「Soprano」の共起表現一覧(1語右で並び替え)
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The story follows Miriam ( | soprano), a young woman unhappily married to an oppre |
81 in Limerick, Ireland) is an Irish operatic | soprano active in concert and recital work as well as |
There she studied singing with the Hungarian | soprano Aglaja Orgeni, who herself had studied with P |
Musical alumnae include the | soprano Agnes Nicholls (Lady Hamilton Harty), the cla |
She is the daughter of German | soprano Agnes Giebel. |
l Coxhill recorded a version for his Spectral | Soprano album. |
the singer, TV/radio presenter and former boy | soprano Aled Jones. |
Jay Beckenstein - Yamaha | soprano, alto and tenor saxophones |
He played the flute, | soprano, alto and tenor saxophone and clarinet. |
the first person to separate vocal parts into | soprano, alto and tenor. |
La Mort (Death) for | Soprano, Alto and Piano (1938); words by Charles Baud |
The cantata is scored for | soprano, alto and tenor soloists, a four-part choir, |
Simon Haram, | soprano, alto sax |
The cantata is scored for | soprano, alto and bass soloists, a four-part choir, z |
Iain Ballamy - | soprano, alto and tenor saxophones |
It was written for female chorus, | soprano, alto and baritone solos, reciter, two violin |
Julio Flores - | soprano, alto and baritone saxophones |
's Stabat Mater was composed in 1925-1926 for | soprano, alto and baritone soloists, SATB choir, and |
Anto Praboe: flute, | soprano, alto & tenor saxophones, clarinet & bass cla |
The cantata is written for | soprano, alto and tenor soloists, choir, a pair of ob |
David Roach (1985-), | soprano, alto and tenor saxophones |
t the melody as a chorale-cantata in 1683 for | soprano, alto and bass accompanied by two violins and |
Dave Fitzgerald - | Soprano, Alto and Tenor Saxophones, Flute, Chinese Fl |
The cantata is scored for | soprano, alto, tenor and bass soloists, a four-part c |
he festive occasion for which it was written: | soprano, alto, tenor and basso soloists, four-part ch |
He plays the | soprano, alto, tenor, baritone, and bass saxophone, a |
Du plays | soprano, alto, tenor, and baritone saxophones, and is |
Year's Dream) (stage play), Op. 19, for solo | soprano, alto, tenor & baritone, chorus & orchestra ( |
Michael Fitzgerald - | Soprano, Alto, and Tenor saxophone, and Keyboards |
ntended to be sung a cappella by a four-part ( | soprano, alto, tenor and bass) choir. |
los and contrabasses; and a four-part chorus ( | soprano, alto, tenor, bass). |
Choral works featuring SATB ( | soprano, alto, tenor and bass) vocal parts are conseq |
c and consists of six musicians performing on | soprano, alto, tenor, and baritone saxophones. |
Chris Vadala: | soprano, alto, and baritone saxes; piccolo, flute, an |
ected committee of volunteers and consists of | Soprano, Alto, Tenor and Bass sections. |
1) is a woodwind player who plays saxophones ( | soprano, alto, tenor), flutes, whistles and clarinet. |
The cantata is scored for | soprano, alto, tenor and bass soloists, a four-part c |
soloists: | soprano, alto, tenor, baritone, bass |
The piece is scored for a trio of singers: | soprano, alto, and tenor; and a trio of string instru |
ne Tage" ("All my days I shall praise") - For | soprano, alto, tenor, bass, three recorders, cornetto |
e" ("There is no soundness in my body") - For | soprano, alto, tenor, bass, cornetto, three trombones |
on words of Franck, the setting is intimate: | soprano, alto, tenor and bass soloists, two flutes, t |
He plays the | soprano, alto, and baritone saxophones, bass clarinet |
The cantata is festively scored for | soprano, alto, tenor, and bass, a four-part choir, tw |
o): "Herr Gott Vater, mein starker Held!" for | soprano, altus, and continuo. |
He is married to | soprano Amanda Forsythe. |
r and some of his students were: Fanny Arjona | soprano, Amelia Salazar, Natacha Valladares, Marisol |
In concert with other software like | Soprano, an RDF storage framework, and the NEPOMUK sp |
Cantata for | soprano and orchestra after Klabund (1975) |
