「FARCE」に関連した英語例文の一覧と使い方(3ページ目) - Weblio英語例文検索

As well as playing traditional heroes from kabuki (traditional drama), gidayu and kyogen (farce), he made use of his athleticism in many monster and ninja movies. 例文帳に追加

歌舞伎、義太夫、狂言などに登場するありとあらゆるヒーローはもちろん、その激しい動きを生かして怪獣・忍術ものも多く作られた。 - Wikipedia日英京都関連文書対訳コーパス

Currently, he opens the door to the public including setting up training rooms in five prefectures in Kyushu centering around Fukuoka and is working for dissemination and education of Kyogen (farce played during a Noh cycle). 例文帳に追加

現在は福岡を中心に九州5県に稽古場を開設するなど、一般にも門戸を開き、狂言の普及・指導に努めている。 - Wikipedia日英京都関連文書対訳コーパス

While all other brothers became Kyogen (farce played during a Noh cycle) actors, he, who was seeking the path to be a Noh actor, was apprenticed to Motomasa KANZE, the 25th, in 1952, and underwent training under Hisao KANZE. 例文帳に追加

兄弟が狂言師となる中でひとり能役者に進むべく、1952年、二十五世観世元正に内弟子入門、観世寿夫に師事。 - Wikipedia日英京都関連文書対訳コーパス

It is also supposed that he was born into a family of Kyogen (farce played during a Noh cycle) or Joruri (dramatic narrative chanted to a samisen accompaniment), and in the Kaei era he trained himself under Denjiro NAKAMURA the first of Shigayama school in Edo. 例文帳に追加

狂言師、または浄瑠璃の家に生まれたとも、嘉永時代に江戸にて志賀山流・初世中村伝次郎の元で修行を積む。 - Wikipedia日英京都関連文書対訳コーパス

He learned Okura school of "kyogen" (a farce played during a Noh cycle) with his older brother and a kyogen performer, Kanjiro NAKAMURA, and with this experience, he created the dance, "Saruwaka," his lifetime masterpiece. 例文帳に追加

兄の狂言師、中村勘次郎らと大蔵流狂言を学び、その経験を生かして、生涯の傑作、舞踊『猿若』を創作したという。 - Wikipedia日英京都関連文書対訳コーパス

Torahiko ENOMOTO (February 24, 1866 - November 16, 1916) was a Kyogen (farce played during a Noh cycle) and Kabuki (traditional drama performed by male actors) writer, who lived during the Meiji and Taisho Periods. 例文帳に追加

榎本虎彦（えのもととらひこ、慶応2年1月10日(旧暦)（1866年2月24日）-大正5年（1916年）11月16日）は明治・大正期の狂言・歌舞伎作家。 - Wikipedia日英京都関連文書対訳コーパス

In the Kyogen (farce played during a Noh cycle) "Satsuma no kami," there is depicted a priest who tried to get off the boat without paying the fare, so it has long been known as a kakekotoba (a pun used in Waka, what is now called dajare). 例文帳に追加

狂言『薩摩守』で船賃を踏み倒そうとする出家僧が描かれており、かなり昔からの掛詞（今で言う駄洒落）であると知れる。 - Wikipedia日英京都関連文書対訳コーパス

Legend says that, in order for the protagonist (shite) to have time to change costumes, the role of the Noh farce pro was created to relate the two sessions of the Noh story. 例文帳に追加

前後でシテが装束を変えるために、その場をつなぐ目的で狂言方の役者が能の物語にまつわる古伝承や来歴を語るものである。 - Wikipedia日英京都関連文書対訳コーパス

This is a precious record from which we can gather the fact that Sangaku performers at the time performed not only stunts but also humorous mimicry which led to kyogen (farce played during a Noh play cycle). 例文帳に追加

