「illustration」の共起表現一覧(1語右で並び替え)
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| student, he produced his first commissioned | illustration, a pencil drawing which appeared in the Oct |
| d left arm, of which in the Louvre example ( | illustration) a fragment of one twisting scrolling horn |
| However, in a 1791 Japanese wood-block | illustration, a specifically dream-destroying baku is de |
| Spring 2008, Unexpected | Illustration! a showcase of work produced by illustratio |
| in the front and back, forming a cross (see | illustration, above right). |
| The embossed gold plaque ( | illustration above right) is one of a series of identica |
| e, The Great Hall, pictured to the right of | illustration above |
| Calvary (Louvre) ( | illustration, above) |
| d English-language captions is shown in the | illustration above. |
| (See | illustration, above.) |
| mmers of '98 and '99, Sterling attended the | Illustration Academy in Kansas City, Missouri. |
| nwealth University in 2001 and attended The | Illustration Academy the following summer. |
| lso one of five core art instructors at the | Illustration Academy, held every summer at the Ringling |
| Campaign, using a specifically commissioned | illustration accompanied with the question "Do You Turn |
| The | illustration accompanying Clerck's description of Araneu |
| The cover | illustration accompanying the single depicts a hand-draw |
| Illustration accompanying the original description | |
| Illustration accompanying original description (1849) | |
| en suggested that the upper pitcher in this | illustration actually represents a composite, with featu |
| Illustration, adult summer plumage | |
| He was employed mainly on book | illustration, after the designs of John Thurston and oth |
| Inlay design and | illustration, album art and direction - Karissa Villa (f |
| Illustration and photographic manipulation by Tim Ashton | |
| literary style and format, and the arts of | illustration and book design. |
| g), design, and other areas such as medical | illustration and fashion design. |
| ined in art except for the Landon School of | Illustration and Cartooning correspondence course. |
| man was making a transition from commercial | illustration and pin-up art to portraiture. |
| aged the rector Robin Darwin by introducing | illustration and photography to ARK's covers". |
| In 1823 he began the | illustration and publishing of the journal Scottish cryp |
| ed to some extent in the areas of technical | illustration and professional design, but has largely be |
| y award-winning book, editorial, commercial | illustration and typography. |
| n Cyprus, he figured prominently in Israeli | illustration and newspaper cartooning, widely exhibiting |
| After her marriage she gave up | illustration and turned to watercolour painting. |
| Design, | illustration and photography - Dave Mckean |
| rty in 1932, switching from oil painting to | illustration and establishing himself as a left-wing art |
| mends the manga for "a distinctive style of | illustration and significantly more plot than is typical |
| t is now referred to as the "golden age" of | illustration, and is best known for his drawings and pai |
| teaches a range of courses including figure | illustration and commercial arts. |
| Design, | illustration, and photography by Dave McKean @ Hourglass |
| nia Institute of the Arts) where he studied | illustration and advertising design. |
| ion and research, archaeological computing, | illustration and design |
| He later devoted himself to book design and | illustration and was closely associated with the firm of |
| o participate in various activities such as | illustration and cosplay contests, singing competitions, |
| design, | illustration, and photography by Dave McKean @ Hourglass |
| and ex-national tennis player, she studied | Illustration and Animation at Kingston University, and E |
| nters of our times with a unique talent for | illustration and reportage which was allied to his love |
| man in London in the 1890s he took up book | illustration and then stained glass, and worked with boo |
| base will contain a wide range of material… | illustration and print cartoons categorized by subject a |
| ng, interactive design, photo manipulation, | illustration, and operating systems. |
| (pre-Meiji) Japanese wood-block prints (see | illustration) and in shrine, temple, and netsuke carving |
| t ratio, color or black and white, photo or | illustration, and facial features recognition |
| rrently attends CSULB working on his BFA in | Illustration and looks forward to spending time drawing |
| n Dublin, Harvey embarked on a mission: the | illustration and description of over 300 species of Aust |
| Holbrook majored in | Illustration and Visual Design at Auburn University in A |
| Maque ( | illustration and animation) |
| Ryo of Supercell was inspired by the | illustration and created the song "Black Rock Shooter" b |
| shed military surgeon, a pioneer of medical | illustration, and was High Sheriff of Greater Manchester |
| as won many awards for its writing, covers, | illustration and photojournalism. |
| of Milan, Dino Attanasio started to work in | illustration and animation in the 1940s. |
