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JPS631594B2 - - Google Patents
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JPS631594B2 - - Google Patents

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Publication number
JPS631594B2
JPS631594B2 JP55099813A JP9981380A JPS631594B2 JP S631594 B2 JPS631594 B2 JP S631594B2 JP 55099813 A JP55099813 A JP 55099813A JP 9981380 A JP9981380 A JP 9981380A JP S631594 B2 JPS631594 B2 JP S631594B2
Authority
JP
Japan
Prior art keywords
circuit means
sound
output
signal
channel
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Expired
Application number
JP55099813A
Other languages
Japanese (ja)
Other versions
JPS5724994A (en
Inventor
Kimiharu Watanabe
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Panasonic Holdings Corp
Original Assignee
Matsushita Electric Industrial Co Ltd
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Matsushita Electric Industrial Co Ltd filed Critical Matsushita Electric Industrial Co Ltd
Priority to JP9981380A priority Critical patent/JPS5724994A/en
Publication of JPS5724994A publication Critical patent/JPS5724994A/en
Publication of JPS631594B2 publication Critical patent/JPS631594B2/ja
Granted legal-status Critical Current

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  • Electrophonic Musical Instruments (AREA)
  • Stereophonic System (AREA)

Description

【発明の詳細な説明】 本発明は、電子楽器の音像を、水平面内の任意
の方向に定位又は連続して移動制御するようにし
た立体音響電子楽器に関するものである。
DETAILED DESCRIPTION OF THE INVENTION The present invention relates to a three-dimensional sound electronic musical instrument in which a sound image of an electronic musical instrument is controlled to be localized or continuously moved in any direction within a horizontal plane.

現在市販されている電子楽器の構成は、電気回
路によりフリユートやピアノ等の楽音信号を創成
し、1個以上のスピーカによつて再生するもので
あり、立体音響感を再生する方法として第1図に
示すものがある。
The configuration of electronic musical instruments currently on the market is to create musical sound signals such as flute or piano using an electric circuit and reproduce them through one or more speakers. There are some things shown below.

これは、楽音信号を入力端子11に入力した後、
3チヤンネルに分岐し、時間遅延素子1,2,3
(例えばBBD)およびアンプ4を介して3つのス
ピーカSP1,SP2,SP3でそれぞれ再生するも
のであるが、時間遅延素子1,2,3の遅延時
間、1msから7msまでの範囲を周期0.5秒で移動さ
せ、かつ時間遅延素子1,2,3間の遅延時間の
位相差をそれぞれ120゜とすることにより、第2図
の領域Aで示した水平面内で、楽器5から発する
楽音に拡がり感を持たせることができる。しか
し、楽音音像の定位方向が全く不定で、音像の中
心があいまいとなるため、受聴者6は非常に不安
定な心理状態となる。つまり、音の拡がり感は再
生できるが音像の定位範囲の拡大は再生できない
のである。
This means that after inputting the musical tone signal to input terminal 1 ,
Branched into 3 channels, time delay elements 1, 2, 3
(for example, BBD) and amplifier 4 to reproduce the signals from three speakers SP1, SP2, and SP3, respectively.The delay time of time delay elements 1, 2, and 3 ranges from 1ms to 7ms with a cycle of 0.5 seconds. By moving the time delay elements 1, 2, and 3 and setting the delay time phase difference between each of them to 120 degrees, the musical sound emitted from the musical instrument 5 has a sense of expansion within the horizontal plane shown by area A in FIG. You can have it. However, since the localization direction of the musical sound image is completely uncertain and the center of the sound image is ambiguous, the listener 6 is placed in a very unstable psychological state. In other words, it is possible to reproduce the sense of spaciousness of the sound, but it is not possible to reproduce the expansion of the localization range of the sound image.

一方、音像の定位範囲は、現状市販されている
電子楽器では、再生スピーカを複数個使用した場
合でも1チヤンネル再生であるため第3図に示し
たように1方向(0方向)のみである。
On the other hand, the localization range of the sound image is limited to only one direction (direction 0) as shown in FIG. 3 because currently available electronic musical instruments reproduce one channel even when a plurality of reproduction speakers are used.

以上市販されている電子楽器の例を示したが、
2チヤンネルステレオを電子楽器に応用して、再
生用2スピーカ間に楽器信号による音像の定位を
実現する方法を第4図に、その定位方向範囲を第
5図に示す。
Above are examples of commercially available electronic musical instruments.
FIG. 4 shows a method of applying two-channel stereo to an electronic musical instrument to localize a sound image using an instrument signal between two reproduction speakers, and FIG. 5 shows the localization direction range.

