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JP4668710B2 - Architectural interior finishing material - Google Patents
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JP4668710B2 - Architectural interior finishing material - Google Patents

Architectural interior finishing material Download PDF

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JP4668710B2
JP4668710B2 JP2005202731A JP2005202731A JP4668710B2 JP 4668710 B2 JP4668710 B2 JP 4668710B2 JP 2005202731 A JP2005202731 A JP 2005202731A JP 2005202731 A JP2005202731 A JP 2005202731A JP 4668710 B2 JP4668710 B2 JP 4668710B2
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pulp
japanese paper
raw material
interior finishing
interior
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JP2007023490A (en
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浩之 並川
富男 岡山
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Description

この発明は、家屋の内装仕上面にコテで塗って和紙の雰囲気を出すことが出来る建築内装仕上げ材に関する。   The present invention relates to a building interior finishing material which can be applied to the interior finish surface of a house with a trowel to give a Japanese paper atmosphere.

建築内装仕上材として、内装の壁や天井に和紙を貼る場合において、壁面や天井面大の1枚ものの和紙の製造は不可能に近いので、所定形状の和紙を用いてそれらを継ぎ合わせて仕上ている。又、特許文献1に示すように、パルプを主成分とし粘土と植物性ボンドと植物性防カビ剤とを含む混合物に水を加えてペースト状とした内装材用組成物がある。
特開2002-106139号公報
As a finishing material for building interiors, when Japanese paper is pasted on the walls and ceiling of the interior, it is almost impossible to produce a single piece of Japanese paper with a large wall surface or ceiling surface. ing. Moreover, as shown in Patent Document 1, there is a composition for an interior material that is made into a paste by adding water to a mixture containing pulp as a main component and containing clay, a plant bond, and a plant fungicide.
JP 2002-106139 A

しかしながら、和紙を継ぎ合わせて壁面等の内装仕上面に張る場合には、継ぎ合わせ部分が隣り合う和紙と重なり合うために、見栄えが悪くなるという問題点がある。又、手漉和紙を使用する時には、上記問題点に加えて、施工がむずかしのでこれを貼ることができる職人が少なく手漉和紙自体の価格も高いことから施工価格が高価になり一般住宅では需要が多く見込まれないという問題点がある。更に、特許文献1に開示の内装材用組成物は、原料の中にパルプは入っているものの、粘土が入っているために、この内装材用組成物を内装仕上面に塗っても和紙の雰囲気を出すことは困難であるという問題点がある。 However, when Japanese paper is spliced and stretched on an interior finishing surface such as a wall surface, there is a problem in that the appearance deteriorates because the spliced portion overlaps with adjacent Japanese paper. In addition, when using hand-made Japanese paper, in addition to the above problems, construction is difficult, so there are few craftsmen who can apply it, and the price of hand-made Japanese paper itself is high, so the construction price becomes expensive and demand for ordinary houses is high. There is a problem that many are not expected. Furthermore, although the interior material composition disclosed in Patent Document 1 contains pulp in the raw material, but contains clay, even if this interior material composition is applied to the interior finish surface, There is a problem that it is difficult to create an atmosphere.

この発明は上記事情に鑑みてなされたものであって、継ぎ合わせ部分がないことから見栄えも良く、しかも手漉和紙を使用した時と同等な感を得ることができる内装仕上げ材を提供することを目的とするものである。 The present invention was made in view of the above circumstances, it may look since there is no seaming portion, yet provides interior finish that it is possible to obtain the same quality feeling as when using hand漉和paper It is for the purpose.

