「Kinks」の共起表現一覧(1語右で並び替え)
該当件数 : 142件
| Until recently, he performed with The Kast Off | Kinks, a line-up which also featured ex-Kink members |
| "Celluloid Heroes" is a firm favorite among | Kinks aficionados, and is regarded, lyrically and me |
| included on the upcoming Something Else by The | Kinks album (released in September), European B-side |
| Originally from the | Kinks album Something Else by the Kinks (1967) |
| appearances on vinyl; as an album track on The | Kinks album Something Else by The Kinks in September |
| 35 weeks on the UK chart - the longest of any | Kinks album - peaking at #5. |
| ted about the unissued record that "great lost | Kinks album" became a catch phrase. |
| The song has also been released on | Kinks albums, the first time on Something Else by Th |
| three songs by The Fall and "Victoria" by The | Kinks, also covered by The Fall. |
| s well as the bands Madness, The Specials, The | Kinks and The Smiths. |
| nt much of his time listening to albums by The | Kinks and coming up with new songs. |
| Effect" is a song written by Ray Davies of The | Kinks and released first by Dave Berry in July 1965. |
| he 1960s pop that he grew up with, such as The | Kinks and The Beatles, was influencing the way he pl |
| nager success centered on his efforts with The | Kinks and The Troggs, and his ownership of Page One |
| nfluences varied: Blur and Oasis drew from The | Kinks and The Beatles, respectively, while Elastica |
| ences include The Beach Boys, The Beatles, The | Kinks and Wings, as well as classic New Zealand band |
| Jogs are often very immobile compared to | kinks, and require diffusion of crystallographic def |
| V shows with The Who, The Small Faces, and The | Kinks and was a featured artist on ‘Gadzooks!', a we |
| Charlie, after their 1978 tour opening for The | Kinks, and Ian Matthews. |
| mid to late 1960s music by groups such as The | Kinks and The Beatles. |
| ion for the 1966 song 'Dead End Street' by The | Kinks and was used as the backdrop to their iconic v |
| nd brought to the label The Grateful Dead, The | Kinks and Lou Reed. |
| such as The Who, Syd Barrett's Pink Floyd, The | Kinks and The Move, which led to their description o |
| ently available on the extended CD editions of | Kinks and Kinda Kinks. |
| The group cites The | Kinks and The Who as some of their primary influence |
| sounds like tunes from two British bands, The | Kinks and The La's. |
| k Crowes, Tom Petty and the Heartbreakers, The | Kinks, and The Beatles. |
| f mathematics, solitons and their descendants ( | kinks, anti-kinks, instantons, and breathers) have e |
| Annabella" is a song by English rock band The | Kinks, appearing on their 1968 album The Kinks Are t |
| "Dandy" is a 1966 song from The | Kinks, appearing on their Face to Face album. |
| erstitial silver ion concentration and surface | kinks are inversely proportional to crystal size, al |
| ith a Europe-only 12-song early version of The | Kinks are the Village Green Preservation Society. |
| (where possible) and a 15-song version of The | Kinks are the Village Green Preservation Society-com |
| b Released on The | Kinks Are the Village Green Preservation Society (Py |
| er 1968), The Who's Tommy (April 1969) and The | Kinks' Arthur (September 1969). |
| cited The Everly Brothers, Roy Orbison and The | Kinks as influences on the band's sound. |
| s mentioned in the song Oklahoma U.S.A. by The | Kinks, as the song's subject daydreams of "riding in |
| Dalton then left the band, later joining The | Kinks as a replacement for Pete Quaife. |
| This species can also have abrupt | kinks at the base of the culms. |
| Before he joined The | Kinks, Avory was asked twice to rehearse on drums at |
| mbrane domain is not in fact trans at all, but | kinks back on itself within the membrane and returns |
| e 1966, Dalton was asked to substitute for The | Kinks' bass guitarist, Pete Quaife, who had broken h |
| recording was never officially released by The | Kinks, but live recordings exist. |
| recording 2009 can be found on the release The | Kinks Choral Collection by Ray Davies with the Crouc |
| hosen to be re-recorded for the 2009 album The | Kinks Choral Collection. |
| upport for Ray Davies in live gigs and his The | Kinks Choral Collection album, Andrea Bocelli, Goldf |
