「Stanzas」の共起表現一覧(1語右で並び替え)
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1987: Nagarjuna's Seventy | Stanzas: a Buddhist psychology of emptiness; translat |
The poems are for the most part in six-line | stanzas; a few are in quatrains or are even two-line |
The anthem, consisting of ten | stanzas and a chorus, entered into use on September 1 |
The poem consists of three-line englyn | stanzas and exists in several versions all in Middle |
tion after 1889 when five of the original ten | stanzas appeared in the Supplement to the 1875 editio |
The | stanzas are of varying lengths of between nine and tw |
The third, fourth, and fifth French | stanzas are not sung in Chinese in the above two vers |
These | stanzas are therefore not generally listed on lyrics |
stion of his guru Gunapattiren, comprises 989 | stanzas arranged in 12 chapters. |
is a now obscure poem of some forty four-line | stanzas based on the incident, titled "The Diamond Ro |
lopment in the 14th century, some lais repeat | stanzas, but usually only in the longer examples. |
nams in a composition which make up different | stanzas, but in compositions that do not have an anup |
The third stanza differs from the first two | stanzas by abandoning the first-person narrative of " |
lly consists of 18 to 24 metrically identical | stanzas called oikoi (“houses”), preceded, in a diffe |
He composed cantari in the eight-line | stanzas called ottava rima, telling the subjects of c |
son de geste in 9000 lines of alexandrines in | stanzas called laisses, now known in a version compos |
sage of the poem is revealed in the final two | stanzas criticizing "you" at home (contemporary reade |
The first four | stanzas describe a pastoral setting. |
The subsequent | stanzas develop various motifs: Easter, the Passion, |
It consists of three | stanzas each utilizing an A, A, B, B rhyming structur |
for the time - a uniform series of four-line | stanzas, each preceded by a two-line refrain (in the |
0 verses), in sixteen chapters of twenty-five | stanzas each. |
he poem after it had been written down, these | stanzas first being written down where there was a sp |
When | stanzas follow the same rhyming pattern but the actua |
Stanzas for organ, op. 1 (1986) | |
The first letters of each of the | stanzas form an acrostic, which frequently includes t |
typical of Tin Pan Alley songs and the later | stanzas giving way to the traditional three-line patt |
Three | stanzas have been found in. |
Unlike the rest of the song, these two | stanzas have no meaning, consisting mostly of phoneti |
To make two | stanzas in a row. |
Bach also used single | stanzas in his cantatas. |
I, poems composed in the Sapphic stanza, 330 | stanzas in all (fragments 1-42); |
Six of Bernger's songs, seventeen | stanzas in total, are recorded in the Codex Manesse. |
Five | stanzas in length, the sirventes stands incomplete: t |
ound in few hymnals today, the hymn has eight | stanzas in common meter and is based on Revelation 5: |
h mainly written in Arabic, have however some | stanzas in mozarabic (Latino) or in what seems to be |
t of florid romance, in two books of six-line | stanzas, in the manner of Lodge and Shakespeare, deal |
This version, which contains only four | stanzas, is therefore sometimes referred to as the He |
riana,' a graceful narrative poem in six-line | stanzas, is dedicated to the Countess of Bedford. |
song with surviving musical notation for all | stanzas is a product of Saint Martial: O Maria, Deu m |
egy initially had no more than forty or fifty | stanzas, it now was beyond one hundred fifty or even |
e never changes but the sounds do every three | stanzas it is called coblas ternas. |
eme never changes but the sounds do every two | stanzas it is called coblas doblas (lit. |
The poem itself is 1,728 | stanzas long). |
he poetic form of the lai usually has several | stanzas, none of which have the same form. |
Trilogy on | Stanzas of Shakespeare's Sonnets (org) Op.11 (2002) |
Only a few | stanzas of his works are known today. |
It is in three cantos, comprising 107 | stanzas of ottava rima. |
It is composed of 285 | stanzas of four lines of eight-syllables each. |
Its text comes from the 18th and 19th | stanzas of the sequence. |
Currently 72 | stanzas of the epic have been recovered from various |
Elgar used only the first and third | stanzas of Shelley's poem, "An Ariette for Music". |