I Am Saturn (1997) cycle of three songs for | soprano and piano |
Wolfgang Rihm: Penthesilea-Monolog for | Soprano and orchestra (2005) |
The prologue contains parts for Amore ( | soprano) and Himeneo, as well as La Gloria austriaca |
eature which foreshadowed the polarization of | soprano and bass parts that was a feature of the Baro |
Janis-Rozena Peri, | soprano and Judith Gels, piano. |
Lisa Vroman, an American lyric | soprano and stage actress |
His "Spinoza-Vertalingen" for | Soprano and chamber emsemble composed on a 17th centu |
Grains de cendre, for | soprano and chamber orchestra (1946) |
90s his music shows an increasing emphasis on | soprano and bass lines, as well as an understanding o |
the words gratefully, with a central duet for | soprano and baritone ("Your heart is my homeland") th |
Betty and Peggy, Waiting Maids ( | soprano and mezzo-soprano) |
Works include Summer Ecstasies for | soprano and orchestra, three Symphonies, an oratorio |
Magnificat II Marian kiitosvirsi Op. 43/2 for | soprano and organ (for Pirjo Honkanen) |
1 February 1938, Lucerne) is a renowned Swiss | soprano and a leading exponent of the works of Mozart |
He plays tenor, alto, | soprano and baritone saxophone as well as the flute. |
1910 - 9 June 1949) was a celebrated Romanian | soprano and actress born in Bessarabia, Russian Empir |
Japanese Silhouettes for viola d'amore, | soprano and ensemble (1983) |
Khori Dastoor is an American operatic | soprano and actress. |
Triptych (1984) - | soprano and piano |
k, forceful voice was pitched exactly between | soprano and mezzo. |
d death metal roots while again incorporating | soprano and violins. |
Der unbekannte Engel for | soprano and chamber ensemble (2000) |
, only the smallest part of the world") - for | soprano and continuo. |
Gilad Atzmon - Alto, | Soprano, and Tenor Saxophones, Clarinet, Flute |
r with Richard Tucker (tenor), Bianca Sauler ( | soprano), and Howard da Silva (narrator) was broadcas |
he "Song of Mary" from the Gospel of Luke for | soprano and baritone soloists with choir and orchestr |
Furit aestus for | soprano and instrumental quintet, 1985 |
One of O'Hara's sisters, Mary O'Hara, is a | soprano and harpist. |
ria de Francesca-Cavazza is a German operatic | soprano and voice teacher. |
Chanson de Barberine, for | soprano and orchestra (1884) |
ntalist who is most often heard playing alto, | soprano and tenor saxophones, penny whistle and bass |
opular such as the Cinq Chansons de femme for | soprano and harp and Son of God for double chorus (re |
Le Fou de Yalta for | soprano and piano. |
Von Taufedern und Sternen for | soprano and orchestra - 2010 |
through at the age of 20 with Calligraphy for | soprano and chamber orchestra. |
Jan Garbarek - | soprano and tenor saxophones, flute |
Nightpiece for | soprano and two bass viols; |
he Concertgebouw Orchestra; Gundula Janowitz, | soprano) and Gustav Mahler's Symphony No. 10: Adagio |
Wayne Shorter - | Soprano and tenor saxophones |
llet Felix Luna (1970-71), Fairies (1972) for | soprano and orchestra, Pastorals (1976) for orchestra |
Andy Mackay - | soprano and alto saxophone, oboe |
Vision of St. Joan for | soprano and computer (1987) |
inger, best known for her performances in the | soprano and mezzo-soprano roles of the Savoy Operas w |
ngus (double bass, piano), Jerome Richardson ( | soprano and baritone saxophone, flute), Charlie Maria |
nd Camerata Singers with Jennie Tourel (mezzo | soprano) and Felicia Montealegre (narrator) (Sony 605 |
n Isbin), Leaden Echo, Golden Echo (1989) for | soprano and orchestra, the set of choral pieces Color |
Wayne Shorter - | Soprano and tenor saxophone, tack piano |
tic Awards in 1985 for his work Time Past IV ( | soprano and tape). |
vocal range, she tackled roles from both the | soprano and mezzo-soprano repertoires. |
n a 60-year career Licari (who also plays the | soprano and alto saxophones) has worked alongside suc |
ly 10, 1969 in Tettnang, Germany) is a German | soprano and noted lieder singer. |
8 - 2 December 2008) was an American operatic | soprano and distinguished voice teacher. |
