William Gibson’s The Peripheral time is the best novel of his late period, and in my view, the best novel that he’s ever written. It doesn’t have the shock value of Neuromancer (which blew my mind when I read it at the age of fifteen, in a small provincial town in Ireland). However, it’s a much better novel. The Sprawl books are all opaque and dazzling mirrorshades – the surfaces of high-gloss people reflecting the surfaces of high-gloss objects that reflect the surfaces of high-gloss people. The not-quite-science-fiction novels he was writing for a decade or two take the givens of the Sprawl books as a problem, engaging in a kind of archeology of objects and brand names, and how they reflect both the vast systems around us and our individual desires. I like them (they combine the intelligence of Don DeLillo with much of the warmth of Philip K. Dick), but I like his short book of essays, Distrust That Particular Flavor even better (it’s a book full of insights, which, like Borges’ version of Kafka, generates its own predecessors). The Peripheral returns to science fiction – but a science fiction that very clearly reflects present day concerns.