The lyrics are from the first three (of four) | stanzas of a poem by Christian Friedrich Daniel Schub |
The closing chorale is the last of 33 | stanzas of Paul Stockmann's Jesu Leiden, Pein und Tod |
Adrian Belew sings five | stanzas of humorous lyrics, each one beginning and en |
lyrics of the song are based on the first two | stanzas of William Blake's poem, London. |
A ninth-century version of The | Stanzas of the Graves gives Bedwyr's final resting pl |
Camlann according to the Englynion y Beddau ( | Stanzas of the Graves). |
As song lyrics in Tibet usually contained | stanzas of 4 lines of 6 syllables each, the lyrics co |
He wrote poetry, notably the 944 | stanzas of his prison-rhyme the Purgatory of Suicides |
(like the hymns for Terce and Sext) only two | stanzas of iambic dimeters together with a doxology, |
It is actually the last two | stanzas of the hymn Verbum supernum prodiens, and is |
Originally, the first four | stanzas of "Urbs beata Jerusalem" were usually assign |
lowing table of lyrics includes the first few | stanzas of the James Watson poem, probably derived fr |
, i.e. sets of madrigals which set successive | stanzas of a long poem (Monteverdi's Sestina: Lagrime |
‘The Nightingale,' a poem in | stanzas of sixteen lines, has a dedication to the Duc |
"Weird Al" Yankovic merged the first two | stanzas of the Ballad with the instrumentals to the D |
The minister also added | stanzas of a poem, written in dialect: "A Pola xe l'A |
nson, wherein parts from the first and second | stanzas of the poem "Anthem for Doomed Youth" by Wilf |
v) the first five and the last pauris ( | stanzas) of Anand Sahib (The object of reciting the A |
The | Stanzas on Vibration - M.S.G. |
The closing | stanzas on samadhi teach different methods than those |
ished in 2008 titled: Aryadeva's Four Hundred | Stanzas on the Middle Way. |
wider audience by displaying various poems or | stanzas on advertising boards across the London Under |
Its 176 verses are divided into twenty-two | stanzas, one stanza for each letter of the Hebrew alp |
een suggested the praecentus sang half of the | stanzas or the complete stanzas, while the choir woul |
by the “single tone”, consisting of four-line | stanzas or the “double tone”, which has eight line st |
with date of colophon 1548, 1590, with three | stanzas prefixed by Berthelet, and dedicatory preface |
The five | stanzas progress alphabetically (the first stanza usi |
ssions), and falls into eighty-six tail-rhyme | stanzas, running aabccb." |
is an enunciation that creates, the sweep of | stanzas seem to say. |
tic, with the first letter of the first eight | stanzas spelling the author's name. |
ely (throughout sixty-two of its ninety-seven | stanzas) than any other text in Buddhist literature. |
In the 23rd to 40th | stanzas, the poet evokes the historical characters an |
Between the | stanzas, the song features instrumental interludes by |
is focused on vocal melodies with alternating | stanzas, this song also includes an 8-bar instrumenta |
In one of his cansos he devotes different | stanzas to the different works of his favourite troub |
The hymn comprises eight | stanzas, together with a doxology. |
It is said to have been made up of | stanzas using rhymed, metered sutras, in the manner c |
This didactic poem of 42 six-line | stanzas was first published, accompanied by a prose e |
's word Rechtsgewalt in the last of the three | stanzas was replaced (over Lubahn's objection) with t |
So many | stanzas were added during this period that today it i |
h century poem Ynglingatal, there are several | stanzas where the kings are said to be in "Hel's embr |
In captivity he composed three of his four | stanzas which have come down to us. |
Its lyrics are simple and consist of only two | stanzas which are repeated many times. |
al figure of the father, expressed in various | stanzas, which tell of shock that the soul feels for |
The lyrics are usually formed | stanzas with four 6-syllable lines. |
The poem contains four-line | stanzas with the rhyming pattern AABB. |
hat of an estribillo (or refrain) and coplas ( | stanzas), with or without an introduction. |
orking of Biblical language using a rosary of | stanzas with prayer-like refrains. |
The final | stanzas, with the acclamatory Vivat, vivat rex Pippin |
The six final | stanzas, written from the perspective of the Cathedra |
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