Atsushi Marui, and Toru Kamekawa. “Frequency Bands Distribution for Virtual Source Widening in Binaural Synthesis.” In Proceedings of 143rd Convention, Audio Engineering Society. New York, United States. October 2017.
Toru Kamekawa and Atsushi Marui. “The Upmix Method for 22.2 Multichannel Sound Using Phase-Randomized Room Impulse Responses.” In Proceedings of 143rd Convention, Audio Engineering Society. New York, United States. October 2017.
Toru Kamekawa and Atsushi Marui. “The Effect of Rise Time of the Sound Source on the Sense of Listener Envelopment.” In Proceedings of the 6th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (APSCOM6), p.161. Kyoto, Japan. August 2017.
Atsushi Marui, Toru Kamekawa, Miki Arai, Mai Fujiwara, Suzuka Sekine, and Rento Tanase. “Perceptual Attributes for Sound Quality of Headphones Used with Digital Piano.” In Proceedings of the 6th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (APSCOM6), p.92–96. Kyoto, Japan. August 2017.
Koji Tsumoto, Atsushi Marui, and Toru Kamekawa. “Predictors for the Perception of “Wildness” and “Heaviness” in Distorted Guitar Timbre.” In Proceedings of 142nd Convention, Audio Engineering Society. Paper No.9748. Berlin, Germany. May 2017.
Toru Kamekawa and Atsushi Marui. “A Basic Study of the Upmix Method for 22.2 Multichannel Sound.” In Proceedings of 142nd Convention, Audio Engineering Society. Engineering Brief 350. Berlin, Germany. May 2017.
Hengwei Su, Atsushi Marui, and Toru Kamekawa. “Virtual Source Width in Binaural Synthesis with Frequency-Dependent Directions.” In Proceedings of 142nd Convention, Audio Engineering Society. Engineering Brief 327. Berlin, Germany. May 2017.
Toru Kamekawa and Atsushi Marui. The effect of attack time and release time of the sound source on the sense of listener envelopment. Presented in 5th Joint Meeting of the Acoustical Society of America and the Acoustical Society of Japan. Hawaii, United States. December 2nd, 2016.
Koji Tsumoto, Toru Kamekawa, and Atsushi Marui. The effect of harmonic overtones in relation to “sharpness” for perceived brightness of distorted guitar timbre. Presented in 5th Joint Meeting of the Acoustical Society of America and the Acoustical Society of Japan. Hawaii, United States. December 2nd, 2016.
Shun Saito, Toru Kamekawa, and Atsushi Marui. Differences between audio engineers and players in the subjective evaluation on the recording position of the Koto (Japanese harp). Presented in 5th Joint Meeting of the Acoustical Society of America and the Acoustical Society of Japan. Hawaii, United States. November 30th, 2016.
Etani, Takahide; Marui, Atsushi; Kawase, Satoshi. The Relationship between Groove and Tempo in Drum Breaks. In Proceedings of 31st International Congress of Psychology (ICP2016). PS28A-01-24. Yokohama, Japan. July 24–29, 2016.
Takahide Etani, Atsushi Marui, and Toru Kamekawa. Investigating the Relationship Between Groove Feeling and Acoustical Characteristics Regarding Isochronally-Played Percussive Sounds. Second International Workshop on Skill Science. Keio University, Kanagawa, Japan. November 18th, 2015.
Mai Ishida, Toru Kamekawa, and Atsushi Marui. “An Investigation of the Relationship between Listener Envelopment and Room Acoustic Parameters—The Influence of Varied Direct Sound Levels and Onset Times of Late Reverberation on Listener Envelopment.” In Proceedings of 138th Convention, Audio Engineering Society. Paper No.9309. Warsaw, Poland. May 2015.
Toru Kamekawa and Atsushi Marui. “Interaction of Perceived Distance and Depth Comparing Audio Playback System and Musical Context.” In Proceedings of 138th Convention, Audio Engineering Society. Paper No.9280. Warsaw, Poland. May 2015.