この発明の手段とするところは、請求項1の発明においては、主原料の水を吸収したパルプと、副原料のコウゾの乾燥させた繊維を2mm〜5mm程度に細かく切断したものと、を混合して糊と練り合わせ水を加えて適度な粘性を得たものに、和紙材料である紐状にした100mm〜200mmの長さに切断したコウゾの生の繊維、および、和紙材料の不要な繊維部分、皮、わら、すさの少なくとも1つを入れて混合してなる建築内装仕上げ材としたところにある。 A place where the means of the present invention, in the invention of claim 1, and a pulp that has absorbed water main raw material, and that the dried fibers mulberry finely cut into approximately 2mm~5mm auxiliary materials, the mixture Then, paste and kneading water was added to obtain an appropriate viscosity , and the raw fiber of Japanese mulberry cut into a length of 100 mm to 200 mm in the form of string, which is a Japanese paper material , and the unnecessary fiber part of the Japanese paper material In addition, at least one of black skin, straw, and bamboo is mixed to make a building interior finishing material.

請求項2の発明は、前記パルプが、洋紙の原料の木材のチップの加工品であることを特徴とするものである。   The invention of claim 2 is characterized in that the pulp is a processed product of wood chips, which is a raw material for western paper.

請求項3の発明は、前記パルプが、木材の大鋸屑であることを特徴とするものである。   The invention of claim 3 is characterized in that the pulp is a large sawdust of wood.

請求項1の発明によれば、コテで壁面や天井面に所定の厚さで塗ることによって内装仕上面を作るため、和紙を用いたものに較べて継ぎ合わせ部分が重なり合って見栄えが悪くなることがない。又、この発明の建築内装仕上げ材の原料は安価に大量に仕入れられるパルプを主原料とし、乾燥させた和紙材料の繊維を細かく切断したものを副原料として、これらに皮等を混ぜて、糊で結合させたものであるので、手漉和紙と同感覚の高級感を得ることができるものの、パルプを主原料として使用しているので、全体として割安に製造できる。また、手漉和紙の原料にするコウゾの生の繊維を入れるので、その分だけ更に和紙に類似した質感の内装仕上面を得ることが出来る。加えて、コウゾの生の繊維を晒して使用した場合には白色を呈し、晒さないとベージュ色を呈するという性質を利用して好みの風合いを生かすことが出来る。さらに、このような諸原料資材を用いて出来たこの発明の建築内装仕上げ材は、パルプと和紙材料の繊維、それに皮などを使用しているので、出来上がった内装仕上面は和紙以上に質感がある内装仕上面を得ることができる。又、この建築内装仕上げ材は乾きに時間がかかるので、大きな壁面等の内装仕上面を塗る場合において一度の作業で全て塗り切れなかった時でも、前回塗った箇所に隣接して塗っても湿っているのでなじみ易くなっており、そのために和紙を貼って施工した場合のような継ぎ目が生じることもなく、内装仕上面全体がきれいに仕上る。更に又、適当な色の顔料やベンガラ等の着色料を混入すれば、好みの色合いの和紙風の内装仕上面を得ることが出来る。更に又、自然素材しか使用していないので、人体に悪い影響を及ぼさなく、加えて、環境にも配慮されている。   According to the invention of claim 1, since the interior finish is made by applying a predetermined thickness to the wall surface or ceiling surface with a trowel, the joint portions overlap as compared with those using Japanese paper, and the appearance is poor. There is no. In addition, the raw material of the building interior finishing material of the present invention is mainly made of pulp that can be purchased in large quantities at low cost, and the dried Japanese paper material is finely cut and used as an auxiliary material. However, since pulp is used as the main raw material, it can be manufactured inexpensively as a whole. In addition, because the raw fiber of Kozo is used as a raw material for hand-made Japanese paper, an interior finish with a texture similar to that of Japanese paper can be obtained. In addition, when the raw fiber of Kozo is exposed and used, it exhibits a white color, and when it is not exposed, a beige color can be utilized to take advantage of the desired texture. Furthermore, the building interior finish material of the present invention made from such raw materials uses pulp, Japanese paper material fibers, and leather, etc., so the finished interior finish has a more texture than Japanese paper. A certain interior finish can be obtained. Also, since this interior finish material takes time to dry, even if it is not completely painted in a single operation when painting an interior finish such as a large wall surface, it will be damp even if it is applied adjacent to the previously applied location. Therefore, it is easy to become familiar with, and therefore, the entire interior finish surface is finished cleanly without causing a seam as in the case of applying Japanese paper. Furthermore, if a colorant such as a pigment of a suitable color or Bengala is mixed in, a Japanese paper-like interior finish with a desired color can be obtained. Furthermore, since only natural materials are used, the human body is not adversely affected, and the environment is also considered.

