「Scriabin」の共起表現一覧(1語右で並び替え)
該当件数 : 42件
Scriabin's father would later re-marry, giving Scriabi | |
d been listening keenly to his contemporaries | Scriabin and Sergei Prokofiev, and had studied Scriabi |
r pieces by Rachmaninov, Prokofiev, Schumann, | Scriabin, and Tchaikovsky. |
posers such as Sergei Rachmaninoff, Alexander | Scriabin, and Pyotr Ilyich Tchaikovsky and famous oper |
evailing harmony, and thus produces the color | Scriabin associated with each key; the other consists |
scovered Treasures: Chopin, Liszt, Scarlatti, | Scriabin, Clementi (Sony 48093) |
ewart Gordon Plays Piano Favorites Beethoven, | Scriabin, Debussy, DeFalla. |
It was also his last, for | Scriabin died soon after. |
i Rachmaninoff, composer and mystic Alexander | Scriabin, existentialist Lev Shestov, poet Rainer Mari |
harged as much of the music was written after | Scriabin had damaged his right hand through excessive |
races of the classical sonata key-scheme that | Scriabin had employed previously, but it is no longer |
lack of capturing the free-flying spirit that | Scriabin had summoned so well in his own pianism, the |
According to Leonid Sabaneyev, when | Scriabin himself played these chords, the ringing soun |
Influenced by Alexander | Scriabin, his style was too modern for Nordic music ci |
His own students included Alexander | Scriabin, Igor Stravinsky, and Heino Eller. |
ubtitled White Mass, was written by Alexander | Scriabin in 1911. |
sharp major, Op. 30, was written by Alexander | Scriabin in 1903. |
th piano sonata, Op. 53, written by Alexander | Scriabin in 1907, marks the end of his Romantic period |
Scriabin included an epigraph to this sonata, taken fr | |
Scriabin instead returns to the ‘slow' movement's them | |
Evgeny Kissin for | Scriabin, Medtner, Stravinsky |
This is one of several pieces | Scriabin never played in public (together with the Son |
It is one of a few pieces | Scriabin never played in public, because he felt it wa |
ised to find that Rimsky-Korsakov agreed with | Scriabin on associations of musical keys with colors; |
Scriabin professed to evaluate music as being the most | |
a Levina admired the composers: Rachmaninoff, | Scriabin, Prokofiev, Beethoven and Schumann. |
all the symphonic works of Mahler, Bruckner, | Scriabin, Prokofiev, Tchaikovsky, and Berlioz. |
t, Liszt, Brahms, Mussorgsky, Debussy, Ravel, | Scriabin, Rachmaninoff, Prokofiev and other composers. |
Vol.7:- Stravinsky, | Scriabin, Ravel, etc. (433 657-2 DH) |
Scriabin reportedly never played the sonata in public, | |
wanted to write like artistic madmen such as | Scriabin, Schoenberg, Debussy, Satie ...". |
sed, as are his recordings of Debussy, Ravel, | Scriabin, Schumann, Liszt, Stenhammar, Grieg and many |
Scriabin sometimes referred to The Poem of Ecstasy as | |
ninoff, Reger, Schnittke, Schubert, Schumann, | Scriabin, Stravinsky, Taktakishvili, Tchaikovsky and m |
Scriabin then introduces the luminous trills that perv | |
Alexander | Scriabin's Nocturne in A-flat major was written from a |
Sonata No. 1 in F minor, opus 6, by Alexander | Scriabin, was the first of ten piano sonatas which Scr |
The Piano Sonata No. 6, Op. 62, by Alexander | Scriabin, was composed in 1911. |
Scriabin was born into an aristocratic family in Mosco | |
As a child, | Scriabin was frequently exposed to piano playing, and |
he daughter of the Russian composer Alexander | Scriabin, was ambushed and killed by members of the Fr |
cluded both Sergei Rachmaninoff and Alexander | Scriabin, winning the Gold Medal for piano in 1892. |
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