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Wiktionary英語版での「sgian-dubh」の意味 |
sgian-dubh
sgian dubh
出典:『Wiktionary』 (2025/12/11 19:05 UTC 版)
語源
Borrowed from Scottish Gaelic sgian-dubh: sgian (“knife”) (ultimately from Proto-Indo-European *sek- (“to cut; to cut off, sever”)) + dubh (“black; (figurative) hidden”) (ultimately from Proto-Indo-European *dʰewbʰ- (“deep”)).
The plural form sgianan dubha is also borrowed from Scottish Gaelic.
発音
- (Received Pronunciation) IPA: /skiː.ənˈduː/
- (General American) IPA: /ski.ənˈdu/
- 韻: -uː
- ハイフネーション: sgi‧an dubh
名詞
sgian dubh (plural sgian dubhs or sgians dubh or (rare) sgianan dubha)
- (Scotland) A small, single-edged knife worn tucked into the hose (stocking) as part of traditional Scottish Highland dress along with the kilt.
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1823, [Walter Scott], “The Bohemians”, in Quentin Durward. […], volume I, Edinburgh: […] [James Ballantyne and Co.] for Archibald Constable and Co.; London: Hurst, Robinson, and Co., →OCLC, page 129:
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[Y]oung Durward sprung lightly as the ounce up into the tree, drew from his pouch that most necessary implement of a Highlander or woodsman, the trusty skene dhu, and, calling to those below to receive the body on their hands, cut the rope asunder in less than a minute after he had perceived the exigency.
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1831, Andrew Picken, “The Deer-stalkers of Glenskiach. A Highland Legend.”, in [Andrew Picken], editor, The Club-book: Being Original Tales, &c. […] (Harper’s Library of Select Novels; XIV), Harper’s stereotype edition, volume II, New York, N.Y.: […] J[ames] & J[ohn] Harper; […], →OCLC, chapter IX, page 133:
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[1857, Standish Hayes O’Grady, editor, Toruigheacht Dhiarmuda agus Ghrainne; or, The Pursuit after Diarmuid O’Duibhne, and Grainne the Daughter of Cormac mac Airt, King of Ireland in the Third Century (Transactions of the Ossianic Society for the Year 1855; III), Dublin: […] [F]or the Ossianic Society, by John O’Daly, […], →OCLC, footnote 3, pages 97–98:
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1874 March, Archibald Forbes, “The Inverness Character Fair”, in The Gentleman’s Magazine, volume XII (New Series), London: Grant & Co., […], →OCLC, page 325:
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It strikes me that quite three-fourths of the shops of Inverness are devoted to the sale of articles of Highland costume. Their fronts are hidden by hangings of tartan cloth; the windows are decked with sporrans, dirks, cairngorm plaid-brooches, ram's head snuff[-]boxes, bullocks' horns and skean dhus.
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1890 October, A. P. Skene, “Notes on the Origin of the Name, Family, and Arms of Skene”, in Scottish Notes and Queries, volume V, number 5, Aberdeen, Aberdeenshire: D. Wyllie & Son, […], published 1891, →OCLC, section III (Origin of the Arms (continued)), page 86, column 1:
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When I first saw engravings of these seals, I took Patrick's to bear the Skene coat, as always known since—three skenes, points upwards, bearing three wolves' heads. The blades show but little, but this could well be, even with skenes dhu, if they were pushed right up to the skull: the heads, however, are far too small.
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1931, Francis M. Kelly, Randolph Schwabe, “‘Mixed’ Armour (Late)”, in A Short History of Costume & Armour, Mineola, N.Y.: Dover Publications, published 2002, →ISBN, part II (Armour), pages 67–68:
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It is to be noted that the Dagger does not become a regular feature of knightly accoutrement till the middle of the fourteenth century. [...] A very usual form, both in military and civilian circles, was the Ballok Knife (moderns term it a "kidney dagger"), a type that persisted till the sixteenth century, and whose modern analogue is the Highland dirk (skean-dhu).
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1941 September, Pat Dwyer, “The Adventures of Bill”, in Frank G. Steinebach, editor, The Foundry, volume 69, number 9, Cleveland, Oh.: The Penton Publishing Co., →OCLC, page 78, column 1:
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The smith can take a hunk of metal and hammer it out to the desired shape. He can see the result of every hammer stroke. He knows before the job is finished whether the skull cracker, the skean dhu or stingaree is going to serve its purpose in a private or public bickering, or merely is a piece of scrap to be hidden in the clinkers, cinders and junk pile back of the forge or under the bellows.
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2005, Philip Zaleski, Carol Zaleski, “Prayer and Tradition”, in Prayer: A History, Boston, Mass.: Houghton Mifflin Company, →ISBN, page 233:
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For nearly half a century this gentle Scottish scholar [Alexander Carmichael] crisscrossed the meadows and moors, mountains and islands of northern Scotland, clad in full Highlands regalia, with kilt, sporran, and sgian dubh (dagger), a walking stick in his right hand and a notebook in his left, sleeping under the stars or in rude shepherds' huts, knocking at a cottage here and a manor house there, and courteously begging, when the door cracked open, for a chance to explain his quest. His mission was to seek out, collect, and preserve the vanishing Gaelic folklore—hymns and tales, incantations, and curses, and above all, prayers—of this remote Highlands region, where the corrosive culture of modernity had not yet won the day.
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2012 January 3, C. R. Jahn, “The Subtle Blade”, in FTW Self Defense, Bloomington, Ind.: iUniverse, →ISBN, page 133:
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If you do not care if your knife appears a bit weaponlike, go for a sgian dubh style blade, but be sure to pick out a good one as most eBay sgian dubhs are practically nonfunctional replicas.
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2012 March, William W[allace] Johnstone, with J. A. Johnstone, chapter 14, in The Killing (MacCallister: The Eagles Legacy), New York, N.Y.: Pinnacle Books, Kensington Publishing Corp., →ISBN, page 166:
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[H]e had a complete Black Watch uniform, which consisted of [...] a kilt of blue and green tartan, a black waistcoat, an embossed leather sporran which he wore around his waist, knee-high stockings, and the sgian dubh, or ceremonial knife tucked into the right kilt stocking, with only the pommel visible.
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