「Rojo」に関連した英語例文の一覧と使い方 - Weblio英語例文検索

His father Kagenori became the head of the guards of the imperial tomb of Emperor Toba later, and his mother Toshiko MIYAKE served as Rojo (senior lady-in-Waiting) and Yuhitsu (private secretary) of the Arisugawanomiya family. 例文帳に追加

景則は後に鳥羽天皇の山陵長となり、母・三宅登士子は有栖川宮家の老女・祐筆を勤めた。 - Wikipedia日英京都関連文書対訳コーパス

Otoshiyori was a female servant post (or also indicated the servant herself) in O-oku (the inner halls of Edo Castle where the wife of the Shogun and her servants resided) in the Edo period, and was often called Rojo as well. 例文帳に追加

御年寄（おとしより）は江戸時代の大奥女中の役職名で、老女と呼称される事もある。 - Wikipedia日英京都関連文書対訳コーパス

He moved to the Shochiku Kinema Kenkyu-jo production company with Osanai and served as assistant director on the company's first film "Rojo no Reikon" (Souls on the Road) in 1921. 例文帳に追加

小山内に従い、松竹キネマ研究所に移り、1921年製作の、研究所第1回作品『路上の霊魂』の助監督を務める。 - Wikipedia日英京都関連文書対訳コーパス

When Osanai established the 'Shochiku Cinema Laboratory,' he joined him and was involved in the first production "Rojo no Reikon" (Souls on The Road) as both a director and an actor. 例文帳に追加

小山内が「松竹キネマ研究所」を設立すると行動をともにし、その最初の作品『路上の霊魂』の監督、出演をこなす。 - Wikipedia日英京都関連文書対訳コーパス

He left Shingeki (literally, new play) to join 'Eiga Geijutsu Kyokai' (literally, Movie Art Association) which had been established by Norimasa KAERIYAMA, and is known to have worked on "Rojo no Reikon" (Souls on The Road) as a director when he was at Shochiku Cinema Laboratory established by Kaoru OSANAI. 例文帳に追加

新劇から帰山教正の「映画芸術協会」に参加、小山内薫の「松竹キネマ研究所」で『路上の霊魂』を監督したことで知られる。 - Wikipedia日英京都関連文書対訳コーパス

Heisuke KUDO, a doctor of the Sendai domain, presented Okitsugu TANUMA, then shogunate senior councillor (rojo), with ' (A study of rumors about Russians (Akaezo-fusetsu-ko)' in 1783 to prepare for threats from Russia, a northern large country. 例文帳に追加

仙台藩医の工藤平助は、迫りくる北方の大国ロシアの脅威に備える為「赤蝦夷風説考」を天明3年（1783年）、当時の幕府老中、田沼意次に献上した。 - Wikipedia日英京都関連文書対訳コーパス

Due to a fire that occurred in Nikkatsu's film warehouse before the war, only two movies exist, "Rojo no Reikon" (Souls on The Road) as an initial study product and "Muteki" which he shot in Shinko Cinema, so he is said to be one of the most difficult directors to evaluate. 例文帳に追加

戦前の日活のフィルム倉庫の火災などにより、初期の習作『路上の霊魂』と新興キネマで撮った『霧笛』の二作しか現存していないため、最も評価の困難な監督の一人として知られる。 - Wikipedia日英京都関連文書対訳コーパス

However, there are various theories concerning Joro-otoshiyori as in the following: One theory is that the female servants who were positioned in the highest post of the female servants in O-oku, or the Joro-otoshiyori post described above, were simply called Joro, and of those in the Joro post, the persons who were also appointed to the Toshiyori post were called Joro-otoshiyori, and the other theory is that the persons in the Joro-otoshiyori post, in the Ko-joro (female servants training to become Joro servants) post, and in the Otoshiyori post were totally called Rojo. 例文帳に追加

しかし上臈御年寄に関しては諸説あり、先述した上臈御年寄の役にある大奥女中最高位の女中を単に上臈と言い、その上臈の役にある者で御年寄の役を兼ねていた者を上臈御年寄と言うという説や、上臈御年寄・小上臈（上臈の見習い役）・御年寄の総称を老女とする説も存在する。 - Wikipedia日英京都関連文書対訳コーパス