当時の散楽師が曲芸だけでなく、今の狂言に通じる滑稽物真似的な芸もしていたことが窺える貴重な記録である。 - Wikipedia日英京都関連文書対訳コーパス

In the Medieval period, the 'Urashima Taro' from "Otogi zoshi" became a theme for picture scrolls, Noh plays, and Kyogen (a farce played during a Noh play cycle), and the story reached a much wider audience, becoming further popularized during the Edo Period. 例文帳に追加

中世になると、『御伽草子』の「浦島太郎」をはじめ絵巻・能・狂言の題材になり、読者・観客を得て大衆化していき、江戸時代に受け継がれた。 - Wikipedia日英京都関連文書対訳コーパス

The School originated in gotenmai, a traditional Japanese dance style developed by kyogen (farce played during a No play cycle) performers who served at the Imperial Palace in Kyoto at the end of the Edo period, and was established in early Meiji period by Fuji YOSHIMURA. 例文帳に追加

江戸時代末期に京都の京都御所に出仕した狂言師が始めた御殿舞を源流とし、明治初期に吉村ふじによって創設された流派。 - Wikipedia日英京都関連文書対訳コーパス

The techniques of the members of the Nohgaku Performers' Association, i.e., expert Noh performers, and their amateur pupils are divided into the following four categories: 'Shitekata' (main role), 'Wakikata' (supporting actor), 'Hayashikata' (people who play hayashi, or the musical accompaniment), and 'Kyogenkata' (farce actor). 例文帳に追加

能楽協会会員すなわち玄人の能楽師および彼らの素人弟子たちの技術は、「シテ方」「ワキ方」「囃子方」「狂言方」の4種類に分けられる。 - Wikipedia日英京都関連文書対訳コーパス

In the opening Kyogen (farce played during a Noh play cycle), the ai (role of a kyogen actor in Noh) explains that we are at Ungo-ji Temple and today is Kechigan (the last day) of Nanoka seppou (seven days of sermons) by Jinen Koji (a boy monk of hanzoku [monk living as ordinary people]). 例文帳に追加

狂言口開けで、アイがここは雲居寺境内、今日は自然居士（半俗の少年僧）の七日説法の結願（最終日）であると説明する。 - Wikipedia日英京都関連文書対訳コーパス

Irrespective of the field of Japanese public entertainment, be it: Noh dramas, Kyogen farce, Bunraku puppet theater, traditional Japanese music (accompaniments to Noh and Kabuki to the popular Tsugaru-shamisen three stringed banjo-like instrument), or Classical Japanese dance, the custom of inheriting professional artists Myoseki `names` exists. 例文帳に追加

能楽、狂言、人形浄瑠璃、邦楽（能や歌舞伎から大衆的な津軽三味線まで）、日本舞踊と、日本の芸能のいずれの分野にも名跡襲名が存在する。 - Wikipedia日英京都関連文書対訳コーパス

It is the temple featured in the Yuzu Nenbutsu (reciting the name of Amida Buddha) Kyogen (farce played during a No play cycle) 'Mibu-dera Mibu Kyogen' that was written by the monk Engaku Shonin who restored the temple during the medieval period, and is also known for its connection to the Shinsengumi (a group who guarded Kyoto during the end of Tokugawa Shogunate). 例文帳に追加

中世に寺を再興した円覚上人による融通念仏の「壬生寺壬生狂言」を伝える寺として、また新選組ゆかりの寺としても知られる。 - Wikipedia日英京都関連文書対訳コーパス

This is a kind of mono zukushi (list of things) or shokunin zukushi (list of craftsmen), in which the author listed social conditions, trades, public entertainment, and culture under the pretense of a man who went to see sarugaku (a medieval Noh farce) at Kyo one night. 例文帳に追加

ある晩京の猿楽見物に訪れた家族の記事に仮託して当時の世相・職業・芸能・文物などを列挙していった物尽くし・職人尽くし風の書物である。 - Wikipedia日英京都関連文書対訳コーパス