Koji Tsumoto, Atsushi Marui, and Toru Kamekawa. “Investigating Factors that Guitar Players to Perceive Depending on Amount of Distortion in Timbre.” In Proceedings of 138th Convention, Audio Engineering Society. Paper No.9227. Warsaw, Poland. May 2015.
Adam Strange and Atsushi Marui. “An Investigation of the Cross Modal Interaction between Songs and Their Album Covers in the Mobile Digital Environment”. In Proceedings of ICMPC'14. Seoul, Korea. August 2014.
Hidetaka IMAMURA, Sungyoung KIM, Atsushi MARUI, Toru KAMEKAWA, Richard KING, and Wieslaw WOSZCZYK. “Discovering Perceptual Characteristics of Multichannel Music with Height Ambiences for Japanese Listeners”. In Proceedings of ICMPC'14. Seoul, Korea. August 2014.
Atsushi Marui, Toru Kamekawa, Kazuhiko Endo, and Erisa Sato. “Subjective Evaluation of High Resolution Recordings in PCM and DSD Audio Formats.” In Proceedings of 136th Convention, Audio Engineering Society. Paper No.9019. Berlin, Germany. April 2014.
Hidetaka Imamura, Atsushi Marui, Toru Kamekawa, and Masataka Nakahara. “Influence of Directional Differences of First Reflections in Small Spaces on Perceived Clarity” In Engineering Brief of 136th Convention, Audio Engineering Society. Berlin, Germany. April 2014.
Kazuma Hoshi, Hiroyuki Okubo, Jun Kanda, Takumi Asakura, Atsushi Marui, Hideo Miyazaki, Motoki Yairi, and Yosuke Yasuda. “A Study on Establishing Benchmarks for Acoustical Parameters Derived from Impulse Responses.” In Proceedings of International Symposium on Room Acoustics. ISRA2013. Toronto, Canada. June 2013.
Atsushi Marui and Toru Kamekawa. “Towards the Development of Objective Difficulty Measure in Technical Ear Training Tasks.” In Proceedings of Meetings on Acoustics, Vol. 19, 025020. International Congress on Acoustics. Montreal, Canada. June 2013. (https://doi.org/10.1121/1.4800094)
Toru Kamekawa and Atsushi Marui. “Physical and Subjective Factors of Spatial Envelopment Impression of Surround Sound Reproduction.” In Proceedings of Proceedings of Meetings on Acoustics, Vol. 19, 015057. International Congress on Acoustics. Montreal, Canada. June 2013.
Toru Kamekawa, Atsushi Marui, Toshihiko Date, and Masaaki Enatsu. “The Effects of Spatial Depth in the Combinations of 3-D Imagery and 7-Channel Surround with Height Channels.” In Proceedings of 134th Convention. Audio Engineering Society. Rome, Italy. May 2013.
Hidetaka Imamura, Atsushi Marui, Toru Kamekawa, and Masataka Nakahara. “Influence of First Reflections in Listening Room on Subjective Listener Impression of Reproduced Sound.” In Engineering Briefs of 134th Convention. Audio Engineering Society. Rome, Italy. May 2013.
Luiz Fernando Kruszielski, Toru Kamekawa, and Atsushi Marui. Perception of Distance and the Effect on Sound Recording Distance Suitability for a 3D and 2D Image. In Engineering Briefs of 133rd Convention. Audio Engineering Society. October 2012.
Ritsuko Tsuchikura, Masataka Nakahara, Takashi Mikami, Toru Kamekawa, and Atsushi Marui. Acoustic Properties of Practice Rooms Where Musicians Can Practice Contentedly: Effect of Reverberation on Practice. In Engineering Briefs of 133rd Convention. Audio Engineering Society. October 2012.
Toru Kamekawa and Atsushi Marui. Physical Factors and Spatial Impressions of Surround Sound Recording. In Proceedings of 13th ACIS International Conference on Software Engineering, Artificial Intelligence, Networking and Parallel/Distributed Computing (SNPD 2012). Kyoto, Japan. August 8–10, 2012.
