JP6761864B2 - Painting method of glaze painting pigment composition that causes irregular patterns due to chemical vibration - Google Patents

Description

The present invention relates to the technical field of pigment compositions for paints, and more particularly to paint pigment compositions and coating methods for BZ glazes.

Painting materials are painting elements and are important components in painting technology. Due to the difference in materials, different artistic words are expressed in decorative paintings, resulting in different visual effects. In recent years, with the development of industrial technology, new painting materials have appeared one after another, and the painting technology has been further developed by the innovation of new materials, supporting the artist's continuous pursuit of style and painting technique. .. A new visual language is created by a harmonious combination of materials and surprising expression technology, which makes the work even more expressive and artistic.

Whereas traditional paintings tend to be aesthetically pleasing, well-organized visual spaces, and elegant gradations, new painting materials have changed traditional aesthetics. What is noteworthy in painting is the shift from pure hand-painting to image production that includes the style and scale of the work, and the production of painting works that take advantage of the superficial features and internal physicochemical properties of new painting materials. Attempts have been made, and the form of expression has changed from "artists speak using materials" to "artists let materials speak".

At the end of the 50's in the 20th century, former Soviet Union scientists Belousov and Zhabotinski said in a chemical experiment that the chemicals involved in the reaction would be overlooked if the appropriate conditions were met. It was discovered that when something unified is received, a self-organizing phenomenon such as color or pattern occurs, and a consistent movement is formed in space and time. This phenomenon is called "chemical vibration" and is also called the abbreviation "BZ reaction" by taking the first letter of the names of the two scientists.

Jingdezhen's high-temperature colored glaze ceramic plate is a modern invention and creation of Jingdezhen. Underpaints and high-temperature color glazes for coloring ceramic plates with glaze are traditional crafts that have been handed down from ancient times, but high-temperature color glazes have appeared in the last half century.

In the conventional high-temperature color glaze ceramic plate craft, when firing at a high temperature of 1300 to 1500 degrees, the color glaze discolors and becomes more vivid various saturated pigments, but other paintings such as oil painting, gwash watercolor, watercolor painting And so on, the various pigments do not fuse, and the fusion between the various colored glazes is impure and unsaturated.

An object of the present invention is mainly to provide a painting pigment composition and a coating method for BZ glaze.

In the pigment composition for BZ glaze paint provided by the present invention, a color glaze, a white toning glaze, and a colorless toning glaze are added to a composition of an art material composed of a natural mineral pigment, a synthetic resin, and acetic acid. Become. Among them, the color glaze consists of 60 wt% to 40 wt% heat-resistant color glaze mineral and 40 wt% to 60 wt% water, and the white toning glaze consists of 60 wt% heat-resistant white glaze mineral and 40 wt% water. The colorless toning glaze is composed of 40 wt% heat-resistant colorless glaze mineral and 60 wt% water.

Among them, the content of the natural mineral pigment is 5 wt%, the content of the synthetic resin is 3 wt%, and the content of the acetic acid is 2 wt% based on the total weight of the composition.

Among them, the composition further comprises a lubricant, the weight percent content of the lubricant does not exceed 3%.

Among them, the composition further comprises a disinfectant, and the weight percent content of the disinfectant does not exceed 2%.

The present invention relates to a composition of art materials. Among them, each component raw material can be easily obtained on the market, and each component raw material is mixed based on the corresponding ratio, and is used and obtained based on the procedure and manufacturing technology conditions in the present invention. Shape is a work of art with irregular patterns. At the same time multiple of work has already left a good result in the auction market, the technical solutions of the present invention, further, for example, because it can be used in the decoration and interior industry production, such as the background wall, a relatively high market Have value. Furthermore, the present invention can be completed by hand by an artist based on experience by providing an operation for painting material composition and work production. In addition, modern industrial technology can be used to adopt industrial production methods, and various methods are provided as production methods for these works.

The invention and innovation of high-temperature colored glaze ceramic plates by "BZ technology" solved the problem of fusion and penetration between various colored glazes, and the various colors that expanded the world are fascinating the art of the world.

The invention, creation, success and realization of BZ high-temperature color glaze by "BZ technology" is a technological revolution since the beginning of history, and it not only changes the fusion between various color glazes, but also further purifies and saturates the hue. Make it gorgeous.

