| 意味 | 共起表現 |
「pye」の共起表現一覧(1語右で並び替え)
該当件数 : 198件
| laid on 8 July 1847 by Miss Charlotte Alington | Pye, a popular ballad writer of the time (who used |
| Professor Kenneth | Pye, a defense witness, said that there was no evid |
| Pye advised the Department of State and the Nationa | |
| The show was written by Shaun | Pye, Alan Connor and Harry Thompson. |
| Pye also released the single with a picture sleeve | |
| Pye also released the single with a picture sleeve | |
| Joe | Pye, an Indian healer from New England, used E. pur |
| re presented to the same body by the Rev. F. W. | Pye, and another page by Sir John Maclean. |
| team up with the likes of Billy Childish, Harry | Pye and Peter Wolfe AKA Wolfman in a project aimed |
| early 1960s, locally distributed labels such as | Pye and Parlophone and indigenous labels such as Co |
| He was preceded by Mike | Pye and succeeded by Jackie Drayton. |
| esident of the Management Committee is Mr Roger | Pye and the current director is Ms Genevieve Waucho |
| The play did have its supporters; Henry James | Pye and James Bland Burgess wrote prologues for it, |
| w; later on it was pinkish violet, matching the | Pye and Piccadilly labels of the time. |
| rfaty Marchant, Liz Neal, Stephen Peirce, Harry | Pye, and Wen Wu. |
| Lynde dedicated his work to Sir Walter | Pye, and a copy was sent to James Ussher by Archbis |
| cial recordings by the LSSO have been issued on | Pye, Argo, CBS, Unicorn, Cameo Classics, Virgin and |
| , with lyrics and vocals by a recently acquired | Pye artist, Jackie Trent. |
| in a controversy between John Howson and Thomas | Pye as to the marriage of divorced persons. |
| Yardley, Herefordshire, a nephew of Sir William | Pye, attorney in the court of wards. |
| Eastenders as Angie Watts, Dobson received the | Pye Award for Outstanding Female Personality. |
| 19/05/86 - | PYE AWARDS - Anita Dobson - Outstanding Female Pers |
| know closed down), and other feeders including | Pye Bank, Longley and St. Catherines. |
| Charlotte Alington | Pye Barnard (23 December 1830, London - 30 January |
| In recent years the | Pye brand has enjoyed a resurgence on the UK market |
| ailway Pinxton & Selston station siuated on the | Pye Bridge to Kirkby-in-Ashfield line had closed to |
| y located on the Midland Railway's Ambergate to | Pye Bridge Line, the station opened on 1 May 1875 a |
| Pye Bridge railway station on the Erewash Valley Li | |
| ned to extend the line to meet the Ambergate to | Pye Bridge Line at Butterley. |
| R route, where it remained as a freight line to | Pye Bridge, near Ironville. |
| Between the river Corve and | Pye brook to the east lie the ringwork and other re |
| Cunningham, John Newton, captain Pat Smith, Les | Pye, Charlie McBride, Travers Hardwick, Ken Mountfo |
| kept Wolves at bay until almost half-time, when | Pye collected the ball in the penalty area with his |
| oundations, Build Me Up Buttercup (The Complete | Pye Collection) [Remastered] - Castle - 2004 |
| Colonel Richard | Pye Cooke then purchased the mansion in 1840. |
| The Golden Boy of | Pye Corner is a small monument located on the corne |
| Pye Corner railway station is a proposed station to | |
| "The Boy at | Pye Corner was erected to commemorate the staying o |
| Golden Boy of | Pye Corner |
| Cock Lane, from | Pye Corner |
| oedkernew (Newport West), Rogerstone, Bassaleg ( | Pye Corner), Maesglas (Newport West Central) and Ll |
| of Giltspur Street and Cock Lane was known as " | Pye Corner", famous as marking the furthest extent |
| confirms the SEWTA aspiration for a station at | Pye Corner. |
| He also played on their | PYE debut album "From The Foundations", a live albu |
| his employees Stephen Dingate, Joseph Budd and | Pye defeated the two Bennetts and William Anderson. |
| Pye Dubois - lyrics | |
| "Tom Sawyer" (Lifeson, Lee, Peart, | Pye Dubois) - 5:18 |
| "Go For Soda" (Kim Mitchell, | Pye Dubois) - 3:28 |