Luiz Fernando Kruszielski, Toru Kamekawa, and Atsushi Marui. Interactions between audio and 3D stereoscopic image in the perception of distance and suitable recording distance. In Proceedings of AES Regional Convention. Audio Engineering Society. Brazil. May 2012.
Toru Kamekawa, Atsushi Marui, Toshihiko Date, Aiko Kawanaka, and Masaaki Enatsu. Evaluation of spatial impression comparing surround with height channels for 3D imagery. In Proceedings of 132nd Convention. Audio Engineering Society. April 2012.
Elisa SATO, Toru KAMEKAWA, and Atsushi MARUI. The Effect of Reverberation on Music Performance. In 131st Convention e-Briefs. Audio Engineering Society. Oct. 2011.
Toru Kamekawa, Atsushi Marui, Toshihiko Date, and Masaaki Enatsu. Evaluation of spatial impression comparing 2ch stereo, 5ch surround, and 7ch surround with height channels for 3D imagery. In Proceedings of 130th Convention, Audio Engineering Society. London, United Kingdom. May 2011.
Tetsuro Kanai, Toru Kamekawa, and Atsushi Marui. On changes of reverberation due to the adjustable ceiling panels in Sogakudo concert hall and the effect to music recordings. In Proceedings of 14th AES Regional Convention. Tokyo, Japan. July 2009.
Kyojun TANAKA, Toru KAMEKAWA, and Atsushi MARUI. Experimental Report on Timbral differences of Snare Drums. In Proceedings of 14th AES Regional Convention. Tokyo, Japan. July 2009.
Ritsuko Tsuchikura, Toru Kamekawa, Atsushi Marui, Masataka Nakahara. The Effect of Early Reflections on Musicians' Evaluation of Practice Rooms. In Proceedings of 14th AES Regional Convention. Tokyo, Japan. July 2009.
Kamekawa, Toru and Marui, Atsushi. Temporal Changes of Psychological Impressions Regarding Microphone Arrays for Multichannel Recording. In Proceedings of 10th Internatinal Conference on Music Perception and Cognition. Sapporo, Japan. August 2008.
W. L. Martens, S. Kim, and A. Marui. Comparison of Japanese and English language descriptions of piano performances captured using popular multichannel microphone arrays. In Proceedeings of Acoustics'08. Paris. July 2008.
Kamekawa, Toru and Marui, Atsushi. Temporal Changes of Psychological Impressions Regarding Microphone Arrays for Multichannel Recording. In Proceedings of 124th Convention, Audio Engineering Society. Amsterdam, The Netherlands. May 2008.
Marui, Atsushi. Perceptual Categories of Artificial Reverberation for Headphone Reproduction of Music. In Proceedings of 123rd Convention, Audio Engineering Society. New York, United States. October 2007.
Kamekawa, Toru; Marui, Atsushi; and Irimajiri, Hideo. Correspondence Relationship between Physical Factors and Psychological Impressions of Microphone Arrays for Orchestra Recording. In Proceedings of 123rd Convention, Audio Engineering Society. New York, United States. October 2007.
森本裕子, 亀川徹, 丸井淳史. 音楽聴取におけるテキストの影響について —R・ワーグナーによる舞台作品の示導動機をもとに. 日本音響学会音楽音響研究会資料 第26巻 第4号, pp.99–102. 2007年8月. (English Translation: Yuko Morimoto, Toru Kamekawa, and Atsushi Marui. The effect of plot and libretto on the listener’s impression of the Leitmotif by Richard Wagner. In Proceedings of Musical Acoustics Research Council of Acoustical Society of Japan, vol.26, no.4, pp.99–102. Tsukuba University, Tsukuba, Japan. August, 2007.)
Yamada, Misato; Kamekawa, Toru; and Marui, Atsushi. The Acoustic Adjustments and Subjective Evaluation of Studio A. In Proceedings of the 13th Regional Convention, Audio Engineering Society. Tokyo, Japan. July 19–21, 2007.