| "David Watts" was a cover of the bouncy | Kinks classic; Weller and Foxton traded lead vocals |
| y instrumental intro, a rare occurrence in the | Kinks commercial canon. |
| Keeps Going Round" (previously unreleased The | Kinks Cover) |
| The | Kinks covered the song on their album The Kink Kontr |
| d members of Peter Green's Splinter Group, The | Kinks, Downliners Sect and former Yardbird Ray Major |
| alcons and Start The Countdown as The Sun with | Kinks drummer Nick Trevisick |
| eed You", which offered a prime example of The | Kinks early "raunchy" powerchord-based sound. |
| ones, Quincy Jones, Kid Creole, B.B. King, The | Kinks, Eartha Kitt, Lenny Kravitz, Dalai Lama, k.d. |
| early lack of success with R&B standards, the | Kinks enjoyed their breakthrough with the single "Yo |
| It also includes tracks from the 1965 Kwyet | Kinks EP. |
| ld later perform with Moore), Andy Pyle of The | Kinks fame to play bass, former Black Oak Arkansas a |
| es of The Beatles, The Rolling Stones, and The | Kinks for listening time". |
| An in-studio BBC recording by the | Kinks from August 1965 was released in 2001 on The S |
| st popular singles and b-sides released by the | Kinks from 1964 and 1965. |
| e next four years, effectively cutting off The | Kinks from the main market for rock music at the hei |
| not often seen by those only familiar with The | Kinks' generally jauntier, carefree singles output. |
| eleased while recording for the RCA label, The | Kinks' Greatest: Celluloid Heroes. |
| to the wild lifestyle of his younger brother, | Kinks guitarist Dave Davies. |
| The | Kinks had been experimenting with the use of sound e |
| s bid to retain his former 10% interest in the | Kinks had been dismissed by London's High Court. |
| New Musical Express: "... at Glasgow The | Kinks had every encouragement to give a good show an |
| He opened for Bob Seger and The | Kinks in the late 1980s but was dropped by the label |
| defeat of the dragon by its colour and the two | kinks in the sword. |
| After guitarist Alvin Lee, before joining the | Kinks in 1977 for a two year period of touring and r |
| wn for his work in London with The Who and The | Kinks in the 1960s, with a role in many other Englis |
| is a song by Ray Davies, released first by The | Kinks in 1965. |
| Shaw's solo band opened concerts for The | Kinks in 1984 and for Rush in 1987-88. |
| Gosling joined The | Kinks in 1970 in time for their first United States |
| " is a song recorded by British rock group The | Kinks in 1967, written by Ray Davies. |
| Well Respected | Kinks is the first UK budget-priced compilation albu |
| Charles, B. B. King, The Everly Brothers, The | Kinks, Jeff Beck, Tom Petty, The Yardbirds, Big Brot |
| rus Girls was a musical written in 1981 by The | Kinks lead singer and songwriter Ray Davies, who col |
| Among those featured on her show were The | Kinks, Leonard Cohen and Led Zeppelin's lead guitari |
| as released in November of 1970 as part of The | Kinks' LP Lola Versus Powerman and the Moneygoround, |
| The | Kinks made their first tour of Australia and New Zea |
| The | Kinks manager Robert Wace invited Core to come to Lo |
| ng's great popularity proved to Davies and the | Kinks' managers that the group could find success wi |
| London-based bands included the Yardbirds, the | Kinks, Manfred Mann, the Downliners Sect and the Pre |
| enrit replaced the long-serving drummer of The | Kinks, Mick Avory, after Avory's departure in 1984. |
| lues bands of the 1950s and 1960s, such as the | Kinks, Muddy Waters and the Yardbirds, and played cl |
| which the testicle rotates within its sac and | kinks off its own blood supply. |
| Kelvin Hall was released in the US as The Live | Kinks on August 16, 1967, where it went virtually un |
| Billy Hart, Kenny Wollesen, Ray Davies of (The | Kinks), Patti Smith, Phillip Glass, Michael Stipe, D |
| eplaced Quaife again in 1969, this time as the | Kinks' permanent bassist. |
| how-Biz" album was followed by Davies' and the | Kinks' pioneering but commercially unsuccessful and |
| y was by Charles Augins and Jim Rodford of The | Kinks played bass with the theatres 'house band'. |
| The | Kinks played two sets in the Scene '67 Theatre insid |
| osted the likes of Max Boyce, Ken Dodd and the | Kinks' Ray Davies. |
| credited to Dave Davies, it was technically a | Kinks recording, as his backing band was The Kinks. |