| gned the first Boston Public Library (1858, | illustration), and in San Francisco, California. |
| ced the north front in golden Kendal stone ( | illustration) and added a portico, 1838-41, to designs b |
| a bizarre twist of 50's underground bondage | illustration and a modern quirky English wry humour for |
| ent and temporary exhibitions of animation, | illustration, and fine art. |
| f his career in preparing drawings for book | illustration and to painting in watercolour. |
| e Arts with majors in Painting and Drawing, | Illustration, Animation, Graphic Design, and Game Art. |
| subsequently featured in three of their CA | Illustration Annuals. |
| eder, the Polish presidential palace, whose | illustration appears on the company's bottles. |
| The | illustration appears to be a group of churchmen, with a |
| h remixes by Sbassship and Reeno, the cover | illustration are by Bill Wray (known for his work on the |
| Fred Deakin: Band Member, Design, | Illustration, Art Direction |
| lter died, and Ellen (aged 42), returned to | illustration art to support herself and her family. |
| to books, magazines, audio books, journals, | illustration art, vintage photographs and paper ephemera |
| Brandywine School was later applied to the | illustration artists and Wyeth family artists of the Bra |
| shed various scholarly papers about medical | illustration as applied to ophthalmology. Lee retired fr |
| he and Michael Rand revitalised the use of | illustration as a key adjunct to stories. |
| He worked in commercial | illustration as well, but Jared French, another tempera |
| She is also a teacher of Children's Book | Illustration at the SMFA and Massachusetts College of Ar |
| She then studied | illustration at the Royal College of Art, graduating wit |
| Hissey studied Design and | Illustration at Brighton and became an art teacher at a |
| See further details and an | illustration at Graha bedham on Ragavardini. |
| He has also taught painting and | illustration at the Joe Kubert School of Cartoon and Gra |
| et College followed by a diploma in fashion | illustration at Epsom School of Art & Design. |
| He has since resumed instructing | Illustration at SCAD. |
| , England, Cooney developed his interest in | illustration at the Chelsea College of Art and subsequen |
| He then studied | illustration at the Art Center College of Design in Pasa |
| In 1894 he began teaching | illustration at the Drexel Institute of Art, Science and |
| ised in San Jose, California, Scott studied | illustration at the Academy of Art University in San Fra |
| to Cleveland in 1975 to major in design and | illustration at the Cleveland Institute of Art. |
| (See | illustration at right). |
| llege before completing an MA in Sequential | Illustration at Brighton College of Art. |
| She taught | illustration at the Ontario College of Art for ten years |
| After studying graphic design and | illustration at the Art Academy in Utrecht, Driessen beg |
| ege, Cambridge and studied Art Nouveau book | illustration at the Courtauld Institute of Art. |
| National Cartoonist Society Advertising and | Illustration Award for 2001, with an additional nominati |
| his work include the Francis Williams Book | Illustration Award for Alice in Wonderland, the American |
| d six times for National Cartoonist Society | Illustration awards, and received the National Cartoonis |
| The “Judging Panels Recommended | Illustration Award” and the “Judging Panels Recommended |
| Cover Art - Mary Walsh Photo/ Dennis Luzak | Illustration Back cover *Photography - Mary Walsh Inner |
| where his talent for art, and specifically | illustration, became distinctly apparent. |
| g sticks to his stick and when she drops an | illustration because she's fixing her hair. |
| hy and sculpture-for book jacket and poster | illustration before committing herself to painting in 19 |
| se vessels were elaborately figurative (see | illustration below right), decorated with polychrome gla |
| inal with his own Cupid and Psyche of 1808 ( | illustration, below left) |
| And the iconic image of America ( | illustration, below left) shows a Native American maiden |
| Sainte-Chapelle in Paris), which survives ( | illustration, below). |
| of the outer node captions, as in the next | illustration below.) |
| Illustration: Bill Nelson | |
| Casein on | illustration board was a popular medium, as well as goua |
| works included pencil on vellum and inks on | illustration board. |
| Cover | illustration: Bob Peak |
| of the CD Only edition came with an 80 page | illustration book drawn by Ai Otsuka herself (limited to |
| apanese manga, novels and instructional and | illustration books in North America with multiple imprin |
| ecosystems, natural history and its art and | illustration, both art history and techniques. |
| mere similitudes which serve the purpose of | illustration, but are internal analogies where nature be |
| e one for the golden rectangle shown in the | illustration, but extending the arc of length √5⁄2 to bo |
| rs equipped with the short XV-inch gun (see | illustration), but the presence of the smoke-boxes slowe |
| Yellow-billed Toucanet, | illustration by Keulemans, 1891 |