亀川徹, 丸井淳史, 入交英雄. オーケストラのサラウンド収録のためのマイクロホン・アレイの検討. 日本音響学会音楽音響研究会資料 第26巻 第2号. 2007年6月. (English translation: Kamekawa, Toru; Marui, Atsushi; and Irimajiri, Hideo. Comparison between Microphone Arrays for orchestra Recording. In Proceedings of Musical Acoustics Technical Committee, Acoustical Society of Japan. Sendai, Japan. June 2007.)
Kamekawa, Toru; Marui, Atsushi; and Irimajiri, Hideo. Subjective Listening Test of Surround Microphone Techniques for Orchestra Recording. In Proceedings of the Japanese Society for Music Perception and Cognition (JSMPC) Spring 2007 Meeting. Sapporo, Japan. May 2007.
Kim, Sungyoung; William L. Martens; and Marui, Atsushi. Predicting Listener Preferences for Surround Microphone Technique through Binaural Signal Analysis of Loudspeaker-Reproduced Piano Performances. In Proceedings of 121st Convention, Audio Engineering Society. San Francisco, United States. October 2006.
William L. Martens and Marui, Atsushi. Categories of Perception for Vibrato, Flange, and Stereo Chorus: Mapping Out the Musically Useful Ranges of Modulation Rate and Depth for Delay-based Effects. In Proceedings of the 9th International Conference on Digital Audio Effects (DAFx'06). Montreal, Canada. September 2006.
William L. Martens; Marui, Atsushi; and Kim, Sungyoung. Investigating Contextual Dependency in a Pairwise Preference Choice Task. In Proceedings of 28th International Conference, Audio Engineering Society. Pite , Sweden. July 2006.
Kim, Sungyoung; Martha de Francisco; Kent Walker; Marui, Atsushi; and William L. Martens. An Examination of the Influence of Musical Selection on Listener Preferences for Multichannel Microphone Technique. In Proceedings of 28th International Conference, Audio Engineering Society. Pite , Sweden. July 2006.
Marui, Atsushi; William L. Martens; and Kim, Sungyoung. Subjective Evaluation of Headphone-Based Virtual Acoustic Reproduction of Stereophonic Loudspeaker Imagery. In Proceedings of 9th Western Pacific Acoustics Conference (WESPAC9). Seoul, Korea. June 2006.
Kim, Sungyoung; William L. Martens; Marui, Atsushi. Effects of Varying Ear Signal Incoherence in Low-Frequency Bands on Auditory Source Width. In Proceedings of 9th Western Pacific Acoustics Conference (WESPAC9). Seoul, Korea. June 2006.
Marui, Atsushi and William L. Martens. Spatial Character and Quality Assessment of Selected Stereophonic Image Enhancements for Headphone Playback of Popular Music. In Proceedings of 120th Convention, Audio Engineering Society. Paris, France. May 2006.
Jonas Braasch; William L. Martens; and Marui, Atsushi. Simulating the Acoustics of Classical Sound Recording Techniques in Rooms. Journal of Acoustical Society of America, vol.118, no.3, p.1998. October 2005.
Sungyoung Kim; William L. Martens; and Marui, Atsushi. Identification and Discrimination of Auditory Source Focus in Multichannel Loudspeaker Reproduction of Musical Instrument Sounds Differing in Low-Frequency Interaural Cross Correlation. In Proceedings of the 119th Convention, Audio Engineering Society. New York, United States. October 2005.
Marui, Atsushi and William L. Martens. Constructing individual and group timbre spaces for sharpness-matched distorted guitar timbres. In Proceedings of the 119th Convention, Audio Engineering Society. New York, United States. October 2005.
Marui, Atsushi and William L. Martens. Using Paired Versus Triadic Comparison Tasks as the Basis for Multidimensional Perceptual Scaling of Nonlinear Distortion Effects for Guitar Timbre. In Proceedings of the 12th Regional Convention, Audio Engineering Society. Tokyo, Japan. July 12–14, 2005.