1から5の5入力端子に入力された楽器信号
は、2チヤンネルパンポツト7によつて2チヤン
ネル間の電圧レベル比を可変され、アンプ4を介
して2個のスピーカSP1,SP2で再生される。
音像′1から′5は、2チヤンネルパンポツト7
による2チヤンネル間の電圧レベルにより受聴者
6から左側スピーカSP1の方向lと右側スピー
カSP2の方向rの間に自由に定位することがで
きる。
The musical instrument signals input to the five input terminals 1 to 5 have the voltage level ratio between the two channels varied by the two-channel panpot 7, and are reproduced by the two speakers SP1 and SP2 via the amplifier 4. .
Sound images ' 1 to ' 5 are 2 channel pan pots 7
According to the voltage level between the two channels, the listener 6 can be freely positioned between the direction l of the left speaker SP1 and the direction r of the right speaker SP2.

しかしながら、この方法では、受聴者の横方向
や後方に定位させることはできない。
However, with this method, it is not possible to localize to the side or behind the listener.

本発明は、以上の様な欠点をなくすためになさ
れたもので、電子楽器の2スピーカ再生によつ
て、楽器信号の直接音及び間接音の音像を水平面
内の各方向に自由に定位させる立体音響電子楽器
を提供するものである。以下、図面により実施例
を詳細に説明する。
The present invention has been made to eliminate the above-mentioned drawbacks, and is a three-dimensional system that freely localizes the sound images of the direct sound and indirect sound of the musical instrument signal in each direction in the horizontal plane by reproducing two speakers of an electronic musical instrument. The present invention provides an acoustic electronic musical instrument. Hereinafter, embodiments will be described in detail with reference to the drawings.

第6図は、受聴者6の周囲360゜方向に音像を定
位させるようにした本発明の一実施例を示したも
のである。音階音源8から出力された信号は、任
意の音程を選択するキーボードスイツチ回路手段
9、任意の楽音の音色に変換する音色変換回路手
段10aおよび間接音を創る、例えば時間遅延器
と残響付加装置からなる間接音創成回路手段10
bを介して、6チヤンネル出力間の電圧レベル比
を自由に制御できる複数の電気回路手段11(例
えば6チヤンネルパンポツト)に入力される。そ
の6チヤンネル出力のうち、第1出力O1,第2
出力O2は直接混合器16に入力され、第3出力
O3,第4出力O4は、受聴者6の正面を0゜として
音像を左右90゜方向に定位させる電気回路手段1
8を介して、また第5出力O5,第6出力O6は、
受聴者6の後方の任意の2方向に定位させる電気
回路手段19を介して、それぞれ混合器16に入
力される。電気回路手段18および19は、それ
ぞれ前後判定回路12および14と両耳差創成回
路13および15とからなつている。混合器16
に入力された各信号は混合された後、2チヤンネ
ルの信号として出力され、アンプ4を介して2個
の再生スピーカSP1,SP2から再生される。
FIG. 6 shows an embodiment of the present invention in which a sound image is localized in a 360° direction around the listener 6. The signal output from the scale sound source 8 is sent to a keyboard switch circuit means 9 for selecting an arbitrary pitch, a timbre conversion circuit means 10a for converting the timbre of an arbitrary musical tone, and a time delay device and a reverberation adding device for creating indirect sounds, for example. indirect sound generating circuit means 10
b, the signal is inputted to a plurality of electric circuit means 11 (for example, a 6-channel panpot) that can freely control the voltage level ratio between the 6-channel outputs. Among the six channel outputs, the first output O 1 , the second
The output O 2 is directly input to the mixer 16 and the third output
O 3 and fourth output O 4 are electrical circuit means 1 that localizes the sound image in the left and right directions at 90 degrees with the front of the listener 6 as 0 degrees.
8, and the fifth output O 5 and the sixth output O 6 are
The signals are respectively input to the mixer 16 via electric circuit means 19 for localizing in two arbitrary directions behind the listener 6. The electric circuit means 18 and 19 are composed of front and back determining circuits 12 and 14 and binaural difference creating circuits 13 and 15, respectively. mixer 16
After being mixed, the signals input to the 1 and 2 are output as 2-channel signals, and are reproduced from two reproduction speakers SP1 and SP2 via an amplifier 4.