It is a painting screen of the BZ technique produced based on Example 1 of this invention. It is a painting screen of the BZ technique produced based on Example 2 of this invention. It is a painting screen of the BZ technique produced based on Example 3 of this invention. It is a painting screen of the BZ technique produced based on Example 4 of this invention. It is a painting screen of the BZ technique produced based on Example 5 of this invention. It is a painting screen of the BZ technique produced based on Example 6 of this invention. It is a painting screen of the BZ technique produced based on Example 7 of this invention. It is a painting screen of the BZ technique produced based on Example 8 of this invention. It is a painting screen of the BZ technique produced based on Example 9 of this invention. It is a painting screen of the BZ technique produced based on Example 10 of this invention. It is a painting screen of the BZ technique produced based on Example 11 of this invention.

In order to make the features and technical contents of the present invention easier to understand, the detailed description and the attached drawings regarding the present invention are referred to below. However, the accompanying drawings are provided for reference and illustration only, and are not intended to limit the present invention.

The painting pigment composition of BZ glaze provided by the present invention is a copolymerization of a natural mineral pigment, a synthetic resin, and acetic acid (of which acetic acid is also called ethylene propylene, and a functional monomer mainly composed of vinyl acetate and butyl acrylate). It is an aqueous polymer resin made of vinyl acetate (English: Vinyl acetate-polymer), and is composed of a color glaze to which a composition of an art material is added, a white toning glaze, and a colorless toning glaze. Among them, the color glaze consists of 60 wt% to 40 wt% heat-resistant color glaze mineral and 40 wt% to 60 wt% water, and the white toning glaze consists of 60 wt% heat-resistant white glaze mineral and 40 wt% water. The colorless toning glaze is composed of 40 wt% heat-resistant colorless glaze mineral and 60 wt% water.

Further, in order to improve the fluidity of the painting pigment composition in the present invention, a lubricant can be added to the above-mentioned painting pigment composition, and the weight percent content of the lubricant does not exceed 3%. Further, in order to enhance the stability of the finished work of art and prolong the shelf life, a disinfectant can be added to the above-mentioned painting pigment composition, and the weight percent content of the disinfectant does not exceed 2%.

The present invention further provides a method for coating the above-mentioned painting pigment composition. The method comprises process steps such as canvas production, undercoating, screen production, and late processing.

First of all, to make the canvas, select natural linen of appropriate size based on the size of the screen to make it a canvas, and then waterproof and reinforce it, and make the weight ratio of rabbit glue and water 1:10. In addition to making a liquid, the glue liquid must be evenly applied to the canvas two to three times, and each time it is applied, it must be completely dried and then reapplied. Of these, in the production of rabbit glue and water glue, it is necessary to adopt the technique of water separation and decoction and continue to stir in the process of decoction.

Next, as an undercoat, a base coat is applied to the linen to prepare a base for the canvas and toned, and a base coat is made by a weight ratio of water 1: titanium dioxide 1: white powder 1: polyvinyl acetate 1, and the base coat is applied. Undercoat by applying to canvas and allow to dry thoroughly.

Subsequently, in the production of the screen, the canvas with the completed undercoat is fixed horizontally to the back plate, an appropriate amount of the painting pigment composition of the BZ glaze is produced based on the scale of the canvas, and the heat-resistant mineral is sufficiently stirred. And water are added and mixed based on the following weight ratios to form red glaze, yellow glaze, indigo glaze, green glaze, purple glaze, orange glaze, and blue glaze, respectively.

The ratio of mineral to water in the red glaze is 60%: 40%.

The ratio of mineral to water in the yellow glaze is 55%: 45%.

The ratio of mineral to water in the indigo glaze is 65%: 35%.

The ratio of mineral to water in the green glaze is 63%: 37%.

The ratio of mineral to water in purple glaze is 70%: 30%.

The ratio of mineral to water in the orange glaze is 68%: 32%.

The ratio of mineral to water in the blue glaze is 71%: 29%.

After stirring well, apply evenly over the canvas. After leaving for 5-10 minutes, black or white powder of natural mineral is added uniformly. The weight of the black powder or white powder is 5% of the total weight of the painting pigment composition of the BZ glaze, and with the passage of time, an irregular pattern gradually appears on the canvas, and after about 12 hours, , The completed pattern appears on the canvas.

Finally, the late treatment is applied, and after the pattern is fixed and does not change, it is allowed to stand horizontally and the canvas is dried. Allow to air dry completely for 48-72 hours under normal temperature conditions. After waiting for it to dry sufficiently, remove the patterned canvas from the backboard and perform normal operations such as attaching a frame if necessary.

The following FIGS. 1 to 11 are painting screens of the BZ technique produced based on Examples 1 to 11 of the present invention.

(Example 1)
In the first embodiment, a 180 cm × 95 cm BZ technique painting work is produced.