Marui, Atsushi and William L. Martens. Predicting Timbral Variation for Sharpness-Matched Guitar Tones Resulting from Distortion-Based Effects Processing. In Proceedings of the 118th Convention, Audio Engineering Society. Barcelona, Spain. May 28–31, 2005.
Marui, Atsushi and William L. Martens. Timbre of Nonlinear Distortion Effects: Perceptual Attributes Beyond Sharpness? In Proceedings of the Conference on Interdisciplinary Musicology (CIM05). Montreal, Canada. March 10–12, 2005.
William L. Martens and Marui, Atsushi. Psychophysical Calibration of Sharpness for Multiparameter Distortion Effects Processing. In Proceedings of 114th Convention, Audio Engineering Society. Amsterdam, The Netherlands. March 2003.
Marui, Atsushi and William L. Martens. Multidimensional Perceptual Calibration for Distortion Effects Processing Software. In Proceedings of 113th Convention, Audio Engineering Society. Los Angeles, United States. October 2002.
William L. Martens and Marui, Atsushi. Multidimensional Perceptual Scaling of Tone Color Variation in Three Modeled Guitar Amplifiers. In Proceedings of 112th Convention, Audio Engineering Society. Munich, Germany. May 2002.
Marui, Atsushi and William L. Martens. Multidimensional Scaling of Timbral Variations in Real-time Distortion Effects Processing Software. In Proceedings of Acoustical Society of Japan Spring Meeting. Yokohama, Japan. March 2002.
William L. Martens; Marui, Atsushi; and Miyashita, Kazuhisa. Multidimensional Perceptual Scaling of Tone Color Variation in Three Modeled Guitar Amplifiers, Part II: Interpreting Stimulus Space. Journal of Shanghai University (English Edition), ISSN 1007-6417. vol.5. pp.229–234. September 2001.
Marui, Atsushi; William L. Martens; and Miyashita, Kazuhisa. Multidimensional Perceptual Scaling of Tone Color Variation in Three Modeled Guitar Amplifiers, Part I: Deriving Stimulus Space. Journal of Shanghai University (English Edition), ISSN 1007-6417. vol.5. pp.235–239. September 2001.
Marui, Atsushi and William L. Martens. Individual Differences in User Preference for Distortion-based Guitar Effects. In Proceedings of 10th Regional Convention, Audio Engineering Society. Tokyo, Japan. June 2001.
Marui, Atsushi and William L. Martens. Perceptual and Semantic Scaling for User-Centered Control Over Distortion-Based Guitar Effects. In Proceedings of 110th Convention, Audio Engineering Society. Amsterdam, The Netherlands. May 2001.
William L. Martens; Watanabe, Yuko; and Marui, Atsushi. A User-Centered Control Structure for Guitar Effects Processing: Mapping Between Perceptual Dimensions and Semantic Components. In Proceedings of International Workshop on Human Interface Technology (IWHIT'00). University of Aizu, Japan. November 2000.
丸井淳史 西村憲. PMML Animator —PMMLによるVRMLアニメーション—. フロンティア領域ジョイント研究会'98, 日本情報処理学会. 1998年5月. (English translation: Marui, Atsushi and Nishimura, Satoshi. PMML Animator —VRML Animation Using PMML—. In Proceedings of FJK'98, Information Processing Society of Japan. Kanagawa, Japan. May 1998.)
Marui, Atsushi. Perceptually-based Control of Multiparameter Distortion Effects Processing for Musical Applications. Ph.D. Dissertation in Computer Science and Engineering. University of Aizu. March 2006.
Marui, Atsushi. Fast Vector Symbol Decoding using Vectorized Boolean Matrix. Master's Thesis in Computer Science and Engineering. Pennsylvania State University. May 2000.
Marui, Atsushi. PMML Animator. Bachelor's Thesis in Computer Science and Engineering. University of Aizu, Japan. March 1998.