前記前後判定回路と両耳差創成回路について
は、例えば、新保正利他の「ステレオ再生におけ
る方向定位について」電気音響研究委資料
EA76―61(1976)に詳細に記載されており、ここ
では要約して述べる。
Regarding the fore/aft judgment circuit and the binaural difference creation circuit, see, for example, Masatoshi Shinbo et al.'s "Direction Localization in Stereo Playback" Electro-acoustic Research Committee material.
It is described in detail in EA76-61 (1976), and will be summarized here.

第10図に示したように、2スピーカ再生の場
合、2個のスピーカと両耳の間には4つの伝達関
数が存在する。通常のステレオ受聴においては、
第11図に示すように、対称な伝達関数は等しく
なる。
As shown in FIG. 10, in the case of two-speaker reproduction, there are four transfer functions between the two speakers and both ears. In normal stereo listening,
As shown in FIG. 11, symmetrical transfer functions are equal.

第9図に示したように、任意の距離、方向に定
位させるべき音像の位置に、もし音源があつたと
したとき、左耳、右耳の耳道に生ずる音圧をPL
PRとし、その音源から左右の耳道までの伝達関
数をH01,H02とする。一方、再生スピーカSP.1
に加える信号をEL、スピーカSP.2に加える信号
をERとし、スピーカの伝達関数を1と仮定する。
またこのとき、左耳、右耳の耳道に再生される音
圧をPL′,PR′とする。さらにスピーカSP.1から
左耳への伝達関数をH11、右耳への伝達関数を
H12とし、スピーカSP.2についても同様に伝達
関数をH21,H22と定義する。
As shown in Figure 9, if a sound source is located at the position of the sound image that should be localized at an arbitrary distance and direction, the sound pressure generated in the auditory canals of the left and right ears is P L ,
Let P R be the transfer functions from the sound source to the left and right auditory canals as H 01 and H 02 . On the other hand, playback speaker SP.1
Assume that the signal applied to the speaker SP.2 is E L , the signal applied to the speaker SP.2 is E R , and the transfer function of the speaker is 1.
Also, at this time, the sound pressures reproduced in the auditory canals of the left ear and right ear are assumed to be P L ′ and P R ′. Furthermore, the transfer function from speaker SP.1 to the left ear is H 11 , and the transfer function to the right ear is H 11 .
H 12 and the transfer functions for speaker SP.2 are defined as H 21 and H 22 in the same way.

ここで第9図bの両耳の音圧比PR/PL以下、 PR/PL=H02/H01=A ……(1) Pr/Pl=H12/H11=B ……(2) ER/EL=C ……(3) としたときの再生スピーカによる受聴者の両耳の
音圧比PR′/PL′は PR′/PL′=H11・ER+H12・ER/H11・EL+H12・EL=B
・1+C/B/1+C・B …(4) ここで、PR/PLとPR′/PL′を等しくするため
に要求される再生スピーカのER/ELを求めると、 C=A−B/1−A・B=H11・H02−H12・H01/H11
・H01−H12・H02…(5) これが両耳差創成回路となる。
Here, the sound pressure ratio of both ears P R /P L in Figure 9b or less, P R /P L = H 02 /H 01 = A ... (1) P r /P l = H 12 /H 11 = B ...(2) E R /E L = C ...(3) The sound pressure ratio P R ′/P L ′ between the listener's ears due to the reproduction speaker is P R ′/P L ′=H 11・E R +H 12・E R /H 11・E L +H 12・E L =B
・1+C/B/1+C・B...(4) Here, to find the reproduction speaker E R /E L required to make P R /P L and P R ′/P L ′ equal, C= A-B/1-A・B=H 11・H 02 −H 12・H 01 /H 11
・H 01 −H 12・H 02 …(5) This becomes the binaural difference generation circuit.

全周方向の音源の方向判定には、両耳比に加え
て、前後判定のための伝達関数を要する。第9図
bの電気入力信号をAsとすると、受聴者の左耳
で得られる音圧PLは、 PL=H01・As ……(6) で与えられる。一方、第11図での受聴者の左
耳で得られる音圧PL′は、 PL′=(H11・EL+H12・ER)・As ……(7) ここでPLとPL′を等しくする条件を求めると、 H01・As=H11・EL・(1+H12/H11・ER/EL)As ……(8) EL=H01/H11・1/1+(H12/H11)(ER/EL) ≒H01/H11 ……(9) これが前後判定回路となる。
To determine the direction of a sound source in all circumferential directions, in addition to the binaural ratio, a transfer function for front-back determination is required. Assuming that the electrical input signal in FIG. 9b is A s , the sound pressure P L obtained at the listener's left ear is given by P L =H 01 ·A s (6). On the other hand, the sound pressure P L ′ obtained at the listener's left ear in Fig. 11 is P L ′ = (H 11・E L +H 12・E R )・A s ……(7) Here, P L Find the condition that makes P L ′ equal to H 01・A s =H 11・E L・(1+H 12 /H 11・E R /E L )A s ……(8) E L =H 01 / H 11 · 1/1 + (H 12 /H 11 ) (E R /E L ) ≒H 01 /H 11 ...(9) This becomes the front/back judgment circuit.