又、請求項2の発明によれば、主原料のパルプが洋紙の原料の木材のチップを加工したものであるので、安価で容易に入手できる利点がある。   Further, according to the invention of claim 2, since the pulp of the main raw material is a processed wood chip of the raw material of the paper, there is an advantage that it can be easily obtained at a low cost.

請求項3の発明によれば、主原料のパルプが製材工場等で大量に発生する木材の大鋸屑であるので、安価に入手できる利点がある。   According to invention of Claim 3, since the pulp of the main raw material is the large sawdust of the timber which generate | occur | produces in large quantities at a sawmill etc., there exists an advantage which can be obtained cheaply.

この発明の実施の形態について以下説明する。この発明の建築内装仕上げ材は、主原料としてのパルプに副原料としての乾燥させた繊維を細かく切断したものを混合し、これに水と糊で練り合わせ、更に和紙材料であるコウゾの生の繊維と、和紙材料の不要な繊維部分、黒皮、わら、すさの少なくとも1つを入れて混合して製造したものである。   Embodiments of the present invention will be described below. The building interior finishing material of this invention is a mixture of finely cut dried fibers as an auxiliary material to pulp as a main material, kneaded with water and glue, and further, Kozo raw fibers as a Japanese paper material And at least one of an unnecessary fiber portion of Japanese paper material, black leather, straw, and bamboo.

使用するパルプは、洋紙の原料となる所定形状に粉砕された木のチップ状のものであって、その大きさは最大長が0.5〜1.0mm程度である。通常は圧縮されて例えば1辺が1mの立方形状をなしており、所定の大きさに分割してほぐした状態として使用する。パルプが洋紙原料の粉パルプの場合には、繊維の長さは短いが粒子は大きく加工せずに使用できるので便利である。このような粉パルプの他に、廃材や生木を最大長が0.3〜5.0mm程度に粉砕したものや、製材工場等で発生する大鋸屑等もここに含まれるものである。原料となる木は乾燥状態であっても水分を多く含んでいるものであってもよい。又、古紙パルプであってもよい。又、パルプは晒、未晒であってもよい。   The pulp to be used is a wood chip crushed into a predetermined shape as a raw material for paper, and the maximum length is about 0.5 to 1.0 mm. Usually, it is compressed and has a cubic shape with a side of 1 m, for example, and is used in a state where it is divided into a predetermined size and loosened. When the pulp is a powdered paper pulp, it is convenient because the fiber is short but the particles can be used without being processed. In addition to such powder pulp, waste wood and raw wood pulverized to a maximum length of about 0.3 to 5.0 mm, large sawdust generated in a sawmill, and the like are also included here. The wood as a raw material may be in a dry state or contain a lot of moisture. In addition, waste paper pulp may be used. The pulp may be bleached or unbleached.