In the story of Ikkyu san, Ikkyu found Osho (a priest)'s treasured mizuame and ate the whole thing while he was out, and his story about making an excuse was famous, and its content is similar to that of "Busu" of kyogen (a farce played during a noh play cycle). 例文帳に追加

一休さんで、一休が和尚さんの留守中に秘蔵の水飴を見つけて全部食べてしまい、言い逃れる話は有名（内容は狂言の『附子』〔ぶす〕とほぼ同じ）。 - Wikipedia日英京都関連文書対訳コーパス

A cutting farce :is calculated in a cutting force calculation part 1, for example, from a current of a motor for driving a travel base, and speed vector is multiplied in a cutting force vector calculation part 2 to calculate cutting force vector.例文帳に追加

切削力算出部１にて例えば移動台駆動用のモータの電流から切削力を算出し、切削力ベクトル算出部２にて速度ベクトルを乗じて切削力ベクトルを算出する。 - 特許庁

Mokuami had the character Obo Kichisa of his former work of "Amimoyo toro no kikukiri" (common name 'Kozaru shichinosuke') relate to the two other Kichisa, and parodies the Kyogen (farce played during a No play cycle) of Yaoya Oshichi (greengrocer Oshichi). 例文帳に追加

黙阿弥は旧作の『網模様燈籠菊桐』（通称「小猿七之助」）の登場人物であるお坊吉三にあと2人の吉三を絡ませ、さらに八百屋お七の狂言をパロディ化している。 - Wikipedia日英京都関連文書対訳コーパス

The locking of the brake and the core shaft is performed by the dock 821 being the meshing clutch to allow braking farce to act on the film in the apparatus main body to impart a predetermined tension to the film.例文帳に追加

また、蓋体２１を閉じた状態では、噛合いクラッチであるドック８２１によりブレーキと芯軸との係合が接続されて、装置本体内のフィルムにブレーキ力を作用し、所定張力を付与する。 - 特許庁

Noh actors are divided into shite-kata (main actors), waki-kata (supporting actors), kyogen-kata (farce actors) and hayashi-kata (musicians; further divided into fue-kata [flute players], kotsuzumi-kata [small hand drum players], otsuzumi-kata [large hand drum players] and taiko-kata [drum players]) according to their roles, the last three of which are collectively called the sanyaku (three roles). 例文帳に追加

能楽師には、シテ方、ワキ方、狂言方、囃子方（笛方・小鼓方・大鼓方・太鼓方）の職掌があり、特にワキ方・狂言方・囃子方を総称して三役ともいう。 - Wikipedia日英京都関連文書対訳コーパス

Mai-goto means abstract acts (mai) that, in Noh, the shite (an actor playing the leading part), tsure (a supporting actor) and waki (the partner of a shite) perform accompanied solely by the hayashi (music played in the background), mostly in the latter half of a Noh or a Kyogen (a farce played during a Noh cycle) play. 例文帳に追加

舞事（まい-ごと）とは、能において、主として一曲の能や狂言の後半部分に能シテ、能シテ、能ワキが能囃子のみによって演じる抽象的な所作（舞）をいう。 - Wikipedia日英京都関連文書対訳コーパス

Each kiseru appearing on Kabuki and Kyogen (farce played during a No play cycle) is different in shape, such as Goemon ISHIKAWA's silver nobe-kiseru in the 'Sammon Gosan No Kiri' (The Temple Gate and the Paulownia Crest), Kuemon KEZORI's big kiseru with Netherlandish patterns in the 'Hakata Kojoro Namimakura' (voyage of geisha girl in Hakata) and amongst others. 例文帳に追加

「楼門五三桐」の石川五右衛門の銀の延煙管、「博多小女郎浪枕」の毛剃のオランダ模様のある大きな煙管など、歌舞伎狂言によってそれぞれ形がある。 - Wikipedia日英京都関連文書対訳コーパス