Manufactures painting pigment compositions for BZ glazes. A color glaze, a white toning glaze, and a colorless toning glaze are added to an art material composition comprising a natural mineral pigment (content 5 g), a synthetic resin (content 3 g), and acetic acid (content 2 g). Among them, the color glaze consists of 60 wt% to 40 wt% heat-resistant color glaze mineral and 40 wt% to 60 wt% water, and the white toning glaze consists of 60 wt% heat-resistant white glaze mineral and 40 wt% water. The colorless toning glaze is composed of 40 wt% heat-resistant colorless glaze mineral and 60 wt% water.

In this example, a painting pigment composition of BZ glaze is used to produce an art painting work with an irregular BZ pattern of 180 cm × 95 cm, and the procedure is canvas production, undercoating, screen production, late processing, etc. It is divided into process steps.

The procedure for making a canvas is to select natural linen of appropriate dimensions based on the size of the screen to make a canvas, and then waterproof and reinforce it. For example, the weight ratio of rabbit glue and water is 1:10 to make glue, and the glue is evenly applied to the canvas two to three times. Each time you apply it, you need to dry it completely and then apply it again. Of these, in the production of rabbit glue and water glue, it is necessary to adopt the technique of water separation and decoction and continue to stir in the process of decoction.

The procedure for undercoating is to apply a base coat to the linen, create a base coat for the canvas, and adjust the color, make a base coat with a weight ratio of water 1: titanium dioxide 1: white powder 1: polyvinyl acetate 1, and apply the base coat to the canvas. Undercoat by applying and dry thoroughly.

The screen production procedure is to fix the primed canvas horizontally to the backboard, produce an appropriate amount of the painting pigment composition of the BZ glaze based on the dimensions of the canvas, stir well, and then heat-resistant minerals and water. Is added and prepared based on the following weight ratios to form red glaze, yellow glaze, indigo glaze, green glaze, purple glaze, orange glaze, and blue glaze, respectively.

The ratio of mineral to water in the red glaze is 60%: 40%.

The ratio of mineral to water in the yellow glaze is 55%: 45%.

The ratio of mineral to water in the indigo glaze is 65%: 35%.

The ratio of mineral to water in the green glaze is 63%: 37%.

The ratio of mineral to water in purple glaze is 70%: 30%.

The ratio of mineral to water in the orange glaze is 68%: 32%.

The ratio of mineral to water in the blue glaze is 71%: 29%.

After stirring well, apply evenly over the canvas. After leaving for 5-10 minutes, black or white powder of natural mineral is added uniformly. The weight of the black powder or white powder is 5% of the total weight of the painting pigment composition of the BZ glaze, and with the passage of time, an irregular pattern gradually appears on the canvas, and after about 12 hours, , The completed pattern appears on the canvas.

Finally, the late treatment is applied, and after the pattern is fixed and does not change, it is allowed to stand horizontally and the canvas is dried. Allow to air dry completely for 48-72 hours under normal temperature conditions. After waiting for it to dry sufficiently, remove the patterned canvas from the backboard and perform normal operations such as attaching a frame if necessary.

(Example 2)
In the second embodiment, a 180 cm × 95 cm BZ technique painting work is produced.

Manufactures painting pigment compositions for BZ glazes. A color glaze, a white toning glaze, and a colorless toning glaze are added to an art material composition comprising a natural mineral pigment (content 5 g), a synthetic resin (content 3 g), and acetic acid (content 2 g). Among them, the color glaze consists of 60 wt% to 40 wt% heat-resistant color glaze mineral and 40 wt% to 60 wt% water, and the white toning glaze consists of 60 wt% heat-resistant white glaze mineral and 40 wt% water. The colorless toning glaze is composed of 40 wt% heat-resistant colorless glaze mineral and 60 wt% water.

Since the method and procedure adopted for the BZ pattern art painting work using the painting pigment composition of the BZ glaze of this example produced by the above method are basically the same as those of Example 1, here, I will not overstate the same point again. As a point to be explained, in the screen production procedure, an appropriate amount of the painting pigment composition of the BZ glaze is produced based on the dimensions of the canvas, and after sufficiently stirring, heat-resistant minerals and water are added to obtain the following weight ratio. By formulating based on this, red glaze, yellow glaze, indigo glaze, green glaze, purple glaze, orange glaze, and blue glaze are formed, respectively.

The ratio of mineral to water in the red glaze is 60%: 40%.

The ratio of mineral to water in the yellow glaze is 55%: 45%.

The ratio of mineral to water in the indigo glaze is 65%: 35%.