副原料の和紙材料となる植物は、コウゾ、ミツマタ、ガンピなどの繊維が良い。その他の和紙材料として、イネ、タケ、ササ、カジノキ、イトバショウ、ケナフ、アサなどの繊維であってもよい。これら繊維は和紙製造工程で生じた不要な繊維部分であってもよい。又、晒、未晒いずれの繊維であってもよい。皮としては、コウゾの黒皮、杉皮が好適であるが、その他植物の皮であってもよい。これら副原料の繊維や皮は、当該建築内装仕上げ材を壁面等の内装仕上面に塗った際に、とくに意匠的に和紙の風合いをかもし出すのに有効である。繊維や皮の大きさは最大長が1〜200mmの範囲内とするのがよい。これより大きくなれば繊維や皮が強調されすぎて見苦しい壁面となるからであり、これより小さくなれば意匠的効果も低減するからである。生のコウゾの繊維と、和紙材料の不要な部分、黒皮、わら、すさを入れるのは、より一層和紙風合いを出すのに有効であるからである。その中でも、すさの混入は意匠的な意味もあるが、塗った内装仕上面が繊維の作用によって原料を結合させる効果があるためである。   The plant used as a Japanese paper material as an auxiliary material is good for fibers such as mulberry, mitsumata and ganpi. As other Japanese paper materials, fibers such as rice, bamboo, bamboo grass, casino ki, itobasho, kenaf, and Asa may be used. These fibers may be unnecessary fiber portions generated in the Japanese paper manufacturing process. Further, any of bleached fibers and unbleached fibers may be used. As the skin, crocodile black skin and cedar skin are suitable, but other skins may be used. These auxiliary raw material fibers and leathers are particularly effective in creating a texture of Japanese paper, especially when the interior finish material of the building is applied to the interior finishing surface such as a wall surface. The size of the fiber or skin is preferably within the range of 1 to 200 mm in maximum length. This is because if it is larger than this, the fibers and skin are too emphasized and the wall becomes unsightly, and if it is smaller than this, the design effect is also reduced. It is effective to put the texture of raw mulberry and unnecessary parts of Japanese paper material, black skin, straw, and bamboo so as to make the texture of Japanese paper even more. Among them, mixing of soot also has a design meaning, but the coated interior finish has an effect of binding raw materials by the action of fibers.

糊としては、水溶性のものであれば適用できるが、好適には化学物質を含まない糊、例えば、壁紙施工用でん粉系接着材2種2号が挙げられる。水はコテで壁面等の内装仕上面に塗る時に適度な粘性を得るために使用するもので、硬水、軟水いずれでもよく、水道水、河川の水など施工現場において最も入手し易いものを使用できる。   The paste can be applied as long as it is water-soluble, but preferably a paste not containing a chemical substance, for example, a starch-based adhesive for wallpaper construction, Type 2 No. 2. Water is used to obtain an appropriate viscosity when applied to the interior finish surface of a wall or the like with a trowel. Either hard water or soft water can be used, and tap water, river water, etc. that are most readily available at the construction site can be used. .

上記した主原料、副原料、水、糊の混合割合は、主原料たるパルプの水分含有量によって変動するが、まず、主原料と副原料の割合は、概ね重量比で主原料100に対して副原料1〜5、糊15〜30、水30〜50の範囲内である。この範囲内であると好適に和紙の風合いを得ることが可能で、且つ、安定した仕上にできるが、この範囲を越えても和紙の風合いはある程度確保できるのでこの発明の範囲には含まれるものである。   The mixing ratio of the main raw material, auxiliary raw material, water, and paste varies depending on the moisture content of the pulp as the main raw material. First, the ratio of the main raw material and auxiliary raw material is approximately the weight ratio with respect to the main raw material 100. It is in the range of auxiliary materials 1-5, glue 15-30, and water 30-50. Within this range, it is possible to suitably obtain a texture of Japanese paper, and a stable finish can be achieved, but even beyond this range, the texture of the Japanese paper can be secured to some extent, so that it is included in the scope of the present invention. It is.

