Don't be afraid to terrify yourself! Pazuzu is a sonic descent into the depths of an ancient nightmare, where invisible presences shift just beyond the edge of perception. Suffocating drones, slow-burning tension, and corroded soundscapes build the echo of a primordial force that seems to observe from the darkness without ever fully revealing itself. Part of our collection of soundtracks for films that were never made and exist only within our imagination, Pazuzu belongs to a fictional archive of lost motion pictures, films that never existed except as mental fragments and sonic impressions. The piece draws only the vaguest inspiration from certain strands of horror literature and cinema from the late ’70s and early ’80s, particularly those exploring possession and faith as unstable territories, without referencing any specific narrative but rather its broader cultural aura. A slow, inescapable descent into the unknown, where terror does not appear openly but settles instead into voids, silences, and everything that remains just out of frame.more

Grasshopper channels the raw energy of a grasshopper swarm into the language of Electronic Dance Music (EDM). As countless insects move in synchronized waves, each leap becomes the spark that drives the next, much like electrons surging through a conductor to generate electric current. In the same way, every kick launches the rhythm forward, every bass pulse and synthesizer carrying the momentum through an unbroken chain of sonic energy. Nature, electricity, and EDM converge into a living circuit where each beat becomes a leap, each frequency a charged impulse, and every movement fuels the next.more

Ephemeral (Nothing Lasts) is a composition that gradually erases itself as it unfolds. What begins as a clear and cohesive musical statement slowly deteriorates, as melodies dissolve into noise, harmonies fracture, textures decay, and familiar motifs become increasingly difficult to recognize, as though time itself were actively rewriting the sound. As seconds pass, the music does not simply repeat but subtly transforms in real time. Each moment leaves an invisible scar, and what follows is never fully identical to what came before, as if the sound were being continuously inscribed onto a fragile magnetic tape in motion. Time becomes a silent second composer, shaping the piece through gradual subtraction. With every passing instant, clarity dissolves, contours blur and soften, and the material drifts further from its original form until it finally disappears into abstraction. Deterioration becomes emotion, through which the piece reveals the fragility of its own structure. This fragmentation reflects the fragile nature of memory, where recall gradually loses precision and becomes less distinct, much like a fading, degrading recording. Rather than existing as fixed recordings, memories are delicate structures: they fade, thin out, and are partially reconstructed through recollection. Ephemeral (Nothing Lasts) transforms decay into emotional language. As its original form gives way to abstraction, the composition becomes a reminder that fragility does not only imply disappearance, but also transformation, and that even diminished traces can continue to resonate beyond their clarity.more