The ratio of mineral to water in the green glaze is 63%: 37%.

The ratio of mineral to water in purple glaze is 70%: 30%.

The ratio of mineral to water in the orange glaze is 68%: 32%.

The ratio of mineral to water in the blue glaze is 71%: 29%.

After stirring well, apply evenly over the canvas. After leaving for 5-10 minutes, black or white powder of natural mineral is added uniformly. The weight of the black powder or white powder is 5% of the total weight of the painting pigment composition of the BZ glaze, and with the passage of time, an irregular pattern gradually appears on the canvas, and after about 12 hours, , The completed pattern appears on the canvas.
Finally, the late treatment is applied, and after the pattern is fixed and does not change, it is allowed to stand horizontally and the canvas is dried. Allow to air dry completely for 48-72 hours under normal temperature conditions. After waiting for it to dry sufficiently, remove the patterned canvas from the backboard and perform normal operations such as attaching a frame if necessary.

(Example 3)
In the third embodiment, a 180 cm × 95 cm BZ technique painting work is produced.

Manufactures painting pigment compositions for BZ glazes. A color glaze, a white toning glaze, and a colorless toning glaze are added to an art material composition comprising a natural mineral pigment (content 5 g), a synthetic resin (content 3 g), and acetic acid (content 2 g). Among them, the color glaze consists of 60 wt% to 40 wt% heat-resistant color glaze mineral and 40 wt% to 60 wt% water, and the white toning glaze consists of 60 wt% heat-resistant white glaze mineral and 40 wt% water. The colorless toning glaze is composed of 40 wt% heat-resistant colorless glaze mineral and 60 wt% water.

The method and procedure adopted for the irregular BZ technique painting work produced using the painting pigment composition of the BZ glaze of this example produced by the above method is basically the same as that of Example 1. For this reason, I will not overstate the same point here again. As a point to be explained, in the screen production procedure, an appropriate amount of the painting pigment composition of the BZ glaze is produced based on the dimensions of the canvas, and after sufficiently stirring, heat-resistant minerals and water are added to obtain the following weight ratio. By formulating based on this, red glaze, yellow glaze, indigo glaze, green glaze, purple glaze, orange glaze, and blue glaze are formed, respectively.

The ratio of mineral to water in the red glaze is 60%: 40%.

The ratio of mineral to water in the yellow glaze is 55%: 45%.

The ratio of mineral to water in the indigo glaze is 65%: 35%.

The ratio of mineral to water in the green glaze is 63%: 37%.

The ratio of mineral to water in purple glaze is 70%: 30%.

The ratio of mineral to water in the orange glaze is 68%: 32%.

The ratio of mineral to water in the blue glaze is 71%: 29%.

After stirring well, apply evenly over the canvas. After leaving for 5-10 minutes, black or white powder of natural mineral is added uniformly. The weight of the black powder or white powder is 5% of the total weight of the painting pigment composition of the BZ glaze, and with the passage of time, an irregular pattern gradually appears on the canvas, and after about 12 hours, , The completed pattern appears on the canvas.
Finally, the late treatment is applied, and after the pattern is fixed and does not change, it is allowed to stand horizontally and the canvas is dried. Allow to air dry completely for 48-72 hours under normal temperature conditions. After waiting for it to dry sufficiently, remove the patterned canvas from the backboard and perform normal operations such as attaching a frame if necessary.

(Example 4)
Example 4 produces a 180 cm x 95 cm BZ technique painting work.

Manufactures painting pigment compositions for BZ glazes. A color glaze, a white toning glaze, and a colorless toning glaze are added to an art material composition comprising a natural mineral pigment (content 5 g), a synthetic resin (content 3 g), and acetic acid (content 2 g). Among them, the color glaze consists of 60 wt% to 40 wt% heat-resistant color glaze mineral and 40 wt% to 60 wt% water, and the white toning glaze consists of 60 wt% heat-resistant white glaze mineral and 40 wt% water. The colorless toning glaze is composed of 40 wt% heat-resistant colorless glaze mineral and 60 wt% water.

Since the method and procedure adopted for the BZ pattern art painting work using the painting pigment composition of the BZ glaze of this example produced by the above method are basically the same as those of Example 1, here, I will not overstate the same point again. As a point to be explained, in the screen production procedure, an appropriate amount of the painting pigment composition of the BZ glaze is produced based on the dimensions of the canvas, and after sufficiently stirring, heat-resistant minerals and water are added to obtain the following weight ratio. By formulating based on this, red glaze, yellow glaze, indigo glaze, green glaze, purple glaze, orange glaze, and blue glaze are formed, respectively.