| "Tom Sawyer" ( | Pye Dubois, Geddy Lee, Alex Lifeson, Neil Peart) - |
| ield after his closest rival at the time, Scott | Pye elected not to attend the final meeting of the |
| lowing The Guardian observation about the Harry | Pye exhibition 'Me,me,me', the gallery space has ac |
| The | Pye family had Scots Pines planted around the summi |
| , Gilbert and George, Barbara Hepworth, William | Pye, Fred Pollock, Bill Redgrave, Peter Lanyon, Fe |
| Pye gave Timon an advance that was the equivalent o | |
| Glasgow Night Out ( | Pye Golden Guinea, 1971) - UK #28 |
| elaying signals to Heaton Park in the north and | Pye Green to the south. |
| on frequency block 12D from the Alsagers Bank, | Pye Green BT, Sutton Common and Tick Hill transmitt |
| , which connected to the main Backbone spine at | Pye Green and Coalville respectively. |
| Ronnie | Pye grew up in Ainsdale, Southport, England, listen |
| e was a Work Study Manager at BEPI (part of the | Pye Group) from 1972-3. |
| Pye has cited spina bifida as an example of a uniqu | |
| Dr | Pye has lectured extensively in the UK, USA and Can |
| Since 2005, | Pye has written a column about the London art scene |
| continue to this day featuring founder members | Pye Hastings (guitar, vocals, songwriting) and Rich |
| als), Richard Sinclair (rhythm guitar, vocals), | Pye Hastings (guitar, vocals), David Sinclair (keyb |
| This is in part because | Pye Hastings became the major force on the album, w |
| Pye Hastings - Guitar, Vocals | |
| Pye Hastings - vocals, guitar | |
| Pye Hastings - vocals, guitars | |
| Pye Hastings - electric and acoustic guitar, vocals | |
| Pye Hastings - Guitar, Vocals, Liner Notes | |
| Pye Hastings - vocals, 12 and 6 string electric gui | |
| Julian Frederick Gordon ' | Pye' Hastings (born 21 January 1947 in Tamnavoulin, |
| "Here Am I" ( | Pye Hastings) - 6:15 |
| "Stuck in a Hole" ( | Pye Hastings) - 3:09 |
| "Bet you wanna take it all / Hold on hold on" ( | Pye Hastings) - 5:20 |
| Pye held the rights to the Roulette catalogue in th | |
| Pye Hill and Somercotes railway station was a railw | |
| eighbouring villages include Selston, Brinsley, | Pye Hill and Ironville. |
| It was once served by the | Pye Hill and Somercotes railway station. |
| Pye Hill is a hamlet in the Erewash Valley, Notting | |
| Opened in 1875-6, it served the villages of | Pye Hill and Somercotes until closure in the 1960s. |
| The next year brought | Pye his first taste of silverware as he scored twic |
| manager from 1950 until the company was sold to | Pye in 1953. |
| most recently in 2004 when he starred as George | Pye in Humble Boy at the Northcott Theatre, Devon. |
| Her English version, released by | Pye in the UK and by Laurie in the USA was no succe |
| When it was released by | Pye International Records in the UK in 1964, it pea |
| In 1958, | Pye International Records was started. |
| Pye International Records was a record label founde | |
| ne started in 2005, in collaboration with Harry | Pye is released four times a year, usually connecte |
| ncluded Johnny Hancocks, Dennis Westcott, Jesse | Pye, Jimmy Dunn, Jimmy Mullen, Billy Crook, Roy Pri |
| living on the streets before sportswriter Brad | Pye Jr. arranged for McGill to be employed by Hughe |
| l Me" was released as a single in the UK on the | Pye label in January 1966 but failed to chart: "Cal |
| Though most famous for her 1960s singles on the | Pye label, this song was released in 1977 on Epic R |
| e blue, modelled on the magenta Pye-Nixa (later | Pye) label. |
| eferring to Elvis Costello, not Presley) on the | Pye label. |
| Pye Ltd. was an electronics company founded in Camb | |
| [Note, a Pudding | Pye man.] i.e. |
| he first five tracks listed below) was mixed at | Pye, Marble Arch, side 2 at the Manor. |
| The entire concert was recorded on a 4-track | Pye Mobile Recording Unit owned by the group's labe |
| Soldier in the United Kingdom (15 August 1965, | Pye NEP 24219). |