Switching between tenor, | soprano and flute, Farrell had to be good because he |
t works include Von Taufedern und Sternen for | soprano and orchestra, premiered by the Baden-Baden P |
also written a complete Mass for full choir, | soprano and baritone soli, with accompaniment by full |
Gilbert and Sullivan heroines than any other | soprano, and she was the only English soprano to crea |
Four Sonnets for | soprano and pianoforte (2008) |
'"'Through a Glass Darkly" for | Soprano and Orchestra, written for soprano Irini Kyri |
hael Timmins (guitar), & Richard O'Callaghan ( | soprano and tenor saxophone) |
His first major work, Visions for dramatic | soprano and orchestra, received its premiere at the R |
t features Nate Dogg, Red Cafe, Chingy, Young | Soprano, and others. |
Tantum ergo for | Soprano and bass continuo (Abschrift in der Bibliothe |
(Shakespeare CII My love is strengthened) for | soprano and piano 7 min 1991 |
Pass it On (1995) - | soprano and piano |
Algarabia (composition for | soprano and choir) |
eventually returns home to his parents, Lia ( | soprano) and Simeon (baritone), who lovingly welcome |
He plays tenor, | soprano, and alto saxophone in addition to flute. |
write a triple-concerto for bandoneon, piano, | soprano and symphony orchestra: tango music with symp |
Bernard Mathieu (2.3-12) - | soprano and tenor saxophone |
Dave Chambers - | soprano and tenor saxophone |
Sea, Moon and Stars (1977) for | Soprano and Piano, commissioned by Jane Manning and R |
66 Times for | Soprano and Chamber Ensemble |
December - Isabella Lampe, | soprano and wife of John Frederick Lampe (died 1795) |
Jan Garbarek - | soprano and tenor saxophone |
oy sopranos and altos at the premiere) tenor, | soprano, and treble soloists |
Terma for | soprano and electro-acoustic music, Society of Electr |
Amatsu Kaze ( | soprano and five instruments) (2002) |
aul Bogart, it stars Bernadette Peters as the | soprano and Nathan Lane as the stage manager. |
Of great interest is the setting for | soprano and orchestra by Luciano Berio (1925-2003), f |
"Antigone-Legend", for | soprano and piano (text by Bertolt Brecht), by Freder |
Wayne Shorter - | Soprano and tenor sax |
t studio folk-pop album by former British boy | soprano and actor David Hemmings released in 1967 on |
He has played | soprano and alto saxophone for the Michael Nyman Band |
Sam Furnace - | soprano and alto saxophones, flute |
Martha's alto, Rosalind Ashford's | soprano and Annette Beard's contralto vocals gave the |
, and his setting of Ode to a Nightingale for | soprano and orchestra, premiered by Nicholls. |
oems by Paul Van Ostaijen (chamber orchestra, | soprano and baritone, 1996) |
er with his wife, Deborah Clague, an American | soprano and choreographer, he has directed numerous G |
5 - October 3, 1991) was an American operatic | soprano and concert singer. |
Soprano and founder of V.O.I.C.Experience, Maria Zouv | |
er specific conditions - it would be for solo | soprano and would be performed with at least four set |
rring role for Korjus, who was a famous opera | soprano and played one in the film. |
The recording features Tina Milhorn Stallard ( | soprano) and James Ackley (trumpet) performing the pr |
John Coltrane - | soprano and tenor saxophone |
in problem, which they knew would enrage Tony | Soprano, and turned Adriana into an informant by thre |
19 January 1932 - 3 March 2011) was a Russian | soprano and a chamber music performer. |
("Keep then, o world, my possessions!") - for | soprano and continuo. |
Medite(r)ranean ( | Soprano and piano) |
librettist, poet Janice Silverman Rebibo, for | soprano and chamber ensemble, premiered on May 9, 200 |
2004 Four Folk Songs From Anatolia; for | soprano and 25 European and non-European instruments. |
Chicago, where he played clarinet along with | soprano and alto saxophone. |
Edith Wynne (1842-1897) was a Welsh operatic | soprano and concert singer. |
For | soprano and orchestra. |
22, 1929, Neu-Isenburg) is a German operatic | soprano, and later mezzo-soprano. |