The ratio of mineral to water in the red glaze is 60%: 40%.

The ratio of mineral to water in the yellow glaze is 55%: 45%.

The ratio of mineral to water in the indigo glaze is 65%: 35%.

The ratio of mineral to water in the green glaze is 63%: 37%.

The ratio of mineral to water in purple glaze is 70%: 30%.

The ratio of mineral to water in the orange glaze is 68%: 32%.

The ratio of mineral to water in the blue glaze is 71%: 29%.

After stirring well, apply evenly over the canvas. After leaving for 5-10 minutes, black or white powder of natural mineral is added uniformly. The weight of the black powder or white powder is 5% of the total weight of the painting pigment composition of the BZ glaze, and with the passage of time, an irregular pattern gradually appears on the canvas, and after about 12 hours, , The completed pattern appears on the canvas.
Finally, the late treatment is applied, and after the pattern is fixed and does not change, it is allowed to stand horizontally and the canvas is dried. Allow to air dry completely for 48-72 hours under normal temperature conditions. After waiting for it to dry sufficiently, remove the patterned canvas from the backboard and perform normal operations such as attaching a frame if necessary.

(Example 5)
Example 5 produces a painting work of 120 cm × 90 cm BZ technique.

Manufactures painting pigment compositions for BZ glazes. A color glaze, a white toning glaze, and a colorless toning glaze are added to an art material composition comprising a natural mineral pigment (content 5 g), a synthetic resin (content 3 g), and acetic acid (content 2 g). Among them, the color glaze consists of 60 wt% to 40 wt% heat-resistant color glaze mineral and 40 wt% to 60 wt% water, and the white toning glaze consists of 60 wt% heat-resistant white glaze mineral and 40 wt% water. The colorless toning glaze is composed of 40 wt% heat-resistant colorless glaze mineral and 60 wt% water.

Since the method and procedure adopted for the BZ pattern art painting work using the painting pigment composition of the BZ glaze of this example produced by the above method are basically the same as those of Example 1, here, I will not overstate the same point again. As a point to be explained, in the screen production procedure, an appropriate amount of the painting pigment composition of the BZ glaze is produced based on the dimensions of the canvas, and after sufficiently stirring, heat-resistant minerals and water are added to obtain the following weight ratio. By formulating based on this, red glaze, yellow glaze, indigo glaze, green glaze, purple glaze, orange glaze, and blue glaze are formed, respectively.

The ratio of mineral to water in the red glaze is 60%: 40%.

The ratio of mineral to water in the yellow glaze is 55%: 45%.

The ratio of mineral to water in the indigo glaze is 65%: 35%.

The ratio of mineral to water in the green glaze is 63%: 37%.

The ratio of mineral to water in purple glaze is 70%: 30%.

The ratio of mineral to water in the orange glaze is 68%: 32%.

The ratio of mineral to water in the blue glaze is 71%: 29%.

After stirring well, apply evenly over the canvas. After leaving for 5-10 minutes, black or white powder of natural mineral is added uniformly. The weight of the black powder or white powder is 5% of the total weight of the painting pigment composition of the BZ glaze, and with the passage of time, an irregular pattern gradually appears on the canvas, and after about 12 hours, , The completed pattern appears on the canvas.
Finally, the late treatment is applied, and after the pattern is fixed and does not change, it is allowed to stand horizontally and the canvas is dried. Allow to air dry completely for 48-72 hours under normal temperature conditions. After waiting for it to dry sufficiently, remove the patterned canvas from the backboard and perform normal operations such as attaching a frame if necessary.

(Example 6)
In Example 6, a 55 cm × 55 cm BZ high temperature color glaze ceramic plate is produced.

Water is added to the kaolin soil (especially the local kaolin soil in Jingdezhen) at a ratio of 7: 3, stirred to make it white, and then pressed with an iron rod to flatten it like a mirror. It is completed by making plates with different thicknesses of 2 to 3 cm and drying them in the shade without direct sunlight for about 1 week.

Various colored glazes are produced by adding water to purely natural heat-resistant minerals in the following proportions.

The ratio of mineral to water in the red glaze is 55%: 45%.

The ratio of mineral to water in the yellow glaze is 50%: 50%.

The ratio of mineral to water in the indigo glaze is 60%: 40%.

The ratio of mineral to water in the green glaze is 58%: 42%.

The ratio of mineral to water in purple glaze is 65%: 35%.

The ratio of mineral to water in the orange glaze is 63%: 37%.

The ratio of mineral to water in the blue glaze is 66%: 34%.

