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意味・対訳 不気味の谷現象。ロボットなど人間のように見える存在に遭遇したときに感じる嫌悪感
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Wiktionary英語版での「uncanny valley」の意味 |
uncanny valley
出典:『Wiktionary』 (2026/01/30 21:50 UTC 版)
語源
Calque of Japanese 不気味の谷 (bukimi no tani), from 不気味 (bukimi, “eerie, uncanny”, of Middle Chinese origin, literally “bad taste and smell”) + の (no, noun modifier particle) + 谷 (tani, “valley”). First used in 1970 by roboticist Masahiro Mori.
名詞
uncanny valley (usually uncountable, plural uncanny valleys)
- (robotics, psychology) A range of appearances, mannerisms, or behaviors of a humanoid figure that are subtly different from a human and thereby cause feelings of discomfort, such as fear or revulsion.
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1970, Masahiro Mori, “The Uncanny Valley”, in Energy, volume 7, number 4, pages 33–35:
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So in this case, the appearance is quite human like, but the familiarity is negative. This is the uncanny valley.
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2006, Sebastiano Bagnara, Gillian Crampton Smith, Theories and Practice in Interaction Design:
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However, when the robot is so similar that it may be momentarily mistaken for real, the transition has a local minimum characterized by a sudden decrease of familiarity, the "uncanny valley"—a dip of frustration due to unmet expectations.
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2007, Jonathon Keats, Control + Alt + Delete: A Dictionary of Cyberslang:
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Almost human in appearance, yet not quite, the characters in 3-D computer animations are more disturbing than overt caricatures. The realm these creatures occupy is called the uncanny valley […] .
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2015, Kathleen Richardson, An Anthropology of Robots and AI, Routledge, →ISBN:
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More unusual is perhaps the appropriation of a psychoanalytical theory to robotics–which is, in effect, what the uncanny valley aims to do. Mori's own descriptions of the uncanny follow a similar pattern to Freud's, where he indicates the kinds of events, states, processes or objects that might provoke the uncanny valley, particularly the theme of the dead.
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- (figuratively, by extension) Digital or ambiguous physical spaces that create a sense of unease or eeriness due to deviations from familiar patterns that challenge perception and categorization, leading to discomfort. (e.g., liminal spaces, haunted houses, the Backrooms, etc.)
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