| Male of subspecies C. c. roraimae (top), | illustration by Joseph Smit, 1886 |
| design and | illustration by Dave McKean |
| Thor kicks Litr onto Baldr's burning ship, | illustration by Emil Doepler (ca. |
| An autographed T-shirt featuring an | illustration by Na-Ga of Riki Naoe from Little Busters! |
| 9. Woodblock | illustration by Rita Corbin. |
| With ducklings, | illustration by Keulemans, 1895 |
| Illustration by Leonard Leslie Brooke of the story "Thre | |
| A. p. manilensis, | illustration by Keulemans, 1898 |
| Design and | illustration by Dave McKean |
| Script by Mark Verheiden, art and title | illustration by Den Beauvais and lettering by Willie Sch |
| epidonota, female (above) and male (below); | illustration by Keulemans, 1892 |
| Botanical | illustration by Lewis Roberts (naturalist) |
| Svipdagr meets his beloved in this | illustration by W. G. Collingwood. |
| Illustration by Louis Breton from Dictionnaire Infernal) | |
| A fairy offering wishes, | illustration by John Bauer to Alfred Smedberg's The seve |
| S. drummondii | illustration by Augusta Innes Withers |
| ove), and Scaly-crowned Honeyeater (below); | illustration by Joseph Smit, 1884 |
| One Way Ticket Page 18, | Illustration by Daniel Warner; Story by Chris Arrant |
| paper supplement This Week magazine with an | illustration by Stanley Parkhouse. |
| Illustration by Edward Donovan, c. 1802-1808 | |
| Illustration by David B. Mattingly for the inside illust | |
| Mendoza, Villagra y Quiroga in an | illustration by Alonso de Ovalle |
| Thor Kicks Litr onto Baldr's Burning Ship, | illustration by Emil Doepler (ca. |
| All of the instalments carried an | illustration by Steven Spurrier. |
| The death of Hadingus, | illustration by Louis Moe |
| Gram kills king Henry, | illustration by Louis Moe |
| Illustration by John Gerrard Keulemans of a female and m | |
| Each installment was accompanied by an | illustration by Gilbert Gaul. |
| Subspecies A. s. erythrognathus, | illustration by Keulemans, 1891 |
| ( | Illustration by R.C. Armour, from his book North America |
| Subspecies C. f. occidentalis, | illustration by Keulemans, 1881 |
| a joke book was written by Alan Durant with | illustration by Paul Tempest. |
| iliaris (middle), and G. c. jalla (bottom); | illustration by Joseph Smit, 1890 |
| A sample | illustration by Greville: Begonia_gracilis - Published i |
| Subspecies A. m. insolens, | illustration by Joseph Smit, 1888 |
| Subspecies A. m. solitaria, | illustration by Joseph Smit, 1888 |
| Glasgow in 1985 and explored as a plausible | illustration by several other scientists, including Rich |
| Tituba, | illustration by John W. Ehninger, to accompany the play |
| nation and no Separation, a sermon, with an | Illustration by another Hand,' (1865). |
| (above), and Yellow-headed Warbler (below); | illustration by Keulemans, 1885 |
| "The Journey": | illustration by Elizabeth Shippen Green for a series of |
| The cover features an | illustration by Tor Aage Larsen Vorren. |
| Subspecies A. t. brunnescens, | illustration by Joseph Smit, 1890 |
| Illustration by Keulemans, 1885 | |
| Illustration by Otto Finsch | |
| 1940 under the title Vanishing Lady with an | illustration by C.C. Beall |
| Illustration by Keulemans, 1881 | |
| M. a. davisoni (top), | illustration by Joseph Smit, 1891 |
| Illustration by Masako Takeda | |
| Illustration by Jean de Bosschere in Ovid's Ars Amatoria | |
| Illustration by J.R. Skelton. | |
| Illustration by Keulemans, 1891 | |
| An autographed T-shirt featuring an | illustration by Hinoue of Yuiko Kurugaya from Little Bus |
| Illustration by Hart, 1888 | |
| Illustration by Randy Barrett | |
| Illustration by Keulemans, 1893 | |
| Illustration by Christian Krohg. | |
| Illustration by Carl Larsson. | |
| Illustration by Holman Hunt to Thomas Woolner's poem "My | |
| Illustration by Joseph Wolf | |
| Illustration by Keulemans, 1892 | |
| loor hall window to south of entrance door, | illustration by Joseph Nash, c.1840 |
| Map | Illustration by Douglas TenNapel. |
| 1898 | illustration by GY Kauffman. |
| Illustration by John D. Batten | |
| list by Publishers Weekly, featured a cover | illustration by CRASS artist Gee Vaucher, and was releas |
| Illustration by artist Herb Roe | |
| Cover | illustration by Dan Lightner. |
| Illustration by Joseph Smit, 1896 | |
| "O Waken, Waken, Burd Isbel", | Illustration by Arthur Rackham to Young Bekie: Billy Bli |
| featured 3 alternative covers, each with an | illustration by Ferry on the back. |
| Cocodaner, | Illustration by Daniel Warner |
| Illustration by W. G. Collingwood. | |
| Illustration by R A Sterndale | |
| Cover | illustration by Lawrence Fletcher. |
| Botanical | illustration by Gerald Sibelius |
| Illustration by Joseph Smit, 1898 | |
| Illustration by Gerhard Munthe (1899) | |
| e will come with a microfiber towel with an | illustration by Mutsumi Sasaki and a special Dengeki G's |
| Illustration by Joseph Wolf (1865) | |
| The Towne of Pomeiooc, engraved | illustration by de Bry accompanying Thomas Hariot's book |
| Osborn was not impressed with the | illustration, calling it: "a figment of the imagination |
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