After obtaining the above-mentioned various colored glazes, a white toning glaze and a colorless toning glaze are added to the various colored glazes. Among them, the white toning glaze is composed of 70 wt% of heat-resistant white glaze mineral and 30 wt% of water, and the colorless toning glaze is composed of 30 wt% of heat-resistant colorless glaze mineral and 70 wt% of water.

To each 500 g of red glaze, 10 g of white toning glaze and 5 g of colorless toning glaze are added.

To each 500 g of yellow glaze, 15 g of white toning glaze and 10 g of colorless toning glaze are added.

To each 500 g of indigo glaze, 20 g of white toning glaze and 15 g of colorless toning glaze are added.

To each 500 g of green glaze, 25 g of white toning glaze and 20 g of colorless toning glaze are added.

To each 500 g of purple glaze, 30 g of white toning glaze and 15 g of colorless toning glaze are added.

To each 500 g of orange glaze, 35 g of white toning glaze and 20 g of colorless toning glaze are added.

To each 500 g of blue glaze, 40 g of white toning glaze and 25 g of colorless toning glaze are added.

When the painting pigments of various high-temperature color glazes obtained by adopting the above ratios are applied to ceramic plate paintings, the various color glazes fuse with each other to further purify, saturate, and make the hue gorgeous. This is also included in the scope of protection of this application.

After adding the white toning glaze and the colorless toning glaze, the procedure and order of painting of various color glazes is as follows: first draw red, yellow, indigo, green, purple, orange, blue, and then dry in the shade. Apply to each board. Of course, the above is only the most preferred method of implementation. Similarly, a similar BZ technique can be achieved by using various color glazes in which at least three colors of red, yellow, and indigo are added to a white toning glaze and a colorless toning glaze based on the above ratio and coating order. The effect can be realized.

According to Jingdezhen, September-October is the best time to create a high-temperature colored glaze ceramic plate, and it is best to make a ceramic plate under the above temperature and humidity.

When firing in a kiln, it is most preferable to use a gas kiln, followed by an electric kiln and a wood-fired kiln. When firing the gourd plate in a kiln, the temperature on the first day is controlled to a high temperature of 500-600 degrees, the temperature on the second day is controlled to a high temperature of 600-800 degrees, and the temperature on the third day is 1300-1350 degrees. Control the temperature to a high temperature, finish firing, turn off the fire, leave it in the kiln for 3 to 4 days, lower the temperature naturally, and remove it from the kiln when it approaches the outside temperature.

(Example 7)
In Example 7, an organic glass of a 180 cm × 120 cm BZ technique painting work is produced.

In addition to the BZ high-temperature color glaze ceramic plate and the BZ technology canvas, it is possible to realize a BZ technology painting work on organic glass. Among them, BZ organic glass can be purchased directly on the market, and the painting method and procedure are the same as those for canvas and ceramic plate. When the painting is completed, it is completed by drying the organic glass in the shade at room temperature (a range of about 0 to 50 degrees indoors).

(Example 8)
In Example 8, an organic glass of a 180 cm × 120 cm BZ technique painting work is produced.

In addition to the BZ high-temperature color glaze ceramic plate and the BZ technology canvas, it is possible to realize a BZ technology painting work on organic glass. Among them, BZ organic glass can be purchased directly on the market, and the painting method and procedure are the same as those for canvas and ceramic plate. When the painting is completed, it is completed by drying the organic glass in the shade at room temperature (a range of about 0 to 50 degrees indoors).

(Example 9)
In Example 9, a 170 cm × 84 cm BZ high temperature color glaze ceramic plate is produced.

Add water at a ratio of 7: 3 to the kaolin soil (especially the local kaolin soil in Jingdezhen), stir it to make it a white background, and press it with an iron rod to flatten it like a mirror. It is completed by making plates with different thicknesses of 2 to 3 cm and drying them in the shade without direct sunlight for about 1 week.

Various colored glazes are produced by adding water to purely natural heat-resistant minerals in the following proportions.

The ratio of mineral to water in the red glaze is 55%: 45%.

The ratio of mineral to water in the yellow glaze is 50%: 50%.

The ratio of mineral to water in the indigo glaze is 60%: 40%.

The ratio of mineral to water in the green glaze is 58%: 42%.

The ratio of mineral to water in purple glaze is 65%: 35%.

The ratio of mineral to water in the orange glaze is 63%: 37%.

The ratio of mineral to water in the blue glaze is 66%: 34%.

