Gendai-gekiとは 意味・読み方・使い方

In April 1929, the moving of Gendai geki bu into Nikkatsu Studio was completed, and he took the posts of the general manager of the planning, director, and scenario departments.発音を聞く 例文帳に追加

1929年4月に日活撮影所への現代劇部の移転が完了、企画部長・監督部長・脚本部長を兼任。 - Wikipedia日英京都関連文書対訳コーパス

The studio in Mukojima was destroyed during the Great Kanto Earthquake and Nikkatsu gendai geki department was moved into Nikkatsu Studio in Kyoto and named 'Dainibu' (Second Department).発音を聞く 例文帳に追加

関東大震災で向島撮影所が全壊し、日活現代劇部は京都の日活撮影所に「第二部」として移された。 - Wikipedia日英京都関連文書対訳コーパス

They wrote new and fresh scenarios or made new and fresh plans for Nikkatsu's directors including Yutaka ABE, and succeeded in forming a modern image for Nikkatsu gendai geki.発音を聞く 例文帳に追加

阿部豊ら日活監督のために清新なシナリオや企画を生産立案して、日活現代劇のモダン・イメージの形成に成功した。 - Wikipedia日英京都関連文書対訳コーパス

However, Nikkatsu gendai geki of that time was significantly behind the Shochiku Kamata Studio and for countermeasures, he and Iwao MORI established the planning headquarters 'Nikkatsu Kinyo-kai' at the Marunouchi head office with the approval of Koichi NEGISHI who had been promoted to director in June of the same year.発音を聞く 例文帳に追加

しかし、当時の日活現代劇は松竹蒲田に大きく遅れをとっており、その対策として、同年6月に常務に昇格した根岸耕一の了解を得、森岩雄と丸の内の本社内に企画本部「日活金曜会」を設立。 - Wikipedia日英京都関連文書対訳コーパス

While it was stated in "Nikkatsu no shashi to gensei" (literally, the history and status of Nikkatsu) issued in December of the same year that his post was 'general manager of Gendai geki planning department and president's secretary,' he started suffering from the following: young talented persons such as Kenji MIZOGUCHI, Tomotaka TASAKA, and Tomu UCHIDA were appearing in Nikkatsu gendai geki around this time, the dissolution of 'Kinyo-kai' due to the embarrassment of the directors, increasing confrontations between the company and its employees reflecting the period, changes in production style due to talking pictures (the company placed restrictions on directors ability to produce movies freely and independently).発音を聞く 例文帳に追加

さらに同年12月発行の『日活の社史と現勢』には「現代劇計画部長兼社長秘書」と紹介されることになるが、この頃の日活現代劇は既に溝口健二、田坂具隆、内田吐夢らの若い才能が台頭してきており、重役間の紛糾による「金曜会」の解散、時代の反映として激しくなる従業員と会社の対立、トーキー化に伴う製作形態の変化（会社側による監督の自由・自主的な作品製作の制限）に苦悩することになる。 - Wikipedia日英京都関連文書対訳コーパス