OPUS 134 Two Songs for tenor or | soprano and piano 2000 |
allow to use female figures in the play, then | soprano and alto parts were taken by students from th |
Loeb on guitar, and Bill Evans on saxophone ( | soprano and tenor). |
Two Songs for | Soprano and Piano, Op. 11 (1940) |
seven Dylan songs whose lyrics were reset for | soprano and piano (or orchestra) by John Corigliano f |
re of the piece "Seven for Luck", a piece for | soprano and orchestra based on the texts of Rita Dove |
Tchaikovsky's Four Poems by Josef Brodsky for | soprano and piano, and the following year gave their |
haracter opera and the premiere cast included | soprano Andrea Broido as "She" and baritone David Tro |
School include composer David Baker, dramatic | soprano Angela Brown, member of the United States Hou |
Soprano Anne Chabanceau de La Barre makes her operati | |
Dell'Acqua's song "Villanelle" for coloratura | soprano appeared on the soundtrack of the film. |
Aria: Komm in mein Herzens Haus: | Soprano aria with continuo; chorale melody not presen |
The | soprano aria Fra l'erbe cosparse ("Sprinkled over the |
still occasionally performed today, with the | soprano aria "Depuis le jour" a popular recital piece |
er discarded lover, and the delicately ornate | soprano aria at the very end, a gem... |
s operetta Drei Walzer (Three Waltzes) as the | soprano aria Ich liebe das Leben (better known in its |
"O mio babbino caro" ("Oh My Dear Papa") is a | soprano aria from the opera Gianni Schicchi (1918), b |
The | soprano aria (Lord, you who are strong and mighty) is |
The | soprano aria seems to lack a part for an obbligato in |
The | soprano aria is in two contrasting parts, the first o |
ink through which Pyramus (tenor) and Thisbe ( | soprano) arrange to meet ‘at Ninny's tomb'. |
ad been trained for opera, singing coloratura | soprano as an amateur singer with local operatic soci |
ttempts by early music ensembles to use a boy | soprano as soloist, but the part is almost invariably |
The tenor sings as Jesus, with the | soprano as a seraph (angel) and the bass as Peter. |
y International Competition in the categories | Soprano as well as interpretation of French Lieder. |
Nancy Yuen, renowned | soprano as Head of Vocal Studies |
December 1945) was an Austrian-born operatic | soprano, associated almost entirely with the Italian |
was able to secure a position as a soubrette | soprano at the Semper Opera in Dresden, but her talen |
Mostel started his career as a boy | soprano at the Metropolitan Opera in New York. |
ttish parentage, she developed a sweet-voiced | soprano at an early age. |
He sang as a boy | soprano at the Julian Chapel (the Cappella Giulia) fr |
In 1931 he married the Canadian | soprano Audrey Mildmay, and together they planned to |
Mok born in Bergen, North Holland is a Dutch | soprano, author and poet, who lives in Ireland and ha |
Constance Haumann ( | soprano), Barbara Rearick (mezzo-soprano), Hanna Woll |
He is married to | soprano Barbara Frittoli. |
y of Dialogue; for traditional Qur'an singer, | soprano, baritone and orchestra. |
The songbook ‘Orrori dell'Amore' (1995) for | soprano, baritone, counter and chamber orchestra; |
"Up into the Silence" for | soprano, baritone, string quartet and orchestra, 1996 |
Six Songs for | Soprano, Baritone, String Quartet, Oboe and Piano." |
Sluijs (alto), Jeroen Van Herzeele (tenor and | soprano), Bart Defoort (tenor and soprano), Guillaume |
Invokation, for dancing | soprano, bass clarinet, and percussion (1977) |
Aria ( | soprano, bass): Komm, mein Jesu, und erquicke/Ja, ich |
Fox makes modern | soprano, basset, and bass clarinets, and basset horns |
ed as not about Paddington, it is sung by the | soprano, beginning with the line "I can't bear to say |
n, this time with the Chicago Lyric Opera and | soprano Birgit Nilsson. |
Wilhelmenia Wiggins Fernandez, is an American | soprano, born in Philadelphia in 1949, who became fam |
1-February 28, 1908) was a prominent operatic | soprano, born in the Austrian capital of Vienna. |
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