However, Onami seemed to worry about the political situation, and his life style was not easy, for it was stated in the records that he visited the Inryoken Household of Sokoku-ji Temple in 1466 and forcefully performed a short song accompanied with shamisen and komai (short dances in Noh farce). 例文帳に追加

とはいえ政情の不安もあり、暮らし向きはそれほど楽でなかったようで、文正元年（1466年）には相国寺の蔭涼軒を訪ね、押し売り同然に小歌・小舞を披露したことが記録に残っている。 - Wikipedia日英京都関連文書対訳コーパス

Since oharame is well known as fubutsushi (a poetic expression for certain events or things) of Kyoto, it is mentioned in works of contests of craftspeople in the medieval period such as ''Tohokuin Shokunin Zukushi Uta-awase" (Poetry Contest of Craftspeople of Tohokuin Temple)' and "Shichiju-ichi-ban Shokunin Uta-awase" (Poetory Contest Among People of Various Occupations in Seventy-one Rounds), and it also appears in Kyogen (farce played during a Noh cycle) and dance performances. 例文帳に追加

京都の風物詩として著名で、「東北院職人尽歌合」や「七十一番職人歌合」など中世の職人歌合において記され、狂言・舞踏にも登場する。 - Wikipedia日英京都関連文書対訳コーパス

To provide a percussion type musical tone controller which can obtain almost the same output with the same striking farce irrelevantly to the striking position, and to make a visual display corresponding to the striking style of a pad surface and to control plural musical tone elements.例文帳に追加

打撃位置に拘わらず同じ打撃力なら同程度の出力が得られる打楽器型楽音制御装置を提供するとともに、パッド面の打撃態様に応じた視覚表示を行なったり複数の楽音要素を制御する。 - 特許庁

This Honzen ryori (formally arranged meal) was just ceremonial; after this was the Noh play and the Noh farce, then a light meal and sake was served such as udon (Japanese thick white noodles) and thin wheat noodles which was the actual feast. 例文帳に追加

この本膳料理は少なからず儀礼的な物であり、この後に能や狂言などの演技が行われつつ、後段と呼ばれるうどんや素麺といった軽食類や酒肴が出されて、ここで本来の意味での酒宴になった。 - Wikipedia日英京都関連文書対訳コーパス

Ie No Gei (literally, performance of a family) means performances or repertories of traditional performing arts such as Noh, Kyogen (farce played during a Noh play cycle), Joruri (Ballad drama), Kabuki, Kabuki Buyo (Kabuki Dance) and Kamigata mai dance, which have been passed down by the family recognized as the iemoto (the head family of a school) for generations, and especially the family has a good skill to perform them. 例文帳に追加

家の芸（いえのげい）とは、能・狂言・浄瑠璃・歌舞伎・歌舞伎舞踊・上方舞などの伝統芸能において、家元とみなされる家に代々相伝する、その家が特に得意としている芸や演目。 - Wikipedia日英京都関連文書対訳コーパス

On the other hand, when Manzo NOMURA, the seventh, Mansaku NOMURA, Shime SHIGEYAMA and his brother Sennojo SHIGEYAMA performed activities different from Kyogen (farce played during a Noh play cycle) in the post war period, Kyuen expressed negative attitude as a chairman of the Nohgaku Performers' Association, and he once insisted the expulsion of Sennojo. 例文帳に追加

一方で、戦後、野村万蔵(7世)・野村万作や茂山七五三・茂山千之丞の兄弟が狂言以外の分野で活動を行った際には、能楽協会理事として否定的な態度を崩さず、一時千之丞の除名を主張した。 - Wikipedia日英京都関連文書対訳コーパス

The oldest song "Chasanhai" (also known as "Chasanbai") that is categorized as tojinuta is a kyogen-kouta (a song for kyogen [a farce played during a Noh play cycle]), 'すうらんどんほごいてうぶゆがんなんつるほうけなんがんこいもんがんごいせつばせいやらてうをたら.' 例文帳に追加