| He was created baronet of | Pye Nest on 3 August 1866. |
| ydia Edwards, daughter of Henry Lees Edwards of | Pye Nest in 1840. |
| Six Pieces (1979) ( | Pye NH 116) |
| The Enid - Six Pieces (1979) ( | Pye NH 116) |
| l had become the norm by this time.The original | Pye Nixa does not exist on 7" format. |
| hat was only released in 78 format,the original | Pye Nixa does not exist in 7" format although was r |
| No Strings ( | Pye Nixa UK, 1956) |
| Ash released many albums for | Pye, Nixa and MGM, mostly in the mainstream jazz tr |
| artha, the daughter and coheiress of Sir Edmond | Pye of Bradenham, Buckinghamshire; they had one son |
| Strong in the air, | Pye often played the role of an on baller. |
| chased a number of record catalogues, including | Pye, Piccadilly, Bradley's, Bronze, Black Sabbath, |
| Tasmanian Len | Pye played his early football in the VFA with North |
| "Mini Monster" - | Pye PMM.103 |
| itter dispute between Keppel and Palliser, with | Pye presiding over Keppel's court martial |
| All such releases were issued on the | Pye record label. |
| The track was recorded at | Pye Recording Studios in Marble Arch in a session w |
| Although Donovan's | Pye recordings bore little resemblance to his subse |
| Their entire cache of | Pye recordings was reissued on CD by Castle Music i |
| ds, he became entangled in a legal dispute with | Pye Records over the rights to his music. |
| rphy moved to London, signed a record deal with | Pye Records and released two singles with Jack Klay |
| the record label of Dick James, distributed by | Pye Records in the UK and various others around the |
| Gonzalez then worked with | Pye Records and concentrated on live performances, |
| d Hickory Records compilation of Donovan's 1965 | Pye Records material in the United States, followin |
| w managed by John Schroeder, signed a deal with | Pye Records subsidiary Piccadilly. |
| as hired as Shaw's songwriter on her signing to | Pye Records in 1964. |
| mmie Nicol and organist Roger Coulam, he joined | PYE Records in 1965 as an arranger working alongsid |
| The album was released on | Pye Records in June 1978 and featured the singles " |
| corded the single "David, Donny and Michael", a | Pye Records release intended to capitalize on weeny |
| Fortune Smiles was reissued on vinyl in 1975 by | Pye Records (Pye 12103) with an alternative cover. |
| During the dispute, | Pye Records released "Josie" without Donovan's appr |
| In 1971, Donovan's 1965 | Pye Records recordings were sold to Hallmark Record |
| He released 24 singles and six EPs on the | Pye Records label between 1955 and 1967. |
| Petula Clark (recorded 1963, released by | Pye Records as catalog number 7N15517) |
| In 1967, | Pye Records subsidiary Marble Arch Records began re |
| , which traded as Nixa Records, was acquired by | Pye Records in 1953. |
| rmed his own band and later signed with the new | Pye Records label. |
| issued their last compilation of Donovan's 1965 | Pye Records recordings. |
| Records had gained the rights to Donovan's 1965 | Pye Records recordings. |
| ms' first release "Ragtime Girl" was put out on | Pye Records in 1963. |
| in the United Kingdom on March 12, 1965 through | Pye Records (Pye 7N 15801) and a few months later i |
| Despite Kozak's strenuous denials, | Pye Records dropped the new single from their relea |
| ds issued another repackaging of Donovan's 1965 | Pye Records recordings and titled it Minstrel Boy. |
| rds released a two record set of Donovan's 1965 | Pye Records recordings titled Donovan P. Leitch. |
| It was issued by | Pye Records in November 1967, several months after |
| ed a thirty track compilation of Donovan's 1965 | Pye Records recordings. |
| legal battles between his original record label | Pye Records and his new label Epic Records. |
| Not long after, | Pye Records culled "Remember the Alamo" from What's |