After obtaining the above-mentioned various colored glazes, a white toning glaze and a colorless toning glaze are added to the various colored glazes. Among them, the white toning glaze is composed of 70 wt% of heat-resistant white glaze mineral and 30 wt% of water, and the colorless toning glaze is composed of 30 wt% of heat-resistant colorless glaze mineral and 70 wt% of water.

To each 500 g of red glaze, 10 g of white toning glaze and 5 g of colorless toning glaze are added.

To each 500 g of yellow glaze, 15 g of white toning glaze and 10 g of colorless toning glaze are added.

To each 500 g of indigo glaze, 20 g of white toning glaze and 15 g of colorless toning glaze are added.

To each 500 g of green glaze, 25 g of white toning glaze and 20 g of colorless toning glaze are added.

To each 500 g of purple glaze, 30 g of white toning glaze and 15 g of colorless toning glaze are added.

To each 500 g of orange glaze, 35 g of white toning glaze and 20 g of colorless toning glaze are added.

To each 500 g of blue glaze, 40 g of white toning glaze and 25 g of colorless toning glaze are added.

When the painting pigments of various high-temperature color glazes obtained by adopting the above ratios are applied to ceramic plate paintings, the various color glazes fuse with each other to further purify, saturate, and make the hue gorgeous. This is also included in the scope of protection of this application.

(Example 10)
In Example 10, a 170 cm × 84 cm high-temperature colored glaze ceramic plate is produced.

Add water at a ratio of 7: 3 to the kaolin soil (especially the local kaolin soil in Jingdezhen), stir it to make it a white background, and press it with an iron rod to flatten it like a mirror. It is completed by making plates with different thicknesses of 2 to 3 cm and drying them in the shade without direct sunlight for about 1 week.

Various colored glazes are produced by adding water to purely natural heat-resistant minerals in the following proportions.

The ratio of mineral to water in the red glaze is 55%: 45%.

The ratio of mineral to water in the yellow glaze is 50%: 50%.

The ratio of mineral to water in the indigo glaze is 60%: 40%.

The ratio of mineral to water in the green glaze is 58%: 42%.

The ratio of mineral to water in purple glaze is 65%: 35%.

The ratio of mineral to water in the orange glaze is 63%: 37%.

The ratio of mineral to water in the blue glaze is 66%: 34%.

After obtaining the above-mentioned various colored glazes, a white toning glaze and a colorless toning glaze are added to the various colored glazes. Among them, the white toning glaze is composed of 70 wt% of heat-resistant white glaze mineral and 30 wt% of water, and the colorless toning glaze is composed of 30 wt% of heat-resistant colorless glaze mineral and 70 wt% of water.

To each 500 g of red glaze, 10 g of white toning glaze and 5 g of colorless toning glaze are added.

To each 500 g of yellow glaze, 15 g of white toning glaze and 10 g of colorless toning glaze are added.

To each 500 g of indigo glaze, 20 g of white toning glaze and 15 g of colorless toning glaze are added.

To each 500 g of green glaze, 25 g of white toning glaze and 20 g of colorless toning glaze are added.

To each 500 g of purple glaze, 30 g of white toning glaze and 15 g of colorless toning glaze are added.

To each 500 g of orange glaze, 35 g of white toning glaze and 20 g of colorless toning glaze are added.

To each 500 g of blue glaze, 40 g of white toning glaze and 25 g of colorless toning glaze are added.

When the painting pigments of various high-temperature color glazes obtained by adopting the above ratios are applied to ceramic plate paintings, the various color glazes fuse with each other to further purify, saturate, and make the hue gorgeous. This is also included in the scope of protection of this application.

(Example 11)
In the eleventh embodiment, a 170 cm × 84 cm high-temperature colored glaze ceramic plate is produced.

Add water at a ratio of 7: 3 to the kaolin soil (especially the local kaolin soil in Jingdezhen), stir it to make it a white background, and press it with an iron rod to flatten it like a mirror. It is completed by making plates with different thicknesses of 2 to 3 cm and drying them in the shade without direct sunlight for about 1 week.

Various colored glazes are produced by adding water to purely natural heat-resistant minerals in the following proportions.

The ratio of mineral to water in the red glaze is 55%: 45%.

The ratio of mineral to water in the yellow glaze is 50%: 50%.

The ratio of mineral to water in the indigo glaze is 60%: 40%.

The ratio of mineral to water in the green glaze is 58%: 42%.

The ratio of mineral to water in purple glaze is 65%: 35%.

The ratio of mineral to water in the orange glaze is 63%: 37%.

The ratio of mineral to water in the blue glaze is 66%: 34%.