次に上記の各原料からなるこの建築用内装仕上げ材の作り方の具体例について説明する。まず、主原料のパルプを内部に水の通過が自在である袋に1/3程度入れて、水の入った容器に浸して約1日放置する。パルプとしは、スエーデン製の粉パルプ(商品名:ROTTNEROS)が好適である。水分を吸収したパルプは約2倍程度に膨張する。次に、袋を水の入った容器から取り出して不要な水分を除去した後に、別の容器に袋の中の膨潤したパルプを移して攪拌機で攪拌する。そして、あらかじめ和紙材料であるコウゾの乾燥させた繊維を2mm〜5mm程度に細かく裂いて切断したものや、必要に応じて皮や、手漉和紙を作る際に廃棄する黒皮やコウゾ等の繊維の不要部分を乾燥させて細かく切断したものを、パルプの入った容器に入れて混入する。この準備が整ってから、糊を加えながら再度攪拌し、一昼夜程度馴染ませる。糊としては壁紙施工用でん粉系接着剤2種2号(商品名:トキワエコタックF☆☆☆☆)などが好適である。壁面等の内装仕上面に塗り易くするために水を加え適度な粘性を得る。尚、全て自然素材で施工するには化学物質無添加の糊を使用すればよい。糊としては、ぎんなん草を煮沸して出来る植物性ボンドなども好適に使用できる。   Next, a specific example of how to make the interior finish material for building made of each of the above-described raw materials will be described. First, about 1/3 of the main raw material pulp is placed in a bag through which water can freely pass, soaked in a container containing water and left for about one day. As the pulp, Swedish flour (trade name: ROTNEROS) is suitable. The pulp that has absorbed moisture expands about twice. Next, after removing a bag from a container containing water and removing unnecessary moisture, the swollen pulp in the bag is transferred to another container and stirred with a stirrer. And the dried fiber of Japanese mulberry, which is a Japanese paper material, is cut into pieces of about 2 mm to 5 mm and cut, and if necessary, fibers such as black leather and mulberry that are discarded when making handmade Japanese paper Then, the unnecessary part is dried and finely cut into a container containing pulp and mixed. After this preparation is complete, stir again while adding glue, and let it fit for about a day and night. As the paste, starch type adhesives for wallpaper construction, Type 2 No. 2 (trade name: Tokiwa Ecotack F ☆☆☆☆) and the like are suitable. Add water to make it easy to apply to interior finishes such as walls, and get an appropriate viscosity. In addition, it is only necessary to use glue without adding chemical substances to construct with all natural materials. As the paste, a vegetable bond formed by boiling ginnan grass can be suitably used.

以上のようにして出来上がった建築用内装仕上げ材を家屋の壁の内壁面に塗る手順について説明する。
(1)家屋の内壁面を形成するプラスターボード(PB)、合板の下地に珪藻土仕上用等の下塗り材(商品名:reve内装用下塗材.高吸放湿性)を湿調効果を上げる目的で塗ってから完全に乾燥させる。通常は2日前後要する。又、この下塗りをしなくても施工は可能であるので、必須の要件ではない。
(2)次に、必要に応じて、手漉和紙の原料であるビーターをかけずに紐状にしたコウゾの生の繊維を100mm〜200mm程度に切断したもの、黒皮、チリ、きずを前記のように出来あがっている材料の入った容器に混入する。コウゾの生の繊維は、晒すと白色を呈し、晒さないとベージュ色を呈するので、好みに応じて選択して用いる。わら、す、黒皮等を意匠的に混入する。この工程は施主や工事担当者の好みに応じて、又、室内の他の構成部材との調和を考慮して行う。混合度合は意匠を優先させ自由に選択される。尚、色彩を得るには、ベンガラ、顔料などの着色料を必要に応じて混入してもよい。
(3)前記工程(2)で出来あがった建築用内装仕上げ材を(1)の工程を経た内装仕上面、あるいは(1)の工程を経ていない内装仕上面にコテを用いて厚さが2〜3mmとなる程度に塗り上げる。完全乾燥するまで3〜6日かかるので、大きな内装仕上面の場合でも、隣接する先塗りの部分が乾いていないので後から連続して塗っても境界部分の密着性が良く乾燥しても境界が表れないために、きれいに仕上がり、今までに類のない継目のない和紙の風合いが得られる。
A procedure for coating the interior finish material for building thus completed on the inner wall surface of the house wall will be described.
(1) Plaster board (PB) that forms the inner wall surface of the house, and undercoat material for diatomaceous earth finishing (trade name: undercoat for reve interior. High moisture absorption and release properties) is applied to the base of plywood for the purpose of improving the humidity control effect. Then dry completely. Usually it takes around 2 days. Moreover, construction is possible without this undercoating, so it is not an essential requirement.
(2) Next, if necessary, the raw fiber of sculptured mulberry cut into a string shape without applying a beater, which is a raw material for hand-made Japanese paper, is cut to about 100 mm to 200 mm, black skin, dust, scratches, etc. It mixes in the container with the finished material like. Kozo's raw fibers are white when exposed, and beige when not exposed, so they are selected according to preference. Straw, it is of, the design of contaminating the black skin and the like. This process is performed in accordance with the preference of the owner or the person in charge of the construction, and in consideration of harmony with other components in the room. The degree of mixing can be freely selected by giving priority to the design. In order to obtain a color, a colorant such as a bengara or a pigment may be mixed as necessary.
(3) The thickness of the interior finish material for building completed in the step (2) is 2 using a trowel on the interior finish surface that has undergone the step (1) or the interior finish surface that has not undergone the step (1). Apply to about 3mm. Since it takes 3 to 6 days to dry completely, even in the case of a large interior finish, the adjacent prepainted part is not dry. Because it does not appear, it is finished neatly and you can get a seamless Japanese paper texture that has never been seen before.