| Bethe Douglas (released September 1955 by | Pye Records as catalog number N15007, with the flip |
| originally performed by Benny Hill, released on | Pye Records (7N.15520). |
| Donovan compilation that spanned both his 1965 | Pye Records recordings and his subsequent work for |
| Mark Wynter in November 1963.It was released by | Pye Records as catalogue number 7N15577. |
| In the meantime, | Pye Records' United States distributor Hickory Reco |
| ew more singles were released, they switched to | Pye Records, and their second release, "Warpaint" ( |
| n the 1960s, first by Decca Records and then by | Pye Records, with whom it had a UK hit, "Zorba's Da |
| The Kestrels' debut single for | Pye Records, "In The Chapel In The Moonlight," orig |
| Polygon was sold to Nixa Records, then part of | Pye Records, which lead to the establishment of Pye |
| Released in late 1969 by | Pye Records, it contained material very different f |
| awn Records, the progressive rock subsidiary of | Pye Records. |
| in August 1970 for a new version of "Umbopo" on | Pye Records. |
| les Chart, despite its initial release there on | Pye Records. |
| Dawn Records was a subsidiary of | Pye Records. |
| released three albums between 1977 and 1979 on | Pye Records. |
| ony Hatch who subsequently offered the group to | Pye Records. |
| e 1970s; in 1965 he also became head of A&R for | Pye Records. |
| Love Him" was also her final single release on | Pye Records.) |
| Pye released a further compilation EP after his dea | |
| Pye returned to China at the end of World War II to | |
| 1 February, unanimously acquitting Keppel, with | Pye returning his sword with the observation that ' |
| Pye Road is a Roman road running from Camulodunum ( | |
| Pye served on several private organizations in whic | |
| Dyer also studied under John | Pye Smith at Homerton. |
| second tenure with the group was in May 1969 at | Pye Studio #2 ("Drivin" and "Mindless Child Of Moth |
| se by Petula Clark recorded in July 1965 at the | Pye Studios in Marble Arch. |
| he Wrecking Crew while the session personnel at | Pye Studios included drummer Bobby Graham, guitaris |
| composition: "Kiss Me Goodbye" in a session at | Pye Studios in Marble Arch produced by Tony Hatch a |
| onducted by Tony Hatch and were recorded at the | Pye Studios in Marble Arch with the session personn |
| Almost immediately they went into | PYE studios to record "When You Walk In The Room", |
| heir now classic Magic Shoemaker LP recorded at | Pye Studios London, in 1970. |
| where the title cut was recorded - and also at | Pye Studios in Marble Arch. |
| It was recorded at | Pye Studios, Marble Arch, London and engineered by |
| Although | Pye subsidiary Golden Hour Records released Golden |
| In 1966, they moved from | Pye to EMI-Columbia, and the following year played |
| From 1969-70, he was a Method Study Engineer at | Pye Unicam. |
| Pye v Renshaw (1951) 84 CLR 58 is a High Court of A | |
| This resulted in the later case of | Pye v Renshaw. |
| Charlotte Alington | Pye was the daughter of Henry Alington Pye, a solic |
| August Kenneth | Pye was born in New York City in 1931. |
| The College Principal is Rev. Dr. Jonathan | Pye who is also Honorary Research Fellow in Medical |
| William G. | Pye, who had joined as foreman in 1880, left in 189 |
| She would later marry art director Merrill | Pye, who would later be nominated for an Oscar for |
| rminedly and took a 13th minute lead when Jesse | Pye, who had been preferred to Dennis Wilshaw, stoo |
| British Formula Ford champion Scott | Pye will move into the championship, driving for Do |
| The new owner was | Pye Wilson Broadcasting, who switched WTTI to a Chr |
| Country candidate Henry | Pye won the resulting by-election in March 1932. |
| During his time at Yale, | Pye worked with other significant political scienti |
| Pye wrote his dissertation on the attitudes underly | |
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