After obtaining the above-mentioned various colored glazes, a white toning glaze and a colorless toning glaze are added to the various colored glazes. Among them, the white toning glaze is composed of 70 wt% of heat-resistant white glaze mineral and 30 wt% of water, and the colorless toning glaze is composed of 30 wt% of heat-resistant colorless glaze mineral and 70 wt% of water.

To each 500 g of red glaze, 10 g of white toning glaze and 5 g of colorless toning glaze are added.

To each 500 g of yellow glaze, 15 g of white toning glaze and 10 g of colorless toning glaze are added.

To each 500 g of indigo glaze, 20 g of white toning glaze and 15 g of colorless toning glaze are added.

To each 500 g of green glaze, 25 g of white toning glaze and 20 g of colorless toning glaze are added.

To each 500 g of purple glaze, 30 g of white toning glaze and 15 g of colorless toning glaze are added.

To each 500 g of orange glaze, 35 g of white toning glaze and 20 g of colorless toning glaze are added.

To each 500 g of blue glaze, 40 g of white toning glaze and 25 g of colorless toning glaze are added.

When the painting pigments of various high-temperature color glazes obtained by adopting the above ratios are applied to ceramic plate paintings, the various color glazes fuse with each other to further purify, saturate, and make the hue gorgeous. This is also included in the scope of protection of this application.

The above is only a relatively preferable embodiment of the present invention and does not limit the scope of patent protection of the present invention. Therefore, all equivalent effects and changes obtained by applying the contents of the description and figures of the present invention are similarly included in the scope of patent protection of the present invention. The above is only a relatively preferred embodiment of the present invention and does not limit the scope of patent protection of the present invention. Therefore, all equivalent effects and changes obtained by applying the contents of the description and figures of the present invention are similarly included in the scope of patent protection of the present invention.

Claims (4)

A painting pigment composition coating method of the glaze that causes an irregular pattern by chemical vibrations,
Select natural linen of appropriate size based on the size of the screen to make a canvas, and waterproof and reinforce it to make a canvas.
Apply a base coat to the canvas, create a base on the canvas, adjust the color, and apply an undercoat that dries sufficiently.
Fix the canvas with the completed undercoat horizontally to the backboard,
Manufacture an appropriate amount of glaze painting pigment composition based on the dimensions of the canvas,
At this time, the production of the painting pigment composition of the glaze
A resin containing a polymer resin obtained by copolymerizing a functional monomer mainly composed of vinyl acetate and butyl acrylate, and a resin .
With natural mineral pigments
Jun and lubricants,
With a disinfectant ,
In addition, the glaze of each color and
With white toning glaze,
Colorless toning glaze and
The formulated is intended to glaze painting pigment composition,
The white toning glaze is composed of 60 wt% heat-resistant white glaze mineral and 40 wt% water.
The colorless toning glaze is composed of 40 wt% heat-resistant colorless glaze mineral and 60 wt% water.
Coating painting pigment composition formulated the glaze on the entire of the canvas is,
Leave for 5-10 minutes
Add black or white powder of natural mineral evenly,
1 allowed to stand for 2 hours,
Further features and the painting pigment composition coating methods allowed that glaze resulting irregular pattern by chemical vibrate and dried at 48-72 hours at normal temperature under and horizontally the canvas. In the chemical painting pigment composition coating methods allowed that glaze resulting irregular pattern caused by vibration according to claim 1,
The glazes of each color include red glazes, yellow glazes, indigo glazes, green glazes, purple glazes, orange glazes, and blue glazes.
The ratio of mineral to water in the red glaze is 60%: 40%.
The ratio of mineral to water in the yellow glaze is 55%: 45%.
The ratio of minerals to water in the indigo glaze is 65%: 35%.
The ratio of mineral to water in the green glaze is 63%: 37%.
The ratio of mineral to water in the purple glaze is 70%: 30%.
The ratio of mineral to water in the orange glaze is 68%: 32%.
The ratio of mineral water of the blue glaze, 71%: Features and the painting pigment composition coating methods allowed that glaze resulting irregular pattern by chemical vibrations that it is 29%. In the chemical painting pigment composition coating methods allowed that glaze resulting irregular pattern caused by vibration according to claim 1,
Wt% content of the chemical that causes an irregular pattern glaze painting pigment composition coating methods due to vibration, characterized in that no more than 3% of the lubricant. In the chemical painting pigment composition coating methods allowed that glaze resulting irregular pattern caused by vibration according to claim 1,
It said weight percents content of fungicides, chemical that causes an irregular pattern glaze painting pigment composition coating methods due to vibration, characterized in that no more than 2%.