以上より、受聴者の全周方向に音像を定位させ
るための音像制御回路は第12図で示される。
Based on the above, the sound image control circuit for localizing the sound image in the circumferential direction of the listener is shown in FIG. 12.

受聴者6、即ち演奏者は、音色変換回路手段1
0aの例えば5つの異なつた楽音信号12
345に対して、同数の6チヤンネルパ
ンポツト11の6チヤンネル出力間のレベル比を
可変することにより、各楽器信号の直接音の音像
方向′1,′2,′3,I′4,′5を制御すること
ができる。勿論、3つの異なつた楽器信号2
34から創成した間接者を15とし、直
接音の音像方向を′2,′3,′4、間接音の音
像方向を′1,′5として従来にない空間効果を
再現することもできる。また特定の楽音信号によ
る音像を連続して移動させることもできる。以上
の回路を電子楽器17として組み立てることによ
り、楽器音像を受聴者6の周囲に自由に定位させ
たり移動させることができる立体音響電子楽器を
製作することができる。
The listener 6, that is, the performer, uses the timbre conversion circuit means 1.
For example, five different musical tone signals 1 , 2 ,
3 , 4 , and 5 , by varying the level ratio between the six-channel outputs of the same number of six-channel panpots 11, the sound image direction of the direct sound of each instrument signal ′ 1 , ′ 2 , ′ 3 , I′ 4 and ' 5 can be controlled. Of course, three different instrument signals2 ,
The indirect sounds created from 3 and 4 are set as 1 and 5 , the sound image directions of the direct sound are set as ′ 2 , ′ 3 , ′ 4 , and the sound image directions of the indirect sound are set as ′ 1 and ′ 5 to reproduce an unprecedented spatial effect. You can also do it. It is also possible to continuously move a sound image based on a specific musical tone signal. By assembling the above circuit as the electronic musical instrument 17, it is possible to manufacture a stereophonic electronic musical instrument that can freely localize and move the musical instrument sound image around the listener 6.

第7図にその原理を示す。楽器信号は入力端子
1に入力され、6チヤンネル出力O1〜O6間の電
圧レベル比を自由に制御できる電気回路手段11
(6チヤンネルパンポツト)を経て6個の再生ス
ピーカSP1〜SP6によつて再生される。例えば
楽器信号がO1のみ出力される時はスピーカSP1
のみから再生され、音像○
The principle is shown in Fig. 7. The musical instrument signal is input to the input terminal 1, and the electric circuit means 11 can freely control the voltage level ratio between the six channel outputs O1 to O6.
(6-channel panpot) and is reproduced by six reproduction speakers SP1 to SP6. For example, when the instrument signal is output only from O1 , speaker SP1
Played only from the sound image ○

Claims (1)