上記のように混合して出来た建築内装仕上げ材を用いて形成した内壁面は、継目なく手漉和紙を貼ったような風合いのある内装仕上面となり、また、自然素材のみで形成されているために人に対してやさしく環境にも配慮したものである。この発明の建築内装仕上げ材は和風に適していることはもちろんであるが、自然素材を生かした自然色に仕上がるため全ての内装仕上面に好適に利用できる。   The inner wall surface formed using the interior finish material made by mixing as described above is an interior finish with a texture that is seamlessly affixed with handmade Japanese paper, and is made only of natural materials. Therefore, it is kind to people and considers the environment. The building interior finishing material of the present invention is of course suitable for Japanese style, but can be suitably used for all interior finishing surfaces because it is finished in a natural color utilizing natural materials.

この発明の建築内装仕上げ材を用いて形成した内壁面を有する和室の角部の図。The figure of the corner | angular part of a Japanese-style room which has an inner wall surface formed using the building interior finishing material of this invention.

Claims (3)

主原料の水を吸収したパルプと、副原料のコウゾの乾燥させた繊維を2mm〜5mm程度に細かく切断したものと、を混合して糊と練り合わせ水を加えて適度な粘性を得たものに、和紙材料である紐状にした100mm〜200mmの長さに切断したコウゾの生の繊維、および、和紙材料の不要な繊維部分、皮、わら、すさの少なくとも1つを入れて混合してなる建築内装仕上げ材。 The pulp which absorbed the water of the main raw material and the dried fiber of the auxiliary raw material kouzo finely cut to about 2mm to 5mm , mixed with paste and kneaded water to obtain an appropriate viscosity , And mix and mix at least one of the raw fiber of Japanese mulberry cut into a length of 100 mm to 200 mm, which is a Japanese paper material , and the unnecessary fiber portion of the Japanese paper material, black leather, straw, and bamboo Architectural interior finishing material. 前記パルプが、洋紙の原料の木材のチップの加工品であることを特徴とする請求項1記載の建築内装仕上げ材。 2. The building interior finishing material according to claim 1, wherein the pulp is a processed product of wood chips, which is a raw material for paper. 前記パルプが、木材の大鋸屑であることを特徴とする請求項1記載の建築内装仕上げ材。 2. The building interior finishing material according to claim 1, wherein the pulp is large sawdust of wood.
JP2005202731A 2005-07-12 2005-07-12 Architectural interior finishing material Expired - Fee Related JP4668710B2 (en)

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