唐人歌に分類されるもので最古のものは、『茶盃拝』（『茶子味梅』とも）にある狂言小歌の「すうらんどんほごいてうぶゆがんなんつるほうけなんがんこいもんがんごいせつばせいやらてうをたら」という歌である。 - Wikipedia日英京都関連文書対訳コーパス

Particularly with regard to the traditional performance arts, court nobles and the founders of a particular style of performing art (philosophy) would pass on the knowledge and skills of their tradition to their descendants; this would result in a kind of family business and even today heredity is commonly found in Kabuki, Noh drama, Kyogen (farce played during a Noh play cycle), swordsmanship, martial arts, Japanese archery and manners. 例文帳に追加

ことに伝統芸能については公卿やその芸道(哲学)の開祖が子々孫々その伝統を継承したことから家業となし、今日でも歌舞伎、能、狂言をはじめ、剣術・武道、弓術、礼法などでは世襲が一般的にみられる。 - Wikipedia日英京都関連文書対訳コーパス

The work is written in the classic form of Fukushiki Mugen-Noh, which consists of three parts: a first part in which travelling monks happen to see fishermen, the Kyogen part (a farce played during a Noh play cycle) in which the fishermen have disappeared and the monks ask a local villager about this mystery, and a last part in which the main character Yoshitsune appears as a ghost. 例文帳に追加

作品は典型的な複式夢幻能の形式をとり、旅の僧が漁師にであう前段、漁師がきえた後、僧がその不思議を土地の住人にたずねる狂言部分、主人公義経が生前の姿であらわれる後段の三部構成をとる。 - Wikipedia日英京都関連文書対訳コーパス

Yuzu Nenbutsu became popular, such as in Dainenbutsu-ji Temple at Hirano (Osaka City) in Osaka and Seiryo-ji Temple and Mibu-dera Temple in Kyoto, and Dainenbutsu-kyogen Dainenbutsu Kyogen (Kyogen (farce played during a No play cycle) to teach Buddhism to the public) by Engaku Shonin, the restorer of Yuzu Nenbutsu, and has been transmitted at Mibu-dera Temple, Seiryo-ji Temple, Injo-ji Temple (Kyoto City) and Shinsen-en. 例文帳に追加

大阪の平野(大阪市)の大念仏寺をはじめ、京都の清凉寺や壬生寺などで融通念仏が盛んになり、壬生寺や清凉寺、引接寺(京都市)、神泉苑には融通念仏の中興者である円覚上人による大念仏狂言が伝えられている。 - Wikipedia日英京都関連文書対訳コーパス

To release the rotation starting farce in the conventional system owing to only the reverse rotation of the wheel in the-carriage advance converting time, and the side deflection of the carriage in the converting time, by using a free wheel which slides its wheel installing part, for the free wheel installed to the carriage.例文帳に追加

従来の自在車輪は台車の進行切替え時に、直進始動力に対して３〜５倍の旋回始動力が必要であり、また進行切替え時に車体が左右に横振れして、狭い通路で車体が左右いずれかの対物に接したとき、進行不可能なことが有る、進行切り替え時に要する力量の省力と、台車が横振れしない構造とする。 - 特許庁

In gripping an object via contact therewith of some finger mechanism and the palm part 1, when any one of the force sensors 60 and 61 of the finger mechanism and the force sensor 60 of the palm part 1 detects external farce through contact with the object, the joints of the finger mechanism are actuated so that a force sensor nearer to this force sensor will detect external force earlier.例文帳に追加

ある指機構と手掌部１とを物体に接触させて該物体を把持する場合に、その指機構の力センサ６０，６１と手掌部１の力センサ６０のいずれかが物体との接触に伴う外力を検知したとき、その力センサにより近い力センサが順次外力を検知するように指機構の関節を作動させる。 - 特許庁