| Dave Davies, member of British rock group The | Kinks, released as his debut solo single in 1967. |
| For the song by The | Kinks, see Father Christmas (song). |
| For the song by The | Kinks, see Dead End Street (song). |
| For the song by The | Kinks, see Lola Versus Powerman and the Moneygoround |
| For the song of the same name by The | Kinks, see Come Dancing (song). |
| For the song "Some Mother's Son" by The | Kinks, see Arthur (Or the Decline and Fall of the Br |
| The | Kinks' set was the finale of a ten-day teen music-fe |
| the Grateful Dead, Buddy Guy, Mungo Jerry, The | Kinks, Shadows of Knight, Robben Ford, Van Morrison, |
| he UK Singles Charts, becoming the first major | Kinks single since 1964 to be a relative commercial |
| by dozens of artists, including Link Wray, The | Kinks, Snoop Dogg, 50 Cent and Eminem, The Flaming L |
| aigret, The Hotel Majestic and a video for the | Kinks song Lost and Found |
| The lyrics are based on The | Kinks' song "Lola" which is about a transvestite. |
| This song borrows the main riff from The | Kinks' song "All Day and All of the Night". |
| Charlie Bubbles is referred to in The | Kinks song "Where are they now?", on the album Prese |
| She is mentioned in The | Kinks song "Where are they now?", from the album Pre |
| For The | Kinks song, see Arthur (Or the Decline and Fall of t |
| Bands to have played the venue include The | Kinks, Status Quo, Ocean Colour Scene, The Damned, S |
| iting for CMJ New Music Monthly identified The | Kinks, The Monkees and The Zombies as influences on |
| Apart from The Troggs and The | Kinks, the Larry Page Orchestra gave Jimmy Page (lat |
| ned up for famous headlining acts, such as The | Kinks, The Troggs, Martha and the Vandellas, The Byr |
| rket, where he toured as a support-act for The | Kinks, The Cars, and Foreigner. |
| equently listing Small Faces, The Beatles, The | Kinks, The Who and 1960s and 1970s soul music. |
| enced by English guitar pop groups such as The | Kinks, The Beatles and XTC-Blur released Modern Life |
| n tenor saxophone, and has been covered by The | Kinks, The Downliners Sect, the New Colony Six, and |
| hosting acts such as The Byrds, the Doors, the | Kinks, the Who, and Buffalo Springfield. |
| d Ron's earliest listening influences were The | Kinks, The Move and above all the early Who..." |
| with seminal record producers Shel Talmy (The | Kinks, The Who) and Jimmy Miller (Traffic, The Rolli |
| tion along with the more melodic sounds of The | Kinks, The Searchers and the later period Small Face |
| ften rutted ground, and sometimes it snags and | kinks the line). |
| ecording stars in the Seventies (including The | Kinks, The Bay City Rollers, The New Seekers, Bob Mo |
| Once found, EcoRV | kinks the DNA in a 50° angle and cleaves at the cogn |
| He continued to play with the | Kinks throughout the remainder of 1969 and into the |
| with bands like Fleetwood Mac, The Byrds, The | Kinks to name but a few. |
| ing from Louis Armstrong to Ringo Starr to The | Kinks to Ramones. |
| id to have played on number one singles by The | Kinks, Tom Jones and Dusty Springfield, and he himse |
| The title track is a cover of The | Kinks' track "All Day And All Of The Night". |
| The | Kinks version on their self-titled debut album in 19 |
| His first live appearance with the | Kinks was two days later at The Plaza, King's Heath, |
| "A Well Respected Man" by The | Kinks was a song Reitman had associated with a chara |
| otherwise started to defect to the Who and the | Kinks when they heard ballads like "Lady Jane." |
| film Percy performed by English rock group the | Kinks with additional orchestral arrangements conduc |
| sported an Edwardian look similar to the early | Kinks with matching velvet jackets, ruffled shirts, |
| If the device could be shrunken and some more | kinks worked out, the average consumer may want one |
| first gig outside London at the Mojo, and The | Kinks worked out the arrangement of "All Day and All |
| ed it "a great CD, sounding like something the | Kinks would have made had Ray Davies embraced psyche |
| "Destroyer" is a song by British rock band The | Kinks, written by Ray Davies. |
| "See My Friends" is a song by The | Kinks, written by the group's singer and guitarist, |
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