【特許請求の範囲】 1 音階音源からの楽音信号を選択するキーボー
ドスイツチ回路手段と、該キーボードスイツチ回
路手段を介して供給された楽音信号を任意の楽器
の音色に変換する音色変換回路手段と、該音色変
換回路手段の出力信号の間接音を創る間接音創成
回路手段と、前記音色変換回路手段の出力信号お
よび前記間接音創成回路手段の出力信号を入力
し、その信号を6チヤンネルに分岐するとともに
各チヤンネル間の出力レベル比を制御する複数の
第1の電気回路手段と、該各第1の電気回路手段
の各出力をチヤンネル毎にまとめ、この6チヤン
ネル出力のうち、第1出力と第2出力は直接に、
第3出力と第4出力は音像を受聴者の左右方向に
定位させる第2の電気回路手段を介して、第5出
力と第6出力は音像を受聴者後方の任意の2方向
に定位させる第3の電気回路手段を介してそれぞ
れ入力し、これらの各信号を混合して2チヤンネ
ル信号として出力する混合器とを有し、受聴者の
左右前方に配置した1対のスピーカによつて受聴
者の周囲360゜方向に直接音および間接音の音像を
定位させることを特徴とする立体音響電子楽器。 2 音階音源からの楽音信号を選択するキーボー
ドスイツチ回路手段と、該キーボードスイツチ回
路手段を介して供給された楽音信号を任意の楽器
の音色に変換する音色変換回路手段と、該音色変
換回路手段の出力信号の間接音を創る間接音創成
回路手段と、前記音色変換回路手段の出力信号お
よび前記間接音創成回路手段の出力信号を入力
し、その信号を4チヤンネルに分岐するとともに
各チヤンネル間の出力レベル比を制御する複数の
第1の電気回路手段と、該各第1の電気回路手段
の各出力をチヤンネル毎にまとめ、この4チヤン
ネル出力のうち、第1出力と第2出力は直接に、
第3出力と第4出力は音像を受聴者の左右方向に
定位させる第2の電気回路手段を介して、それぞ
れ入力し、これらの各信号を混合して2チヤンネ
ル信号として出力する混合器とを有し、受聴者の
左右前方に配置した1対のスピーカによつて、受
聴者の前方180゜方向に直接音および間接音の音像
を定位させることを特徴とする立体音響電子楽
器。
[Scope of Claims] 1. Keyboard switch circuit means for selecting a musical tone signal from a scale sound source, and timbre conversion circuit means for converting the musical tone signal supplied via the keyboard switch circuit means into a tone of an arbitrary musical instrument; indirect sound generating circuit means for creating an indirect sound of the output signal of the timbre converting circuit means, inputting the output signal of the timbre converting circuit means and the output signal of the indirect sound generating circuit means, and branching the signal into six channels. and a plurality of first electric circuit means for controlling the output level ratio between each channel, and each output of each of the first electric circuit means is summarized for each channel, and among the outputs of the six channels, the first output and the first electric circuit means are combined. 2 outputs directly,
The third and fourth outputs are provided via a second electric circuit means that localizes the sound image in the left and right directions of the listener, and the fifth and sixth outputs are provided through a second electric circuit means that localizes the sound image in two arbitrary directions behind the listener. It has a mixer that inputs signals through three electric circuit means, mixes these signals, and outputs them as a two-channel signal. A three-dimensional sound electronic musical instrument characterized by localizing a sound image of direct sound and indirect sound in a 360° direction around the instrument. 2. A keyboard switch circuit means for selecting a musical tone signal from a scale sound source, a timbre conversion circuit means for converting the musical tone signal supplied via the keyboard switch circuit means into a tone of an arbitrary musical instrument, and a timbre conversion circuit means for indirect sound generation circuit means for creating an indirect sound of an output signal; the output signal of the timbre conversion circuit means and the output signal of the indirect sound generation circuit means are input; the signal is branched into four channels; and the output signal is output between each channel. A plurality of first electric circuit means for controlling the level ratio and each output of each of the first electric circuit means are summarized for each channel, and among these four channel outputs, the first output and the second output are directly connected to each other.
The third output and the fourth output are respectively inputted via a second electric circuit means for localizing the sound image in the left and right directions of the listener, and a mixer that mixes these respective signals and outputs the mixture as a two-channel signal. 1. A three-dimensional sound electronic musical instrument, characterized in that the sound images of direct sound and indirect sound are localized in a direction 180° in front of a listener by a pair of speakers placed in front of the listener on the left and right sides.
JP9981380A 1980-07-23 1980-07-23 Stereophonic acoustic electronic musical instrument Granted JPS5724994A (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
JP9981380A JPS5724994A (en) 1980-07-23 1980-07-23 Stereophonic acoustic electronic musical instrument

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
JP9981380A JPS5724994A (en) 1980-07-23 1980-07-23 Stereophonic acoustic electronic musical instrument

Publications (2)

Publication Number Publication Date
JPS5724994A JPS5724994A (en) 1982-02-09
JPS631594B2 true JPS631594B2 (en) 1988-01-13

Family

ID=14257286

Family Applications (1)

Application Number Title Priority Date Filing Date
JP9981380A Granted JPS5724994A (en) 1980-07-23 1980-07-23 Stereophonic acoustic electronic musical instrument

Country Status (1)

Country Link
JP (1) JPS5724994A (en)

Families Citing this family (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS59166293U (en) * 1983-04-21 1984-11-07 ヤマハ株式会社 electronic musical instruments
JP4928177B2 (en) * 2006-07-05 2012-05-09 日本放送協会 Sound image forming device

Family Cites Families (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS486666U (en) * 1971-06-04 1973-01-25
JPS5023295A (en) * 1973-06-29 1975-03-12

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JPS5724994A (en) 1982-02-09

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